Performing Arts

The Disney classic is a “tale as old as time.”

Black Sheep is an absurdist dark comedy, a piece that is very difficult to pull off tonally.

IBFM is still a magnificent occasion to see great artists for the first time.

The dance company knows how to put audiences in a friendly zone.

Rubenology explores the actor’s Cuban backstory.

Uruguayan playwright and director Domingo Milesi’s play kicks off this year’s International Hispanic Theatre Festival.

Miami New Drama’s latest production is a tribute to a group of virtuoso musicians.

Two men with dovetailing psychosexual needs find a way to connect in Borrowed.

Siudy Garrido says she arrived at flamenco as part of the family business.

Bari Newport makes room in her inaugural season for The Year of Magical Thinking.

City Theatre belatedly celebrates the 25th anniversary of its Summer Shorts series.

The company’s Prodigal Son features a program of four works.

The theater retelling offers a new take on the Agatha Christie classic.

M Ensemble first presented Blues for an Alabama Sky in the summer of 2001.

The location shaped the production of FGO’s Agrippina.

The Limón Dance Company celebrates its 75th season by teaming up with Dance Now! Miami.

Alexis Scheer’s play makes its Miami debut at the Adrienne Arsht Center.

The Blues Opera is Juggerknot’s first in-person performance in more than two years.

The Cuban Vote is a comedy centering on the mayoral campaign of Carolina “Caro” Clarens.

Erik J. Rodriguez and Charles A. Sothers’ play explores the early day of SNL.

How normal is it for comedians to experience aggression or violence while on stage?

Perhaps this is the free-spirited, feel-good extravaganza we all need right about now.