Caligula at Arsht: Larger Than Life, Like Its Inspiration

The 29th season of the International Hispanic Theatre Festival (IHTF) of Miami, which runs July 10-27, showcases leading theater companies from across Latin America, Spain, and the United States. This year, the festival honors Argentina. It also features one Argentina’s most celebrated writers and theater companies — the eponymous Cibrián-Mahler…

Jim Breuer Is Hitting His Stride, Not the Bong

In the insular world of stand-up comedy, Jim Breuer is well known. Anywhere else (say, in sit-down comedy), you’d know him from Saturday Night Live or the movie Half Baked. But Breuer’s one busy dude. Besides regular touring, he has also managed to podcast, write a book, and make a…

Copperbridge Foundation Brings Cuban Artists to Miami Stages

Here in Miami, more than in any other city in America, an encounter with Cuban culture is akin to a return to the roots. No matter whether it’s dance or art, music or theater, it’s the heritage itself that seems to matter most, with the artistic and entertainment elements often…

Alliance’s Laundry and Bourbon and Lone Star: One Hit, One Miss

Bourbon is on the rocks, and so, apparently, is a marriage in James McLure’s Laundry and Bourbon and Lone Star, two interlocked one-act plays. Both include the same array of characters: two close companions and one intruder bearing a sordid secret. Both end in revelations, vomit, and toppled props. And…

The Naked Stage’s Miss Julie: One of the Year’s Best Productions

August Strindberg’s 1888 masterpiece chronicles an eventful Saturday night and Sunday morning in the servants’ quarters of the estate of a Swedish count. Miss Julie (Katherine Amadeo), a flighty noblewoman, escapes her upper-class trappings for a midsummer’s eve of frivolity with educated valet Jean (Matthew William Chizever). Their actions, fueled…

Evita Captivates the Crowd at the Adrienne Arsht Center

Anyone who’s unaware might find it easy to dismiss Evita as yet another musical that’s run its course — or worse, a one-hit stage show with a terrific title tune but an otherwise well-worn narrative. But the terrific touring version that opened at the Arscht Tuesday night proved nothing could…

In Zoetic Stage’s The Great God Pan, Memories Fail, or Do They?

Amy Herzog’s The Great God Pan borrows its name from a poem by Elizabeth Barrett Browning titled “A Musical Instrument.” It concerns the Greek god Pan, part-man and part-goat, ransacking a river to build a reed instrument. Intimations of hedonistic darkness, particularly regarding Pan’s specialty — sexuality — burble beneath…

Blue Man Group Turned the Arsht Into a Raucous Party

By now, the Blue Man Group has become a reliable brand, much like Cirque du Soleil and its various offshoots. Like Cirque and its ilk, the Blue Man Group has yet to grow tiresome or overindulgent, even in spite of the constant exposure. Somehow, the sight of these oddly endearing…

Karen Peterson’s GRIT Pushes Limits on Mixed-Abilities Dance

Months in the making, Karen Peterson and Dancers’ latest work, GRIT, debuts in its entirety this Thursday and Friday at the Miami-Dade County Auditorium. The defining piece touches on the human experience, and is intended to showcase the strength of the renowned mixed-abilities company, which is comprised of a host…

Nery Saenz Drops Comedy Album, Talks Dave Chappelle, Nerds vs. Geeks

If you’ve been to a South Florida comedy club in recent history, you’ve likely seen Nery Saenz. He’s made you laugh, established a connection, and explained how to pronounce his name (near-ee sigh-enz). He hosts the weekly pop round-up What’s Up Bro?! Podcast, and recently toured with comic legend Dave…