Performing Arts

Sweet Goats and Blueberry Señoritas has come south to Miami for a major second production by Actors’ Playhouse at the Miracle Theatre.

Arca Images presents the Spanish premiere of Nilo Cruz’s 1995 play A Park in Our House.

Lynn Nottage’s play Clyde’s has as many layers as a sky-high old-school Dagwood sandwich.

Yankee Bajan takes an in-depth look into how one family grapples with the question of where home is.

Anyone from the most ardent aficionado to the culturally curious will be able to satisfy their hunger for a taste of flamenco.

Miami New Drama’s latest production is a stage adaptation of Jonathan Jakubowicz’s 2016 debut novel.

Former Alvin Ailey American Dance Theater member Jamar Roberts comes to Miami City Ballet with a stacked résumé.

Young Frankenstein will be reanimated by Miami’s Loxen Productions on stage at the Manuel Artime Theater October 13-29.

The Daniel Lewis Dance Sampler unites area dance lovers with a showcase of the best of Miami dance.

In 2003, one of the country’s greatest playwrights pulled back the curtain on his formative years in the solo show How I Learned What I Learned.

Make Believe is the second part of a trilogy that choreographer Rosie Herrera describes as related to religious iconography and faith.

Brand-new or lesser-known plays and musicals ask a ticket buyer to roll the dice and have faith that trusted artists are going to present something entertaining.

LakeHouseRanchDotPNG’s bold choices and professional productions are getting plenty of attention.

From Miami City Ballet to Dimensions Dance Theatre, here’s what’s in store for the upcoming season.

Festival de Cante Miami has expanded from a single evening performance to four performances over three days at the Arsht Center.

No one else could have created “Black Popcorn,” a wild amalgamation of live singing, brash social satire, dance, and more.

The ongoing WGA and SAG strikes have allowed comedian Carmen Christopher to return to his comedy roots.

Devotion focuses on women at worship and electronic networks where love withers or thrives.

Erin Proctor’s Plague Play is a reinterpretation of chapters 7 to 11 in the biblical Book of Exodus.

Deseo anchors Tennessee Williams’ play of powerful personalities in the passion of flamenco.

Artistic director Giancarlo Rodaz proves you can tell a familiar story in wonderful new ways.