Opening with an establishing shot of Art Basel Miami Beach, Dan Gilroy’s new Netflix movie, Velvet Buzzsaw, which recently premiered at Sundance Film Festival, sets up its premise by cheapening Miami’s art scene in the predictable manner you’d expect from a California-based filmmaker. Miami is there to provide a colorful, superficial backdrop…
From big-budget blockbusters to indie films, here’s your guide to the movies opening in Miami theaters this week. Serenity. After directing a tense drama featuring a single actor in the front seat of a car (Tom Hardy in 2013’s Locke), screenwriter Steven Knight returns to the director’s chair with a…
The biggest surprise of the list: Local filmmaker Barry Jenkins’ “If Beale Street Could Talk” snagged only three nominations. These included nods for Original Score, Best Supporting Actress, and Best Adapted Screenplay. But there was an obvious snub for the incredible flick in key categories such as Best Picture, Best Actor, Best Actress, and Best Director.
From big-budget blockbusters to indie films, here’s your guide to the movies opening in Miami theaters this week. “Cold War.” Pawel Pawlikowski, whose movie “Ida” won the Oscar for Best Foreign Language Film in 2015, has returned with a much lighter but no less weighted film, “Cold War.” Zula (Joanna…
I think I was ten years old the first time I saw Eyes Wide Shut. I was sick in a hotel in Orlando, probably delusional from cough medication and exhaustion while my family was out having dinner. Flipping through the channels, I ended up on either HBO or Cinemax—both of…
Who would have thought that in 2019 a show that delivers the diversity we crave would follow a bunch of would-be teenage assassins? Syfy sure did. The television network has adapted Rick Remender and Wes Craig’s graphic novel series “Deadly Class” into a program with a 10-episode…
For the past few decades, director Christian Petzold has been delivering a consistent stream of fascinating works of art. His latest, Transit, is an adaptation of Anna Seghers’ novel, described as “an existential, political, literary thriller that explores the agonies of boredom, the vitality of storytelling, and the plight of the exile with extraordinary compassion and insight.”
Pretty much the whole film consists of phone exchanges between Asger Holm (Jakob Cedergren), a police officer who has been temporarily demoted to working the phones, and others out in the field as he struggles to save a woman who is being abducted by her ex-husband
Last year, Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” captivated audiences with the grisly tale of Andrew Cunanan, whose 1997 killing spree ended with the shooting of the famous fashion designer on the steps of his South Beach mansion. Last night, the Hollywood Foreign Press Association affirmed that…
The Miami Jewish Film Festival returns this month with an exciting and progressive lineup, punctuated by spotlights on women and first-time filmmakers, live music performances, and other events. It’ll be impossible to catch all 80 films during the fest’s two-week run. So New Times film critics Juan Antonio Barquin and Hans Morgenstern have narrowed their picks to these four standouts.
Miami’s annual film review has returned. The tradition of polling a collection of local film experts, including critics and programmers who work for numerous publications, festivals, and cinemas in the city, was published on the website Dim the House Lights for 2015 and 2016, and the winners of the Miami…
Leder’s film mostly devotes itself to the future Supreme Court justice’s first world-shaking sex discrimination case, 1972’s Moritz v. Commissioner of Internal Revenue: Ginsburg and her husband … argued against a discriminatory statute before the 10th Circuit Court of Appeals
The January, February and March months of 2019 are already boasting a strong slate, with U.S. distribution of international festival favorites along with welcome returns of first-rate genre filmmakers like M. Night Shyamalan and Jordan Peele
The movie experiences I treasure most from this year found me sharing moments and laughs and tears with strangers who, just before and after the house lights dimmed, I might have been arguing with on Twitter
It was a terrible year in so many ways, but onscreen, with shows including Sharp Objects, My Brilliant Friend, Better Call Saul, The Americans and Atlanta, it sparkled
The art houses and Drafthouses again pull more than their fair share of the burden of quality, but my No. 2 (and many people’s No. 1) is a straight-up Netflix production, already available to watch on your phone
Hollywood now begrudgingly must honor a company committed to upending the business model of theatrical distribution, but it’s hard to gainsay Netflix’s strategy in this instance
Don’t look to Vice for psychology or even a sense of presence; McKay uses the Cheneys’ grim unknowability as an excuse not to bother going for either
Baldwin’s central story, dialogue and time-jumping narrative structure are all in place, but so, too, is a sumptuous visual style that serves to deepen the novelist’s themes of racial injustice and the powerful countering force of love
At times, as it dissolves between scenes of its cast as literal toy dolls machine-gunning Nazis in the made-up Belgian town of Marwen, Zemeckis’ movie seems an inquisition into the limits of the director’s own imagination
Get ready to see a lot of Miami on the big and small screens next year. Magic City stories seem to be in demand in Hollywood. Maybe it’s the effect of Moonlight’s 2017 success at the Oscars, or maybe film directors and TV producers are finally recognizing the wealth of…
… The director of Rosenstrasse, Rosa Luxemburg and Sheer Madness is tracking Bergman, toasting him and his work with his collaborators and some high-profile fans
