It’s August, which means it’s even hotter than July and you need TV now more than ever! The planet is hot, but you watching TV in your underwear with a fan pointed directly at your swimsuit parts is even hotter! Have at it! Manhunt: Unabomber, Aug. 1 (Discovery) Essentially, this…
It’s hard to imagine a less promising film title than An Inconvenient Sequel. Maybe Another Imposition Upon Your Time? It’s clear, in the opening minutes, as we watch him shake off the slights and smears of his critics, that Al Gore is too savvily upbeat a technocrat to give the…
At 5 p.m. Thursday, I became one of the first people in this country to see The Emoji Movie a second time. (Aside, obviously, from the folks who made it — though I’m not entirely sure that some of them actually bothered to see it all the way through once.)…
Earlier this year, the film Moonlight won critics’ hearts. The story, adapted from a Tarell Alvin McCraney play by his fellow Liberty City-raised director Barry Jenkins, proved to the world that Miami is fertile ground for filmmakers. Now, Quiet on the Set! hopes to educate Miami’s next Barry Jenkins…
Officially, the brutish thriller Atomic Blonde takes place in Berlin just before and after the toppling of the Wall, in early November 1989. But this seismic event is really just a backdrop for another epochal marker: the decade that saw the birth of MTV and the height of New German…
It’s always a bit troubling when a theme of the past becomes fashionable again, decades after its inception, in a way that’s completely unrelated to nostalgia. In 2004, it was the crimped hair and fishnets of the ’80s, the same way that chokers and flannel from the ’90s are cute now. The reasons behind these recurring trends are unclear; they just seem to pop up, like an unavoidable cycle of resurfacing imagery that only some can recognize as vaguely familiar.
Here’s how a fan magazine might profile the hero of The Last Tycoon (Amazon), played by Matt Bomer. His name belongs in marquees, but he deserves a place somewhere higher. Monroe Stahr toils as an angel on Earth, making dreams come true every day as a producer at Brady-American Pictures…
Sometimes critics and filmmakers agree. We suggested, in our 2015 review of People Places Things, that writer-director James Strouse should please give more screen time to supporting actor Jessica Williams. Now, in his new rom-com for Netflix, The Incredible Jessica James, he turns the camera directly at the former Daily…
“Every love story is a ghost story,” David Foster Wallace wrote, more than once. That evocative observation is probed in David Lowery’s A Ghost Story, a film that occasionally reaches a similar level of eloquence. Lowery’s fourth feature reunites Rooney Mara and Casey Affleck, the leads of his second, the…
“You know when you’re kind of hungover and tired and you don’t know what to do Sunday morning? You put Landline on,” director Gillian Robespierre jokes. “That’s the goal with all the things I try to create.”
The key word in the title is My. Bertrand Tavernier’s three-hours-and-change film-essay is not a history lesson. It’s an invitation to take the seat next to a renowned director as he shares the movies that mean something to him. We begin in Tavernier’s childhood, during the war. In Lyon, his…
You can’t expect a storyteller to wring much suspense out of a real-life plot to assassinate Hitler. In the case of Georg Elser, the subject of Oliver Hirschbiegel’s German drama 13 Minutes, the filmmakers must contend not just with the fact that we know Elser’s 1939 bomb won’t end the…
A “feminist” film need not portray all its female characters in a positive light. Women aren’t a monolith of benevolence. Still, a film with multiple female characters who are equal parts sympathetic and sadistic, who face off against one another in a battle of wits and will, exposing some harsh…
Jenny Slate’s laughter comes out in a wild gush, as though she’s been shaken and uncorked, the sound somehow puppyishly sweet and punkishly impolite. Her characters, cheery cynics, often fail to quite match the mood of a room, so their amused eruptions can hurt feelings, stir bafflement, inspire the ol’…
Insecure returns July 23 on HBO No moment captures the elations of HBO’s Insecure better than the opening scene of the sophomore season’s second episode. The morning after sleeping with her ex-boyfriend, Issa (Issa Rae) recounts her confusion about the abrupt quickie to her snappish best friend, Molly (Yvonne Orji)…
In the face of last year’s loss of state incentives for entertainment production in Florida, Miami-Dade County has stepped up to offer a program that hopes to fill the gap locally. On Tuesday, commissioners voted to approve a rebate valued at $100,000 to productions shooting in Miami-Dade…
When Skyler White challenged her husband’s secret fun life of crime on Breaking Bad, the backlash to her drove Anna Gunn to write an op-ed in The New York Times. Gunn revealed that a number of disturbing “hate boards” had often conflated her with her character, inspiring some to threaten…
It must be nice being Luc Besson, stuck at the age of 14 for the past 44 years. Back when I was that age, in the late 1980s, Besson was among my favorite working filmmakers. I adored the earnest wonder of the deep-sea worlds of The Big Blue (1988) and…
The nerve-racking war thriller Dunkirk is the movie Christopher Nolan’s entire career has been building up to, in ways that even he may not have realized. He’s taken the British Expeditionary Force’s 1940 evacuation from France, early in World War II — a moment of heroism-in-defeat that has become an…
At 88 years young, the rebel-shaman filmmaker Alejandro Jodorowsky has led an eclectic life and enjoyed a provocative career not easily encapsulated. His 1970 acid western, El Topo, crowned him godfather of the midnight-movie craze. His phantasmagoric 1973 masterpiece, The Holy Mountain, was ripped off by Kanye West for the…
Truth in advertising: Girls trip hard during their New Orleans getaway in Girls Trip, which maybe doesn’t need that possessive apostrophe after all. Malcolm D. Lee’s comedy, written by Kenya Barris and Tracy Oliver — the same creative team behind last year’s uneven Barbershop: The Next Cut — pops with…
From Game of Thrones to The Handmaid’s Tale, narratives of sexual assault have become particularly common in film and TV lately. But rarely do we think about the filmmakers, actors and crew who make on-screen rapes happen. How do they feel? Are they tired of rape scenes? Or could portraying rape could actually be a positive thing?
