There are two distinct movies in Gianfranco Rosi’s Fire at Sea, and you could say that somewhere in between them lies the real one. The director, an Italian documentarian whose observational films demonstrate a formal rigor that often brings them close to experimental cinema and installation work, has trained his…
Martin Scorsese opens his foreword to the latest edition of Shusaku Endo’s Silence with a simple, impossible question: “How do you tell the story of Christian faith?” The director isn’t presumptuous enough to present his adaptation of that beloved novel as a definitive answer, but his film does read as…
Parents be warned: J. A. Bayona and Patrick Ness’ kid-meets-beast coming-of-age fantasy is a reclamation of fairy stories from the reassuring fiction of happily ever after. In a lineup of holiday releases — or, soon, a streaming queue — this tale of a bullied Irish boy whose best friend is…
Both a film noir and a candy-colored confection, Pedro Almodóvar’s Julieta is one of the most absorbing films he’s made in years. It’s also, perhaps, one of the saddest: Its bright hues and vivid textures offset a deep, unshakable melancholy. Based on a trio of Alice Munro short stories, Julieta…
There’s a grand concept to Seasons, the mostly terrestrial animal-observation doc from the creators of Winged Migration and Oceans, but in practice the film, a beauty, is about animals surprising you. You’ll be pleasantly engaged in observing a bird standing there after a snowfall, and then a snowbank will shudder…
Once upon a time, in the dark ages of not-that-long-ago, foreign television was a mysterious land beyond our reach. Aside from the occasional British import, the wonders of international series were limited to those equipped with multi-region DVD players. Scandinavian gloom mostly stayed in Scandinavia. Thanks to streaming, it’s now…
“Best films of 2016” lists are a dime a dozen this time of year. But even though 2016 was a disaster in many ways, it gave us plenty of great films by women. So just as we did in 2015 and 2014, New Times is running down the works that reigned above the rest. These are the 16 best films by women of the past year.
Carrie Fisher was always smarter than the words and roles written for her, smarter than what Hollywood thought it wanted out of a princess. On Christmas Eve of the all-devouring Sarlacc that is 2016, after word had spread that Fisher had suffered a heart attack, a page from her original The Empire Strikes Back script turned up on Twitter, courtesy of Will McCrabb.
As 2016 draws to a close, New Times is looking back at the year’s stories that had the most impact. Ten film and TV articles stood out from the rest, according to their high number of readers. This year, Miami readers proved to be an eclectic bunch, clicking on a weird mélange of pieces that one might not expect. So what’s on the list?
Nice girls play by the rules. They turn their shoulders inward and nibble on the ends of their slim fingers, nervous about all those difficult thoughts in their heads. And their hair is always perfect and feathery like a baby bird on a collector’s plate. If this description sounds angry,…
Few Spanish filmmakers are as well-known and widely loved as Pedro Almodóvar, the man behind Volver, Todo sobre mi madre, and Hable con ella. With his latest film, Julieta, hitting Miami theaters on January 6th, O Cinema is launching a retrospective of his work, including seven of his features. “For…
After announcing its nominees last Wednesday, the Florida Film Critics Circle revealed its winners yesterday. Though the Miami-made film Moonlight earned 10 nominations from the critics this year, it ended up with just one win in its nominated categories: The Pauline Kael Breakout Award for director Barry Jenkins. Moonlight and its cast…
Like craft beers or your news feed, Netflix’s niche-viewing categories are forever growing more micro-specific. Its new drama series, an eight-part bafflement called The OA, could only be categorized as a Sexually Frank Spiritual Locked-Room Suburban Afterlife Mad Scientist Communitarian Interpretive-Dance Ripped-From-the-Headlines Horror Puzzle Mystery. Its flavors never unite into…
With awards season at its peak and every critics association handing out prizes, the Florida Film Critics Circle (FFCC) announced its nominations for 2016 yesterday. The official winners will be revealed Friday, but Moonlight came out on top of the nominee list with ten well-deserved nods.
Director Ava DuVernay’s breakthrough 2014 film, Selma, earned her a Golden Globe nomination for Best Director, the first for a female African-American auteur. The Compton-raised filmmaker is now helming television shows like Queen Sugar and the upcoming big budget fantasy film, A Wrinkle in Time .
Dutch provocateur Paul Verhoeven has dedicated his career to sifting through trash to extract ugly truths. He’s a former math and physics student who decided movies make more sense, but it’s hard to picture him crunching numbers and plugging in formulas and dealing with absolute answers, as his proudly pugnacious…
Accepting the Welt Literature Prize in Berlin on November 10 of this year, the novelist Zadie Smith said, “Time travel is a discretionary art: a pleasure trip for some and a horror story for others.” She was speaking, of course, of the conviction among so many white people that there’s…
I shouldn’t have to explain why Fences, the August Wilson play set in the 1950s and now adapted for the screen, is important. If you’ve stepped anywhere near the theater — and I mean the playhouse here — you’ve read, seen, or heard about it. Wilson, who didn’t study theater…
The Assassin’s Creed video games are about skipping through tedious cut scenes set in the present so that you can vault into the past, through and over gorgeous recreations of the roofs and streets of medieval and Renaissance cities. Sometimes you chase floating feathers through Florence. Often, you’ll sneak behind…
Saroo Brierley’s memoir A Long Way Home examines, in its uncertain prose, one of the signal concerns of our age: How do those of us who have grown up in relative comfort square our good luck with the lot of the rest of the world? That question gets feinted at…
In the early scenes of the sci-fi drama Passengers, Chris Pratt gets to be every dope who ever woke up in the middle of the night, thought it was morning and started to make the coffee. Too bad for him, morning is still 90 years away, and the coffee sucks…
In the pantheon of American First Ladies, Jacqueline Kennedy was no Eleanor Roosevelt. She didn’t push for policy, didn’t relinquish her pillbox hat to walk among the needy, didn’t travel to foreign countries as an ambassador and certainly didn’t advise her husband on matters of war. Jackie Kennedy’s role was…
