Performing Arts

Hosted by Max Manticof and Carlos Hernandez, Street Talk has quickly become a staple of the local comedy scene.

Brittany Brave will be the first local comedian to headline a show at the Arsht Center’s Carnival Studio Theatre.

In GableStage’s King James, LeBron James’ basketball career provides a touching examination of male friendships.

Faena Theater’s latest cabaret production is a sexy retelling of Georges Bizet’s 1875 opera Carmen.

Comedian Eddie Izzard takes pieces from her classic stand-up acts and remixes them for her latest tour.

Alice and the Mad Tea Party‘s deceptively simple staging gives way to all the imagination and playfulness it requires and deserves.

From Miami Book Fair to Broadway, the upcoming arts season is packed with can’t-miss events and unforgettable performances.

Like many Florida arts organizations, GableStage works to keep theater accessible after state budget cuts.

Despite budget cuts, Fundarte is assembling another season that fosters cultural exchange.

In his one-person show, Tim Murray draws on the parallel between witches and the LGBTQ community.

Queer comedian Matteo Lane dominates social media with his quick wit and clever quips.

Die, Mommie, Die! is a reminder that Charles Busch’s brand of camp classic is timeless.

Theater workers around South Florida have already felt the impact of Gov. Ron DeSantis’ arts budget veto.

“Rebellion & Resilience” is Peter London’s latest offering, featuring the world premiere of Carmen.

“Amor Brujo,” a piece embraces a classic of haunted passions among Spanish gypsies, lands at the Arsht Center.

This year’s “Summer Shorts” features four original plays by local playwrights.

Rosie Herrera Dance Theatre’s artistic director was awarded the inaugural Knight Choreography Prize for her impact on the nation’s modern dance landscape.

After a false start, Laughs in Spanish, the little show that could, finally makes its Florida premiere at GableStage.

“Heart of the Garden” is a fusion of classical ballet, modern dance, and dances from Peter London’s home country.

Actors’ Playhouse’s production of A Rock Sails By asks the profound universal questions: Is there life after death, life beyond Earth, and what’s it all for?

Clayton Horwitz and Mario Adrion are eager to bring young people out to Villain Theater to experience live comedy they can relate to.

In “Pop,” Diego Salterini whisks audiences to the 1980s to consider the decade as if they were going over last night’s entry in their diary.