Eyes on Miami: Eve, Dwyane Wade, Busta Rhymes, and Others

It’s not easy having eyes all over the scene, being around to take in all the wild visuals at all the worthwhile places in the city. There are, however, those parties and gallery openings where a fortunate photographer can point and shoot. Every week, in collaboration with WorldRedEye, New Times…

The 305 & Havana International Improv Fest Brings Dance Across the Sea

You could say Bistoury’s 305 & Havana International Improv Fest, which debuts this Saturday at Miami Theater Center, has been in the works for almost 20 years. In 1999, Cuban-born choreographer Alexey Taran created the first improvisation festival in Caracas, Venezuela. Taran had already been working with improvisation techniques…

The Bass Museum to Finally Reopen October 8

After a year of construction delays, the Bass is set to reopen October 7 with a major retrospective of artist Ugo Rondinone. Miami Beach’s only major art institution temporarily shuttered in 2016 for a major renovation that would almost double its programmable space without altering the historic building’s footprint.

PAMM Hosts First U.S. Museum Exhibit by John Dunkley, Icon of Jamaican Art

John Dunkley is an icon for self-taught Jamaican artists. But before now, it has not been possible to see a major collection of his work in the United States. Thanks in part to Pérez Art Museum Miami (PAMM) and the museum’s associate curator, Diana Nawi, a substantial selection of works by Dunkley will be on display in PAMM’s latest exhibition, “John Dunkley: Neither Day nor Night,” which will open Friday, May 26.

The 21 Best Things to Do in Miami This Week

Thursday John Dunkley was largely unknown as a painter during his lifetime, but the artist’s small collection of visual and sculptural work is dark and compelling. Whether he was painting dense, tropical landscapes or responding to significant cultural events in his native Jamaica, Dunkley, who died in 1947 in Kingston,…

It’s Good Coop/Bad Coop in the First Four Episodes of Twin Peaks

Yes, there’s spoilers below for this unspoilable show. “Don’t let yourself be hurt this time,” sings Julee Cruise on “Falling,” the plushly minimalist 1989 synth ballad that, a year later, stripped of its vocal and lyrics, would become the opening theme for Twin Peaks. David Lynch himself wrote that lyric,…

Can Resort Wear Make Miami Fashion Week Relevant?

Miami isn’t exactly a fashion capital. Though the city has emerged as a resort destination for the world’s wealthiest, and a slew of luxury retail centers such as the Design District and Brickell City Centre court big spenders, fashionistas still turn up their noses at Miami’s nascent clothing design industry…

Azazel Jacobs’s The Lovers Plumbs the Mysteries of Matrimony

A comedy, and also a tragedy, of remarriage — without couples counseling or divorce — writer-director Azazel Jacobs’ The Lovers revitalizes its genre with a piquant premise: What happens when long-wedded spouses, each with a romantic partner outside their dormant dyad, find the spark reignited — a combustion that results…

A Miami Curator Staged a Moldy Postapocalypse at the Venice Biennale

Although the Israeli pavilion at the 57th Venice Biennale is covered in mold and rust, time seems like its true medium. The exhibition “Sun Stand Still,” by Gal Weinstein, curated by Israeli-born and Miami-based curator Tami Katz-Freiman, is one of the more poetic and political statements at this year’s biennale.

Paris Can Wait Squanders Diane Lane – and Lots of Nice Dinners

Where are the goddamned roles for Diane Lane? Since her career launched, with a starring role as a precocious 13-year-old American girl in Paris in 1979’s A Little Romance, Lane seems to have confounded casting directors: Is she the button-nosed embodiment of joie de vivre or the anarchist post-punk tempest…

Flaming Classics Pairs Classic Films With Performances by Drag Queens

In a world where many people would rather binge-watch 13 Reasons Why on Netflix, two men from Miami are changing the game. Their series, Flaming Classics, educates audiences about classic films that are feminine, queer, campy, and everything in between — and includes live performances by drag queens. It’s 2017, Donald Trump is president, and we need this.