Whenever Tony Thrown makes his way to Lincoln Road, he takes the back alleys that run behind the tourist boulevard. He emerges into the light at Pennsylvania Avenue, an old refrigerator shelf stacked on his head like an oversize hat ready to be knocked off by the next puff of…
At the Van Dyke Café on a rainy Wednesday night, a tall blond with an American accent is singing in Portuguese to a crowd of couples sipping wine and chatting softly. As her hips sway slightly and her feet trace out samba steps on the stage, Heather Davis sings “Tristeza,”…
Sitting on a concrete wall beside Biscayne Bay at sunset, a teenage boy in baggy jeans and a black T-shirt watches fairies dance. A trio of young women with sparkling wings attached to their backs slowly circle their hips and shoulders to the smooth drumbeat of trance beneath the Zen…
Wearing big baggy dungarees and a loose red sweatshirt with extralong sleeves, k.d. lang proved this past Thanksgiving weekend that there wasn’t another diva in oh-so-fashionable South Beach, White Party be damned, who could top her. After an opening set by sister duo the Pierces (think Indigo Girls lite), the…
In an earlier life, DJ Slow, Ja-Jazz, and DJ James Spectrum produced a few swank slow jams for a phone-sex company overseas. Experience pays. The thirteen tracks collected on the Finnish turntable trio’s debut warms up with soft-core-porn grooves and then swells into the kind of catchy big-beat hooks that…
Titan Elevator (Tombola!/Virgin) Of these two Mexican discs, Plastilina Mosh’s sophomore release, Juan Manuel, is the better, mostly because it’s more of a live-band thing than a band-in-a-box product. “Boombox Baby,” the record’s second track, is its best: bubble-gum bass, chicken-scratch guitar, lemon-meringue synth. Its tongue barely fits in its…
Backstage at DJ Khalid’s birthday bash over Thanksgiving weekend, rappers from New York City’s Terror Squad fill the cramped Club Amnesia dressing room with a steady flow of Hennessy, freestyle verse, and the contraband aroma of hollowed out Cohiba blunts. Senior squad member and Atlantic Records talent Cuban Link pours…
Churchgoers at the Tabernacle du Plein Evangile in North Miami are dressed in their best on a Sunday evening in July. Women wear African silks and men wear neatly pressed suits. Outside shortly after the services begin, a caravan of yellow luxury cars arrives. A Lamborghini, followed by a Hummer…
Deftones don’t want their listeners to get too comfortable. After releasing White Pony on Madonna’s Maverick label last June, the Sacramento skate-punk graduates came up with an opening track they liked better and released the disc all over again three months later. A rallying cry for the oppressed, the in-your-face…
I’m having a dark moment. It’s Friday night, and I’m in the Roof Top Lounge on the eighth floor of the Howard Johnson Hotel on Alton Road. Dark is good. I go to dark places when I want to be alone and drink, when I don’t want to pack my…
Long before slide-guitarist Ry Cooder helped off-island audiences rediscover Cuban music with the Buena Vista Social Club, U.K.-based label Tumi Music was releasing the best in Cuban and Latin-American styles, both traditional and forward-looking. Neither David Alvarez nor the members of his back-up band Juego de Manos, whose name can…
Like a zombie in a shopping mall, impervious to the bullets fired at its heart by the desperate and weary, the tribute album continues to stomp across the landmarks of rock, pop, and soul, destroying all in its soulless, heartless path to destruction. The latest victim is Nebraska, Bruce Springsteen’s…
Who stole the soul? Add Rawkus Records, the label that puts out the Lyricist Lounge series, to that list. In hip-hop the name of the record label often carries as much weight as the artists themselves when it comes to influencing sales (see Cash Money Records). Armed with arguably the…
At an altitude of 8660 feet, the massive sound system at last month’s Rock in the Park 2000 injected the thin Bogotá air with a three-day dose of hardcore and heavy metal. Thrashing guitars reverberated off the Spanish colonial buildings that surround the Plaza Bolivar, while 200,000 angry youngsters clad…
Asked how he feels about his first trip to the United States, 24-year-old Yotuel of the Paris-based Cuban hip-hop group Orishas says it will be like tasting forbidden fruit. “We were raised to think of the U.S. as el enemigo (the enemy),” he explains. ” We were told, “The U.S…
Ignore for a moment Ahmir “?uestlove” Thompson’s feelings about hip-hop radio in 2000. Glance back with him as he recounts the first-ever spin of a track by his group the Roots, cofounded by the drummer and producer, on New York City radio in early 1993. “It was anticlimactic for two…
In Griot Time stands magnificently on its own as a sampler of Malian string music styles, but it works even better as a soundtrack. Don’t look for the film at your neighborhood video store, though. The CD is the companion to the Temple University Press book In Griot Time, by…
It has been about a year since vocalist Luis Bofill dropped off the stage of Miami’s Café Nostalgia. Shortly after the establishment relocated from its glory-day Little Havana setting to its swankier Miami Beach digs on 41st Street, the seasoned singer, who once fronted the house band Grupo Nostalgia, fell…
Watch any fairly recent interview clips with Brian Wilson, and you’re faced with a very good example of therapy gone horribly forever wrong. A jittery knot of unsettled nerves and body ticks, mush-mouthed and seemingly mush-brained, Wilson clearly is damaged in a way that makes candidly accessing his work feel…
The flyers for the 2000 Rasin Festival boasted a Boukan Ginen “reunion concert.” The Haitian roots band appeared to have broken up after performing in the first annual rasin festival in 1996, when bass player Richard Laguerre stayed behind while his mates returned to the island. Boukan Ginen has not…
About 8:30 p.m. Wednesday, November 8, under the auspices of the Miami Light Project, the doctor was in. Escorted by a well-dressed man to a microphone at the center of the Gusman Center’s stage, Dr. Nina Simone, recipient of honorary degrees from Amherst College and Malcolm X University, began what…
Tenor saxophonist Charles Lloyd turns in another ECM recording that looks and sounds like much of the German label’s high-quality “chamber jazz” output with an emphasis on clean recording sound and austere record cover graphics. ECM has garnered a reputation for a uniformity of sound and presentation during the past…
