So the issue of identity as a theme in a gay and lesbian festival may seem redundant — aren’t all gay films by nature dealing with sexual identity? Well, here comes a surprise at this year’s fest: Identity in a much broader sense is indeed the theme, including what should…
An eighteenth-century battle of the sexes, Triumph of Love contains a radiant performance by Mira Sorvino as a princess whose complicated scheme to win the man she loves finds her juggling three suitors at once, all while disguised as a man. “I’m losing track of my own plot,” she giddily…
Ah, jealousy. Scourge of the spirit and seed of countless wicked plots, the green-eyed beast guarantees gripping drama. Celebrated British playwright Sir Peter Shaffer (Equus) seems to have grasped this concept in reorchestrating the intertwined lives of eighteenth-century composers Antonio Salieri and Wolfgang Amadeus Mozart. Adapting his hit London and…
On a good day, Mark Cuban might respond to a journalist’s query with a terse, unpunctuated e-mail that reads like something dashed off by a hostage while his captors are in the can. It’s understandable: The man’s running the Dallas Mavericks, investing in movie distribution and exhibition companies, sticking it…
It is possible to admire Frailty, directed by Texas-born actor Bill Paxton, without actually liking it. It’s not, strictly speaking, a gratifying movie: Too dependent upon twists, both excruciatingly obvious and irritatingly ludicrous, it never fully satisfies; what you can’t guess you won’t see coming, because it’s too outrageous to…
Wending through the summaries of this year’s forthcoming blockbusters — dudes fight evil; chicks keep yanking up their trendy hip-huggers while fighting evil — it’s immediately refreshing to note a movie about furry freaks and saucy geeks whose primary goal is just to, you know, do it. In Human Nature,…
The work of Henry Jaglom is an acquired taste that for many of us remains unacquired. While his new film, Festival in Cannes, is not a huge departure from the usual, it may be his most accessible work for nonfans since 1991’s Eating. Not surprisingly the movie is set at…
The two slacker antiheroes of Alfonso Cuarón’s Y Tu Mamá También (And Your Mother, Too) come furnished with all the usual glitches of late adolescence — raging hormones, impatient wanderlust, contempt for their elders, and a jones for dope and beer. In fact Julio (Gael García Bernal) and Tenoch (Diego…
Before he died of congestive heart failure in March 1992, Richard Brooks, director of The Blackboard Jungle and In Cold Blood, used to tell this story. It takes place sometime in the late 1940s, when Brooks was ascending royalty in Hollywood; after all, he’d written John Huston’s Key Largo, starring…
Cell phones and silk saris, dot-coms and arranged marriages — Monsoon Wedding, the latest film from Indian-born director Mira Nair (Salaam Bombay!, Mississippi Masala), captures the heady mix of old and new, rich and poor, traditional and modern that defines contemporary India. A sort of Father of the Bride set…
A young, handsome, newly married doctor finds he’s becoming attracted to other men; after an affair with a young, handsome, feckless novelist, he regretfully leaves his young, attractive, sadder-but-wiser wife. That was the plot of Making Love, and it was considered fairly groundbreaking material in Hollywood back in 1982. Now…
This very expansive Miami Latin Film Festival was once two: the French Hispanic and the Miami Hispanic film festivals, which this year morphed into one, headed by Jaime Angulo. Running from March 22 to 31 at the Regal South Beach cinema, the festival’s 38 films seem to cover the spectrum…
One day, years ago, Gregory Mcdonald was playing tennis with a man he’d known since they were both 12 years old. It was hot, the middle of summer, and Mcdonald was playing a good game–doing that tricky shit, making with the kind of moves that get under an opponent’s skin…
Kissing Jessica Stein ends several times — which likely explains how a film with so short a running time, 96 minutes, feels as though it lasts much longer — and each conclusion satisfies; each feels real, natural, and best of all, inevitable. That is, except for the actual finale, which…
Precious and cloying, Harrison’s Flowers sets out to prove itself a story of hope and human endurance, but swiftly deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress Andie MacDowell. (One can almost hear her shouting to her agent: “Hey, Meg Ryan landed a search-and-rescue picture,…
“Are we gonna play chicken here, Robert? Who’s gonna go first?” That’s Chris Moore talking, from the other end of a cell phone–the preferred means of communication for the Hollywood producer too afraid of standing still. Moore–a producer of Good Will Hunting and the American Pie films, partner with Ben…
Over the past half-century, countless filmmakers great and obscure have stood in serious debt to The Bicycle Thief. But for my money, no one has borrowed so cleverly or shifted the weight of Vittorio De Sica’s 1948 masterpiece so gracefully as young Wang Xiaoshuai, whose Beijing Bicycle embodies the spirit…
Sometimes genius draws nigh, mollifying the gnashing critic with the promise of wild narrative fusion, perhaps even rollicking wit. Alas, sometimes genius then languidly squirms aside, like a loathsome strumpet, leaving one’s hopeful wantonness piqued but unfulfilled. Both cases apply to the boldly peculiar Scotland, PA., which sweeps up Shakespeare’s…
Watching Intimacy, Patrice Chéreau’s latest film, is something akin to tracking a land-bound hurricane on the Weather Channel. You know the story will end in destruction, but you can’t help wondering when and where it will hit. Those looking for happy endings, or even happy moments, won’t find them here…
Victor Hugo called grief “a divine and terrible radiance which transfigures the wretched,” and anyone who has ever found himself touching the sleeve of his father’s favorite jacket on the day after his funeral, gazing at the toy-strewn floor in a dead child’s playroom, or surveying the carnage on a…
It would be easy, and tempting, to hail Kandahar as a masterpiece without even seeing it: It’s a foreign film, it takes on social issues, it’s directed by Iranian master Mohsen Makhmalbaf, it speaks to the causes of our war on terror, and it first hit U.S. shores right as…
“Are we gonna play chicken here, Robert? Who’s gonna go first?” That’s Chris Moore talking, from the other end of a cell phone–the preferred means of communication for the Hollywood producer too afraid of standing still. Moore–a producer of Good Will Hunting and the American Pie films, partner with Ben…
