It’s not easy having eyes all over the scene, being around to take in all the wild visuals at all the worthwhile places in the city. There are, however, those parties and gallery openings where a fortunate photographer can point and shoot. Every week, in collaboration with WorldRedEye, New Times…
Los Angeles-based dancer Jay Jackson says that when she was a child, her parents placed her in soccer. It was quickly clear sports weren’t the right fit for the future RuPaul’s Drag Race Season 6 contestant. She ultimately found her niche in a dance class where the girls accepted her femininity and where she discovered herself as she watched her movements in the mirror.
Kathy Griffin is not letting the world dismiss her. If anything, she’s having the last laugh. Griffin became a viral sensation last year after posting a photo of herself holding what looked like the bloody severed head of President Donald Trump. The administration was quick to admonish her, and a widespread backlash followed…
… After a somewhat compelling hour suggesting all the reasons that Borden might be willing to kill, Macneill and screenwriter Bryce Kass tantalize with the possibility of their subject’s innocence
Roth’s film is a funhouse throwback, a scare-the-kids goof with a top-shelf cast, an antique shop’s worth of creepy windup dolls and more heart than you might expect — and, like those jack-o’-lanterns, it’s got more teeth, too
It is to Hawke’s credit that he has invested what clout he has gathered in his industry into this study of an artist who never gathered much clout at all — and that the resulting film has the warm, weary rhythms of Foley’s own songs
“Miami sneaks up on you. Or do we change and find ourselves sneaking up, washing up, ending up in Miami? It’s the kind of place you say, ‘That could never be me.’ And then it is.” That was how Anthony Bourdain saw Miami.
Miami Dade College’s Miami Film Festival Gems 2018 has announced its full lineup, and the movies include several Oscar hopefuls from across the globe. Both opening- and closing-night films have been submitted for the Foreign Language category by their respective countries.
Radner narrates, in a way, through her own audio diaries, plus some snippets of interviews and judicious excerpts from the audiobook of her perfectly titled — and just-barely posthumous — memoir, It’s Always Something
Thursday Unlimited wine and prosecco? That’ll get your attention. Add painting with a beloved Miami artist and you’ve got a fun night out. Corks & Canvases is a new fall shindig, happening the third Thursday of each month at Atton Brickell Miami. It kicks off with the owner of Paint…
There’s a sense that Fogelman … has been inspired in part by the broken narratives of Charlie Kaufman, as the first 10 minutes of this film feature a story-within-a-story meta fake-out with Jackson as himself, narrating the action of a screenplay written by forlorn drunk Will (Isaac)
For society to function, humans obey a set of laws (i.e., thou shalt not kill). But if you drive in Miami long enough, you’ll witness the disintegration of the moral fabric that’s supposed to hold us all together.
As Karli Evans and Cassandra Keith’s Indiegogo campaign for their film Emergence continues, New Times has been interviewing each of its six performers for a deeper look into the film and the world that inspired it. The documentary interviews drag performers, goes behind-the-scenes as they prepare for gigs, and dives into a fantasy of each queen’s creation in a short film sequence.
Despite the efforts of Dinklage and Fanning, both always pleasant enough to watch, and Morano’s keen eye — witness how she rarely puts both Del and Grace together in one frame — neither character really comes to life
If there’s anyone who could spearhead a Miami-based podcast dedicated to reading, writing, and the book world, it’s Mitchell Kaplan. As the owner of Books & Books, one of the few remaining independent bookstores in the city, and cofounder of the Miami Book Fair, he’s certainly got the chops and passion for all things related to words.
The pups, named Primrose and Poppet and Phil and Potomac and Patriot, get dispatched from the organization Guide Dogs for the Blind to the homes of families dedicated to raising them for the first half of their training.
Despite the killing-spree craziness of its final reels, much of the film is a how-the-kids-live-now potboiler, replete with guileless dirty talk and immense bedroom windows that seem to have been installed with peeping in mind
But 11/9 plays not like a much-needed blast of truth but like an all-purpose Michael Moore sequel, a self-congratulatory follow-up to several of his films, with Parkland material in the Bowling for Columbine vein, references to Sicko and even excerpts from 1989’s Roger & Me
PAMM’s Poplife Social YoungArts Takeover, New World Center’s open house, and more of the best free events happening in South Florida this week, September 17 through 23.
As Karli Evans and Cassandra Keith’s Indiegogo campaign to fund their film Emergence continues, New Times has been interviewing each of its six performers for a deeper look into the film and the world that inspired it. The documentary pairs interviews with drag performers, goes behind the scenes as they prepare for gigs, and shows a short-film fantasy of each queen’s creation.
Its centerpiece is a breathless break-in at the National Anthropology Museum in Mexico City, as two 30ish suburbanites, played by Gael Garcia Bernal and Leonardo Ortizgris, attempt to loot artifacts from what is known as the Mayan room
Cosmatos delivers (as fans say) on the blood and guts, on cathartic slaughter, on the disreputable pleasure of watching a bereaved hero regard a new weapon and envision nasty uses for it
