Memories of Marcello

Less a documentary than a memoir, the absolutely enchanting film Marcello Mastroianni: I Remember features Mastroianni reminiscing about his life and career, his extensive travels, the people with whom he worked (directors Fellini, Visconte, De Sica) and, above all, his love for the cinema. You don’t have to be terribly…

Leafy Art Rooms

The peach-color, two-story house with a balcony overlooking Biscayne Boulevard appears more suited to a sleepy suburban street than a depressed urban throughway. But Uragami Fine Arts is not your average gallery and coffeehouse. Its inventor, 25-year-old Ignacio Velez, Jr., has constructed in his unlikely surroundings a whimsical setting in…

Ethnic Flamenco

“People think of flamenco as Spanish, an Andalusian dance form, and it did develop in Spain. But actually it’s not very Spanish at all. It’s a mixture of the cultures that were living in Spain: the Moors, the Jews, the Gypsies, not really the Europeans. There is some European influence,…

Scientists Overboard

Glen Berger’s new play, Great Men of Science, Nos. 21 & 22, is a disaster of such epic proportions it practically begs comparison to the Titanic and the Hindenberg. Indeed, ten minutes after it leaves port, so to speak, this world premiere by the author of A Suit to Please…

Violence in the Art Projects

Locust Projects is located between the Design District and the so-called Media-Production-Entertainment District. It’s a project to house creativity, not people. A trio of young local artists formed LP, as they refer to it, and turned a crackhouse in a dilapidated Miami neighborhood into an arthouse. They set it (along…

Pop Icons Redux

Trust Allison Anders and her old running mate Kurt Voss to come up with a piquant, carefully observed movie about tarnished hope, overfed vanity, and half-baked scheming on the treacherous L.A. music scene. They know the territory. In 1988 the ex-UCLA film school classmates wrote and directed Border Radio, one…

Twice the Insanity

Based on his directorial debut, there are three things we can safely say about Antonio Banderas: 1) He’s an actor’s director — he can pick a good cast and coax great performances from them; 2) he knows how to make a good image and where to point the camera; and…

Violins in Danger

Wes Craven — purveyor of fine horror movies, including A Nightmare on Elm Street, Wes Craven’s New Nightmare, and the Scream trilogy — has apparently decided to go “legit.” And with Music of the Heart, he has done so with a vengeance. The film’s only death is the result of…

Sing, Barbers, Sing!

It’s a slate-black night, the streets sopped, hard rain pounding, as several dozen men gather in a spacious backroom at a Miller Road church. The members of this little-known clan are clad in white pants and primary-color shirts adorned with fish. The leader summons three of his compatriots to the…

Carter’s Kids

Actress/singer Nell Carter is having a bad day. By her own somewhat exaggerated account, it’s the worst day of her life. Seems the previous afternoon, after discovering several golden flecks in her mostly raven hair, she paid a visit to a chichi Beverly Hills salon in an effort to rid…

Travelin’ Two-Act

Are you going to Europe? South America? Do you need to know how to ask “Where is St. Sophia’s?” in Italian? How about “Where is Sophia Loren?” Both phrases are translated in the snappy musical travel guide, Secrets Every Smart Traveler Should Know. No actual travel advice is provided, but…

The Art of Digging It

As you enter the Fredric Snitzer Gallery and begin looking at the pieces counterclockwise from the door, colors seem to drift past, from moss green to sanded-wood, from red to black. The abstract paintings of Lynne Golob Gelfman have an unusual expressive quality. Dabs of pigment recede within the confines…

Wild Gypsy Ride

Ever since the mid-’80s release of Emir Kusturica’s first two features — Do You Remember Dolly Bell? and When Father Was Away on Business (which was nominated for a Best Foreign Film Oscar) — Kusturica has been the most internationally visible figure in Yugoslavian cinema (that includes all the former…

The Littlest Victim

Actor Frank Whaley has appeared in more than 30 movies, including Swimming with Sharks and Pulp Fiction. But none of them cuts as close to the bone, I suspect, as Whaley’s debut in the writer-director ranks, Joe the King. Set in the Seventies and carefully described by its maker as…

A Festful of Film

How can you tell it’s fall? Just as the hurricane season dissipates we get more things to do … indoors. This week the Alliance Cinema and the Absinthe House Cinematheque are unreeling film festivals with offerings for which it’s well worth marking your calendars. On the Beach the third annual…

Latin Reel Time

“It’s a semiserious spoof on the shallowness of celebrity and how evil the pursuit of celebrity is,” says big shot TV actor Nestor Carbonell, speaking on the phone from Los Angeles about the premise of the independent film Attention, Shoppers, which he stars in and also wrote. Carbonell is familiar…

Vulture Culture

Fall. The season to give thanks. To the Turkey Vultures. The ones that hover over Miami every year, that originate from God only knows where, and that make it their business to remind us yet again of what evil lurks in the Miami-Dade County Courthouse. Namely the embodiment of evil…

Dixie Chick

“Pretty fire” is the shockingly inappropriate term the young Charlayne Woodard gave to the sight of a cross burning in her grandparents’ front yard. It’s also the name of her autobiographical one-woman show, which tells the story of how as a child she witnessed this hateful conflagration while visiting her…

Bold Is Beautiful

The Limey.

Directed by Steven Soderbergh. Screenplay by Lem Dobbs. Starring Terence Stamp, Peter Fonda, Luis Guzman, Melissa George, and Barry Newman.

Get Happy

Welcome to Happy, Texas, the town without a frown. Yes, apparently there really is a Happy, Texas. No, they didn’t actually shoot the movie there. But director/co-writer Mark Illsley’s feature directorial debut is still a fun, funny way to spend an hour and a half of your time. Steve Zahn…

Revenge of the Nerds

David Fincher needs a hug, the poor bastard. Or possibly a diaper change. Ever since 1992, when he ruined the Alien series with the excrescence of his pointless, senseless third installment, he’s been making the same bratty, obnoxious movie over and over again: gloom, doom, indestructible protagonist, bureaucratic evil, quasi-religious…