If you’ve ever wondered what it might look like to crossbreed an edgy cable comedy with a jovial network sitcom, A.P. Bio, created by former SNL writer Mike O’Brien, suggests just that sort of Frankenfood
Making it rain has long been mainstream, but the FX show presents a more novel sight: average Atlanta residents, reckoning with what often gets treated as a national rite of passage
Venezuelan filmmaker Claudio Marcotulli’s short film turns mundanity into magic.
On March 16, Miami Film Festival will honor one of the most talented actresses in modern cinema. The night will reflect on an extensive career that spans more than a hundred films, highlight one of her latest leading roles, and finish with a birthday celebration on the stage of the Olympia Theater. This performer is Isabelle Huppert.
… it’s worth reconsidering The X-Files’ feminism today, especially when so much of the series’ fan goodwill is based on the quietly political leaps it made in the last century
Here is a movie made for and about the people who believe they are the essence of American normalcy, a movie that dutifully flatters and celebrates them even as it works to expand who that normalcy actually includes
It has impenetrable technobabble jutting up against awkward football metaphors and a reverie on peanut butter-and-jelly sandwiches sandwiched between a monologue on climate change and the triumphant revelation of a character’s hidden home arsenal.
The 2008 horror movie The Strangers, which found Liv Tyler and Scott Speedman being terrorized in a remote country house by three creepily masked young people, was harsh and unnerving and, thanks to affecting work by it stars, memorably sad. The low-budget flick made big money, but somehow — in…
Last year, around this time, Blake Jenner, the actor most people know for playing the dyslexic golden boy Ryder Lynn on Glee, was to make a homecoming at last year’s Miami Film Festival. Jenner, who grew up in Kendall, was traveling from his home in Los Angeles for the world premiere of his first script turned into a movie…
The film sends the simultaneous messages that it’s futile to coddle children but also that it’s OK to feel the icky stuff that you feel, because even your weaknesses can be transformed to strengths
Thoroughbreds’ best trick is to convince us, through the aching stillness of its stars’ eyes, that it might not actually be a twisty, twisted thriller inspired by the likes of Strangers on a Train
Kersey is the everyman, and Roth’s movie, whether he likes it or not, is the good-guy-with-a-gun propaganda the NRA is just lapping up straight out of the toilet
Already the show’s producers have revealed, perhaps unsurprisingly, that Roseanne and Dan Conner (Barr and John Goodman) voted for Trump, which has created a rift between Roseanne and her sister
The Shape of Water took home four statues, including Best Director for Guillermo del Toro.
This first English-language feature from Italian director Paolo Virzi (Human Capital, Like Crazy) is at times moving in its sincerity, thanks to stellar casting and the director’s clear-eyed perspective on aging and dementia.
Marco Rubio is having a tough month. The senator’s response to one of the worst school shootings in history was widely criticized. He got owned by high-school students, parents, and even himself on live television. His gun-reform plan is garbage. All of this after a career of repeatedly proving he is a spineless creature…
Happy birthday to Miami Film Festival — it’s finally fully legal. In its 35th year, the fest will show 148 films on movie screens around Miami, as well as host parties, dinners, panel discussions, and other celebrations of cinema in South Florida. Even the most devoted moviegoer couldn’t see and do it all. But if you’re looking for a place to start, check out New Times’ best bets.
No other series even attempts to capture the tremendous variety within Asian America, much less to do so unassumingly
The Looming Tower is a show about the human relationships that keep systems functioning — and how when those relationships break down, the system does, too
It is what it says it is — 24 “frames,” images digitally extrapolated out into 4 1/2-minute unconnected, unmoving set-piece shots
In Between is a movie not so much about suffering as it is about the grinding reality of just being
The film gives only the most paltry consideration to geopolitics, to relations between the U.S. and Russia or America’s own corrupt operations
