One of the intriguing aspects of the South Florida stage scene is the “branding” of the many resident companies here. Instead of cherry-picking specific plays from various theaters, audiences tend to stick with certain troupes, regardless of what programming they offer. And theaters that thrive here do so in part…
Having breakfast with theatrical producer Jay H. Harris is like taking a quick trip to Broadway. We are noshing at Lester’s, a retro diner in Fort Lauderdale, but Harris’s rapid-fire delivery and wide range of show-biz subjects makes the place feel more like the Edison Hotel coffee shop on West…
If plays were drinks, the New Theatre’s Twelfth Night or As You Will would certainly be a New Age smoothie. Rafael de Acha and company have whipped up a colorful froth of a show that’s a decided departure from their sober Othello, the first half of the company’s two-play Shakespeare…
An artist is always alone — if he is an artist. — Henry Miller At first glance it would be easy to think the most recent production at the Miami Light Project is standard Mad Cat fare — smart, glib twenty- and thirtysomething actors playing smart, glib twenty- and thirtysomethings…
Bar trivia: What Miami watering hole boasts a bed center stage instead of a band? Forget the prissy canopies of South Beach. We’re talking stained Sealy Posturepedic sans headboard or box spring, an amplifier and mike in one corner, with Sears catalog, crusty take-out boxes, and empty bottles of Jack…
Part of the trick of producing plays is deciding not only what to stage but when. Some shows work better in the fall than the summer, some are hurt by financial bad times, others are helped by same. But all attempts to time a play’s opening are still subject to…
One thing you have to say about the New Theatre: It’s not afraid to take on gigantic plays. Rafael De Acha’s troupe has assayed such monsters as Angels in America, Electra, and Hamlet in recent seasons. Now the New brings two more Shakespeares, termed “The Shakespeare Project,” running all summer…
In South Florida summer shows, like summer clothes, tend toward lightweight informality. So it’s not surprising that the Stage Door Theatre in Coral Springs opted to present The Affections of May, a casual comedy that’s as unpretentious as a seersucker suit and just as traditional. Canadian playwright Norm Foster’s well-structured,…
A regular feature of the International Hispanic Theatre Festival, which is now in its eighteenth year, Miami-Dade Community College’s Prometeo continues to show its aptitude for children’s theater. This year’s original Spanish-language production of Matias y el Aviador, written by Cuban playwright Felix Lizarraga, even surpasses last year’s version of…
Never mind the calendar; summer arrives in South Florida when City Theatre rolls out its annual festival of short plays, “Summer Shorts 2003.” Now in its eighth year, this well-produced, stylish event has become a part of the area’s social scene as well as a highlight of the theater season…
Of all the stage companies in South Florida, the Edge Theatre is perhaps the best named. Jim Tommaney’s ragtag outfit has survived for many years on the far fringes of the local theater scene and his choice of programming is almost always sharp and provocative. The literate, Ivy-educated Tommaney is…
What does it take to succeed on Broadway these days? Nobody has the exact answer to that question, but many think they do. One long-standing strategy is to import London hits. Another is to stuff the show with movie stars. A third, and perhaps the most widely used ploy, is…
Whatever else may be said about the South Florida theater scene, certainly there’s a whole lotta playwrighting going on here. The place seems to be jumping with premieres just about weekly, and several area companies focus on new works, each in its own way. Florida Stage in Manalapan is dedicated…
A spotlight shines on the darkened stage alternately illuminating five characters: Arlin Jasper, Dodie and Ed MacDonald, Tom Hawkins, and Denny Hedges. Each one utters a piece of a fragmented soliloquy that speaks for an entire town’s shock, grief, and disgust. Welcome to Irving, a.k.a. “Anywhere, U.S.A.,” a one-post office,…
The rainy season is back, the snowbirds have gone, but the theater season roars on. A number of plays currently on the boards are stories of dispossessed communities struggling to maintain their traditional identities and find new ones. One such is GableStage’s production of The Diary of Anne Frank, the…
Actor, writer, and director Larry Villanueva calls his play Allá Afuera Hay Fresco “una descarga.” The term descarga, usually reserved for music, refers to a jam session, but Villanueva asserts that in this case there’s no better word to describe what happens on the stage during this explosive one-act: “The…
Summer weather hasn’t quite arrived in South Florida and we have a couple of months to go before the Fourth of July. But the Sol Theatre isn’t in the mood to wait. This Fort Lauderdale-based company is setting off some fireworks of a theatrical nature in an uneven but sometimes…
Like larger human communities, theater companies have their collective strengths and limitations, their insights and their prejudices. And it’s entirely possible that those theaters that survive more than a few seasons often do so because they come to mirror their audiences’ characteristics. The Caldwell Theatre Company, long ensconced in Boca…
It has been a few weeks since it hit the headlines. If you haven’t been paying attention, Nilo Cruz, the Cuban-born, Miami-raised, New York-based playwright, won the Pulitzer Prize for drama for his lyrical Anna in the Tropics, a play that received its world premiere last fall at the teeny…
Ever heard of someone by the name of Ida B. Wells? She is the largely unknown but fascinating subject of Constant Star, a beautifully produced study of determination and courage now playing at the Florida Stage in Manalapan. Wells was an American original. Born a black slave in the Civil…
Many playwrights draw from their personal experiences, but Edward Albee appears downright obsessed by his. The veteran, venerable playwright returns again and again to familiar subjects: dysfunctional family dynamics and the inescapable isolation of human beings from one another. Who’s Afraid Of Virginia Woolf?, Tiny Alice, The Play About The…
In a hurry? Me too, so I’ll get to the point. This is a review of Floyd Collins, an innovative musical that’s got a week or two left in its run at Actors’ Playhouse in Coral Gables. The story is based on a real incident in the 1920s, when a…
