A few bombshells from the movie adaption of John Grisham’s A Time to Kill: The U.S. criminal justice system has flaws. Matthew McConaughey walks funny and has crooked teeth. Some lawyers are dishonest. Mississippi has not yet discovered air conditioning. Some cops are racists. Good guys look sexy in khaki…
Nicole Holofcener sits at an elegantly set table in the nearly deserted Mayfair Grill and studies the cover of the press kit for her engaging new movie Walking and Talking. It’s the first time that the fledgling writer-director, in the midst of a whirlwind multi-city publicity tour, has seen the…
Trainspotting is the most powerful, disturbing, and darkly funny movie I’ve seen since Crumb. The second film from the team that made 1994’s Shallow Grave (screenwriter John Hodge, director Danny Boyle, producer Andrew Macdonald, and star Ewan McGregor) delivers the kind of drugged-out nihilistic rush that cinematic adaptations of Naked…
Well, now we know: Liv Tyler can act. That probably doesn’t qualify as an earth-shattering revelation of the magnitude of, say, discovering life on Mars or unraveling the mystery of Stonehenge. But music-video-maiden-turned-aspiring-movie-actress Tyler is this year’s “It” girl, and writer-director James Mangold’s self-consciously small but well-acted debut feature film…
Every time Denzel Washington dons a military uniform you know you’re in for a damn good movie. The actor has done some of his best work playing soldiers: He earned his motion-picture acting stripes with an outstanding supporting performance in 1984’s A Soldier’s Story, distinguished himself in combat alongside Morgan…
Stealing Beauty has two things going for it: the lush, inviting beauty of the Italian countryside of Tuscany where the movie was filmed, and the lush, inviting beauty of Liv Tyler, the film’s doe-eyed, succulent-lipped, barely postadolescent star. The rest is all numbing pseudointellectual trash that would have to undergo…
If other intelligent life forms do exist in outer space, let’s hope they never catch wind of Independence Day. Director Roland Emmerich’s triumphant merger of cutting-edge computer-generated special effects with the narrative conventions of Irwin Allen-style Seventies disaster movies — a big ensemble cast of archetypical characters playing out cliched…
Jon Turteltaub’s Phenomenon wants so desperately for you to like it that you feel guilty if you don’t. In an attempt to create a Capraesque fable, screenwriter Gerald DiPego and director Turteltaub stack the deck to make the film’s main character, George Malley (John Travolta playing warm and fuzzy) the…
Striptease may not be as precious as pure platinum or solid gold, but for most of its nearly two-hour running time the film is tauter than its $12.5 million star Demi Moore’s washboard abs, and almost as funny as last year’s crime-fiction-best-seller-turned-hit-movie Get Shorty. Viewers who would rather club Madonna…
Demi Moore continues her one-woman assault on classic literature with her appearance in Disney’s latest animated feature, The Hunchback of Notre Dame. Less than a year after making critics see red by adding gratuitous nudity and a happy ending to Nathaniel Hawthorne’s The Scarlet Letter, Moore — or at least…
If his new turkey Eraser has any effect on Conan the box-office Barbarian’s future per-picture asking price, perhaps Maria Shriver’s square-jawed, stogie-toking hubby should consider trading in his Hummer for a Hyundai. Rarely does one get a better chance to witness how the “too many chefs spoil the broth” axiom…
Mark Rappaport makes funny movies. Not funny in the ha-ha, laugh-out-loud sense; rather, funny in the oddball, hard-to-categorize sense. Rappaport calls his features “fictional autobiographies.” Others have labeled 1992’s Rock Hudson’s Home Movies and 1995’s From the Journals of Jean Seberg “imaginary monologues,” “mock autobiographical documentaries,” “blends of fiction, biography,…
A little girl gets picked on. It’s amazing how Todd Solondz’s stark, painful suburban comedy Welcome to the Dollhouse takes that simple premise and twists it into a wrenching exploration of the dark side of the Wonder Years. Solondz’s eleven-year-old protagonist, an archetypically awkward, bespectacled middle school misfit named Dawn…
Excess shaped producer Don Simpson’s movies, just as it shaped his life. With his partner Jerry Bruckheimer, Simpson latched on to a hit-making formula that dovetailed perfectly with the entertainment expectations of a generation reared on MTV: Inundate audiences with mesmerizing visuals, throw in a hot actor or a topical…
It took a sick mind to find humor — even of the darkest shade — in the murderous real-life exploits of Graham Young, a brilliant but twisted young Londoner who, in the early Sixties, conducted lethal toxicological experiments on his family and schoolmates. Fortunately, writer-director Benjamin Ross and his screenwriting…
What do Anita Bryant and David Schwimmer have in common? In addition to whatever punch line you may have come up with, they also both grace this year’s Queer Flickering Light (QFL), South Florida’s lesbian, gay, and bisexual film/video festival. QFL offers local audiences an opportunity to view gay-theme works…
Rarely have I felt the urge to punch out a movie character as strongly as I wanted to deck John, the sullen protagonist of George Hickenlooper’s cheerless The Low Life. That’s probably the reaction Hickenlooper was seeking at a certain point in his movie, but probably not the one he…
The plot of the new movie Mission: Impossible probably makes sense, but I wouldn’t swear to it. I’ll give it the benefit of the doubt because it was cowritten by Chinatown author Robert Towne, a veteran screenwriter with impressive credits. But to tell you the truth, the damn thing shot…
Why do we glamourize beautiful people who willfully crash and burn, especially when they choose heroin to fuel their self-immolation? It’s not as if they’re doing society a favor by testing the narcotic’s effects on the human body. It’s no secret that junkies as a rule do not enjoy long,…
Alec Baldwin’s newest star vehicle, the muddled thriller Heaven’s Prisoners, wastes no time descending into cliched detective-movie hell. The film’s opening scene introduces us to ex-New Orleans homicide lieutenant Dave Robicheaux (Baldwin with a Cajun accent so light it verges on being imperceptible) and his personal demons. “I wanna drink…
French director Jean-Paul Rappeneau’s The Horseman on the Roof is the kind of grand, stirring epic that lightweight pretenders such as Hollywood’s Legends of the Fall aspire to be when they grow up. Rappeneau, the man responsible for 1990’s spectacular adaption of Cyrano de Bergerac, spits directly into the prevailing…
“The male is obsessed with screwing,” wrote Valerie Solanas in her funny-scary radical feminist primer The SCUM Manifesto. (That’s SCUM — Society for Cutting Up Men — of which Solanas was founder and sole member.) “He’ll swim a river of snot, wade nostril-deep through a mile of vomit, if he…
