Arts & Culture

Officially, the brutish thriller Atomic Blonde takes place in Berlin just before and after the toppling of the Wall, in early November 1989. But this seismic event is really just a backdrop for another epochal marker: the decade that saw the birth of MTV and the height of New German…

It’s always a bit troubling when a theme of the past becomes fashionable again, decades after its inception, in a way that’s completely unrelated to nostalgia. In 2004, it was the crimped hair and fishnets of the ’80s, the same way that chokers and flannel from the ’90s are cute now. The reasons behind these recurring trends are unclear; they just seem to pop up, like an unavoidable cycle of resurfacing imagery that only some can recognize as vaguely familiar.

Here’s how a fan magazine might profile the hero of The Last Tycoon (Amazon), played by Matt Bomer. His name belongs in marquees, but he deserves a place somewhere higher. Monroe Stahr toils as an angel on Earth, making dreams come true every day as a producer at Brady-American Pictures…

Sometimes critics and filmmakers agree. We suggested, in our 2015 review of People Places Things, that writer-director James Strouse should please give more screen time to supporting actor Jessica Williams. Now, in his new rom-com for Netflix, The Incredible Jessica James, he turns the camera directly at the former Daily…

“Every love story is a ghost story,” David Foster Wallace wrote, more than once. That evocative observation is probed in David Lowery’s A Ghost Story, a film that occasionally reaches a similar level of eloquence. Lowery’s fourth feature reunites Rooney Mara and Casey Affleck, the leads of his second, the…

“You know when you’re kind of hungover and tired and you don’t know what to do Sunday morning? You put Landline on,” director Gillian Robespierre jokes. “That’s the goal with all the things I try to create.”

The key word in the title is My. Bertrand Tavernier’s three-hours-and-change film-essay is not a history lesson. It’s an invitation to take the seat next to a renowned director as he shares the movies that mean something to him. We begin in Tavernier’s childhood, during the war. In Lyon, his…

You can’t expect a storyteller to wring much suspense out of a real-life plot to assassinate Hitler. In the case of Georg Elser, the subject of Oliver Hirschbiegel’s German drama 13 Minutes, the filmmakers must contend not just with the fact that we know Elser’s 1939 bomb won’t end the…

A “feminist” film need not portray all its female characters in a positive light. Women aren’t a monolith of benevolence. Still, a film with multiple female characters who are equal parts sympathetic and sadistic, who face off against one another in a battle of wits and will, exposing some harsh…

Jenny Slate’s laughter comes out in a wild gush, as though she’s been shaken and uncorked, the sound somehow puppyishly sweet and punkishly impolite. Her characters, cheery cynics, often fail to quite match the mood of a room, so their amused eruptions can hurt feelings, stir bafflement, inspire the ol’…