“Are we gonna play chicken here, Robert? Who’s gonna go first?” That’s Chris Moore talking, from the other end of a cell phone–the preferred means of communication for the Hollywood producer too afraid of standing still. Moore–a producer of Good Will Hunting and the American Pie films, partner with Ben…
Over the past half-century, countless filmmakers great and obscure have stood in serious debt to The Bicycle Thief. But for my money, no one has borrowed so cleverly or shifted the weight of Vittorio De Sica’s 1948 masterpiece so gracefully as young Wang Xiaoshuai, whose Beijing Bicycle embodies the spirit…
Sometimes genius draws nigh, mollifying the gnashing critic with the promise of wild narrative fusion, perhaps even rollicking wit. Alas, sometimes genius then languidly squirms aside, like a loathsome strumpet, leaving one’s hopeful wantonness piqued but unfulfilled. Both cases apply to the boldly peculiar Scotland, PA., which sweeps up Shakespeare’s…
Watching Intimacy, Patrice Chéreau’s latest film, is something akin to tracking a land-bound hurricane on the Weather Channel. You know the story will end in destruction, but you can’t help wondering when and where it will hit. Those looking for happy endings, or even happy moments, won’t find them here…
Victor Hugo called grief “a divine and terrible radiance which transfigures the wretched,” and anyone who has ever found himself touching the sleeve of his father’s favorite jacket on the day after his funeral, gazing at the toy-strewn floor in a dead child’s playroom, or surveying the carnage on a…
It would be easy, and tempting, to hail Kandahar as a masterpiece without even seeing it: It’s a foreign film, it takes on social issues, it’s directed by Iranian master Mohsen Makhmalbaf, it speaks to the causes of our war on terror, and it first hit U.S. shores right as…
“Are we gonna play chicken here, Robert? Who’s gonna go first?” That’s Chris Moore talking, from the other end of a cell phone–the preferred means of communication for the Hollywood producer too afraid of standing still. Moore–a producer of Good Will Hunting and the American Pie films, partner with Ben…
“Pray for us.” So ends a note Judd Apatow sent out last week to television critics who have been supportive of his series Undeclared, among the few half-hour comedies to debut last fall with any modicum of acclaim and expectation. Set at a northern California university and populated by awkward…
After a long absence from American screens, British stage director Richard Eyre, best known for his agreeably nasty The Ploughman’s Lunch in 1982, makes his return with an alternately depressing and uplifting drama about Dame Iris Murdoch’s descent into Alzheimer’s disease and the heroic efforts of her husband, John Bayley,…
To call a movie the most accessible Dogme 95 film ever made is not merely damning with faint praise. It also threatens to alienate the two segments of the population that might consider going to see such a film in the first place: fans of the back-to-basics, no-frills-of-any-kind Danish filmmaking…
Maybe this won’t seem like such a big deal to you, since you don’t watch The Education of Max Bickford–which is on CBS Sunday nights. Or maybe you’re one of the 9 million who do, in which case, well, sorry about that. But stay tuned nonetheless, because this small tale…
So when was the last time we heard from Olivia Newton-John? Can anybody say “comeback time”? Don’t get too excited, now. Seriously, why is it that John Travolta gets to have resurrection after resurrection, forgiven for endless sins, yet no one seems all that enthusiastic about his former female costar?…
When Joe Quesada, writer and illustrator of comic books, went to work as a freelance contractor for Marvel Comics three years ago, he found the so-called House of Ideas in ruin. The comic-book industry was, as Quesada recalls, “going down the toilet”: Every month, 10 to 15 percent of readers…
If they teach the work of Todd Solondz someday, assuming he’s not already in the curriculum somewhere, the lectures are bound to be rather short. To grasp the material without actually attending, just bone up on a little bargain-basement Freud, a whiff of primal therapy, and a sprinkle of Jerry…
Miguel Piñero was poet, playwright, and actor — and thief, liar, and junkie. If everyone has within them a mix of the beautiful and the ugly, few of us have either to the extremes Piñero did. He was in Sing Sing by his early twenties, the iconic leader of New…
It’s a little-discussed but obvious fact that the movie business is not interested in women over age 40. Not only do statistics show miserable labor stats for mature actresses, but there are precious few films that target older female movie fans. This may be, as many assert, a symptom of…
Talk long enough with any television exec over 55, and sooner or later he’ll get around to mentioning the La Brea Tar Pits, that enormous shimmering stinkhole in Los Angeles where the liquefied remains of some 660 species of organisms still burble. These old-timers, with skin light brown and pockets…
David Poland is huddled with his cell phone, cinching the deal on one more film. The new director of the FIU Miami Film Festival thought he’d lost Chicken Rice War, a version of Romeo and Juliet set among Singapore food stands. The quirky romantic comedy won the audience award at…
It should be so easy to hate this man sitting on a couch in a high-priced hotel suite, this man sharing his bottle of Evian. He is, after all, a demon dressed head to toe (or tail?) in slate gray, the Satan of Cinema. Attacking him has long been regular…
Ridley Scott’s Black Hawk Down, based on reporter Mark Bowden’s factual account of a 1993 U.S. Army operation gone dreadfully awry in Somalia, doesn’t just kick your ass. It pummels your entire body; it leaves you trembling. Once the premise and setting are established, this brutal combat adventure doesn’t catch…
Who would have guessed that 31 years after M*A*S*H, the film that made Robert Altman’s reputation, he would still be turning out movies as good as his latest release, Gosford Park? Full of the director’s usual energy, powered by the sense of controlled chaos that marks all of his ensemble…
The mere presence of wide-eyed French gamine Audrey Tautou, star of the art-house hit Amelie, may be enough to get people into theaters to see Happenstance, which was made and released in France before the Amelie phenomenon swept the Gallic nation but is only now getting its American release. Viewers…
