November 2016 wasn’t the best time to have a baby. My water broke two weeks after Donald Trump was elected president. The world suddenly felt unstable — and my political worries were compounded by the wails of an alert newborn for whom sleep was not on the agenda.
The original French title of Belgian director Joachim Lafosse’s latest domestic drama is L’economie du couple, which translates (awkwardly) as “The Economy of the Couple.” It’s understandable that a U.S. distributor would opt instead for the rather nondescript and bland After Love — who the hell wants to see a…
In one sense, Steven Spielberg’s 1977 UFO bliss-out, Close Encounters of the Third Kind, is reprehensible. It is, after all, the story of a daydreamer dad (Richard Dreyfuss) who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another: Teri Garr for…
The story beats of Patti Cake$, a socioeconomic-sermonizing comedy about a thick young white woman with huge hip-hop dreams and little prospects, are as predictable as the ticking of an egg timer, as generic and tinny as the pulses of a drum machine. I rooted not for Patricia Dombrowski (Danielle…
Live long enough, and people may surprise you. The biggest pricks you grew up with — the bullies or blowhards or preening kings of the high school — grow up, too. Sometimes they even turn out all right. Sometimes they’re even stung, a little, to hear what you once made…
I’m sitting at a painted wooden booth at Gramps in Wynwood, sipping one of the bar’s cool Rosemary’s Baby drinks, cheerfully recounting an intense day at Miami’s American Idol open auditions with two hopefuls I met earlier in the day.
In the February 2016 issue of ESPN The Magazine, Danyel Smith penned a powerful essay on Whitney Houston’s chill-inducing rendition of “The Star-Spangled Banner” at Super Bowl XXV, perhaps the pinnacle of national anthem performances. Smith frames Houston as a pioneer, a symbol of strength, singing that crisp winter night…
Last year, Jason Fitzroy Jeffers launched debuted the Third Horizon Caribbean Film Festival to a city longing for more diverse art. After its success at O Cinema Wynwood with films like Ayiti Mon Amour, Generation Revolution, and Crumbs, the festival is returning to Miami September 28th to October 1st with…
Say what you will about James Cameron, but the man commits. Stories of the director’s perfectionism, his control-freak mania and his sheer drive are legion, but I’m talking about something more fundamental to the work itself. Whereas most action filmmakers are content to let emotion and morality take a backseat…
Since it premiered at Cannes earlier this year, the Safdie brothers’ man-on-the-run, darkly comedic thriller Good Time has been hailed as something of a return to classic New York movies, i.e. from before the Giuliani cleanup, when Martin Scorsese was experimenting with cinema on the streets. In this film, Ben…
Once more, into the brie — or, in this case, the Manchego. For the third time, now, for Steve Coogan and Rob Brydon, it’s the feast as improv proving ground, the sumptuous meal as arena of competitive discernment: Who can better parse and parody the particularities of some beloved British…
Aubrey Plaza is a national treasure, but the movies still haven’t figured out what to do with her. Ingrid Goes West comes close, though, with its twisted, of-the-moment tale of an Instagram stalker who infiltrates the personal life of a social media celebrity. But for all its many virtues, it…
Tarell Alvin McCraney, the acclaimed playwright who penned the play that inspired the Oscar-winning film Moonlight, has been given the green light to create a TV series set in South Florida and inspired by his experiences growing up in Liberty City.
Look, you don’t need to have watched Iron Fist to enjoy the brisk, brawling silliness of The Defenders, a team-up adventure that’s something like a surprising return on an investment you thought had soured. In fact, not knowing all the plot details of all the earlier stories brings the experience…
There is a better, more touching movie hidden somewhere inside The Only Living Boy in New York, and you can often see it creeping in around the edges. It’s not to be found in the somewhat empty coming-of-age narrative at the film’s center, which follows Thomas (Callum Turner), a precocious,…
At a crater in the lush, mossy-green Mexican countryside in Amat Escalante’s fourth feature, The Untamed, every native species of animal gathers to fuck, like a pornographic Noah’s Ark. This scene of otherworldly magical realism is not what audiences have come to expect from the director, whose most well-known film,…
On a crowded Brooklyn street, an Orthodox Jew adjusts his yarmulke, a tefillin bag under his arm. He speaks on a smartphone and practically struts. The man, as dandified as one can look in a black suit and a white shirt, is a red herring in Menashe. Several other Brooklynites,…
Here’s what Patrick Hughes’ The Hitman’s Bodyguard has going for it: It’s exactly the movie it promises to be, but more so. It’s more wild, more hilarious, more giddily irresponsible — it’s the hard R action comedy that kids sneaking into it might imagine it’s going to be, minus ’70s…
Here’s what you didn’t see if you aren’t from there. Here are the voices you didn’t hear if you didn’t go there. Here’s the pain you can’t fully comprehend if you’re white, as I am, if you’re just watching on TV, if life has taught you that just saying sir…
In Steven Soderbergh’s hillbilly heist comedy Logan Lucky, the West Virginia prison where vault specialist Joe Bang (Daniel Craig) resides is pristine and peaceful. This is a high-security facility in a seemingly alternate world, a jail without racial tensions where the prisoners feast on edible food. While only a small…
Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last year’s best-written film). Set in the desolate, snow-covered Wind River…
“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown,” reads the H.P. Lovecraft quote that opens Aaron Moorhead and Justin Benson’s The Endless, playing at Popcorn Frights Film Festival this weekend. Their former works, Resolution and…
