“What time is it? Showtime,” I whisper to myself as I begin my audition for Hamilton: A Musical at the Florida International University School of Music. “But I just might rewind.” A woman throws her head back and squeezes a honey-bear bottle until a dollop drops into her mouth.
Artistic director Peter London is never at a loss for words. That’s especially true when he describes what compelled him to undertake two powerhouse pieces of music for his newest performance venture of the Peter London Global Dance Company, which will be held at the Adrienne Arsht Center’s Carnival Theater…
What happens to old dances? Do they slowly disappear as choreographers and dancers move on to other projects? Not if an effort is made to revive the piece — reconstruct it and present it anew to an audience. That’s the case with Ritmo Jondo (Deep Rhythm), a seminal work by Doris Humphrey, one of the foremost choreographers and dancers of modern dance.
If you see yourself as the next George Washington, Schuyler sister, Aaron Burr, or Alexander Hamilton, you can audition in an open casting call for a role in Hamilton: An American Musical.
Courtney Love is a feminist icon. Courtney Love is a bitch. She’s a powerful force of raw emotion, or an evil nymph who slept her way to fame. She’s a mournful widow thrust in the harsh spotlight of shame and accusation, a frazzled single mother struggling to raise a girl-child…
There’s hardly a worthwhile production hitting a local stage that doesn’t have the talents of Ann Marie Olson at hand. A music theater graduate from New World School of the Arts, Olson is a Carbonell Award winner and two-time nominee. Miami New Times’ sister paper New Times Broward/Palm Beach named her Best Actress of 2015, she was a recipient of a Silver Palm Award for Outstanding Contribution to South Florida Theater, and she has a voice described as “golden” by numerous critics of the stage.
“I saw the dance as a vision of ineffable power,” dancer and choreographer Jose Limon explained before his death in 1972, “dance as Michelangelo’s visions dance and as the music of Bach dances.” The late dance pioneer’s vision still endures in the company he founded, now in its 70th year — a tribute to the man and the artist and those who believe in his gifts.
Pioneer Winter is not your average choreographer. The 28-year-old native Miamian has a master’s degree in public health and epidemiology, along with a master of fine arts in choreography. He combines his two fields of interest to create avant-garde, socially conscious, and experimental work.
Around the nation tonight, Americans will continue to grapple with political division and unrest. But inside the Jewel Box at the National YoungArts Foundation, dancers and audiences will celebrate a unique collaboration of creative forces, with local and international arts groups coming together to create a uniquely Miamian masterpiece.
No, Louis CK didn’t take down Donald Trump last night. CK’s bit endorsing Hillary Clinton on Conan went viral in the weeks leading up to last Tuesday’s election. The clip’s popularity had some fans wondering whether CK would add a political update to his set, which he’s been perfecting on the road for months.
Before the announcement of their retirement as principal dancers with Miami City Ballet last spring, Carlos Guerra explained the artistic side of his relationship with his wife, Jennifer Kronenberg: “We share a complementary, balanced dynamic as a couple. I always get nervous a week before the ballet opens…
Jo Koy is a family man through and through. It was his mom who first encouraged him to get up on a talent show stage, which led to his career as a standup comedian. In fact, a large portion of his routine is centered on her idiosyncrasies.
In honor of our “People” issue, which will hit newsstands November 17, New Times proudly presents “100 Creatives,” where we feature Miami’s cultural superheroes. Have suggestions for future profiles? Let us know in the comments. #96: Marissa Alma Nick You can thank a shitty Tom Cruise film for bringing dancer…
In honor of our “People” issue, which will hit newsstands November 17, New Times proudly presents “100 Creatives,” where we feature Miami’s cultural superheroes. Have suggestions for future profiles? Let us know in the comments. #97: Stephanie Ansin Stephanie Ansin is a multitasker, at least in the theatrical sense. She…
The smell of greasepaint hovers over Liberty City’s new Audrey Edmonson Transit Village — and the crowds are already gathering in anticipation of the new Sandrell Rivers Theater’s official grand opening November 19. Two of Florida’s top professional theater companies are nearly finished moving into the space.
For most of us, mornings mean waking up to ten alarms, checking for social media notifications, and downing a cup of cafecito for that early boost. But Liza Pitsirilos wants to change the way Miami wakes up. Specifically, she wants you to dance. In April, Pitsirilos attended a retreat concentrating on…
Like all of Edgar Allan Poe’s stories, The Cask of Amontillado is dark and psychological. The motive behind the murder central to its plot is never revealed. The author only describes the final deadly encounter between the narrator Montresor and his victim Fortunato. It’s death by immurement: being trapped inside…
Grisi, the legendary ballerina who originated the role of Giselle in 19th-century Paris, must be smiling down on Lauren Fadeley from dance Heaven. Portraying the titular heroine of Giselle, the most celebrated French ballet, can well be considered the zenith of any career. And not only did Fadeley get to…
One of the highlights of Tigertail’s fall season, The Way You Look (at me) Tonight, comes to the Miami stage this weekend. It runs Friday and Saturday, October 14-15 at the Miami Dade County Auditorium’s On.Stage Black Box. A collaboration between self-described disabled choreographer and performer Claire Cunningham and choreographer…
Critics often categorize the multifaceted work of performance artist Nora Chipaumire as contemporary dance. But Chipaumire, based in Brooklyn, New York, but born and raised in Mutare, Zimbabwe, says her upcoming work, Portrait of Myself as My Father, isn’t just a performance. It’s also a manifesto. “What is so terrifying…
Remember when you were six years old and flounced around the playground playing tag with your friends? Improv Everywhere, based in New York City, is making it possible to embrace your inner child with its touring show, the MP3 Experiment. The MP3 Experiment has traveled all over the world, but…
Ten years ago, the Adrienne Arsht Center for the Performing Arts of Miami-Dade County opened its doors for the first time. This weekend, the venue will host a massive party to celebrate. To commemorate its tenth anniversary, the Arsht plans to show off why its has become a major home for…
