The past few years have been a struggle for art houses around the world. Coral Gables Art Cinema, along with O Cinema and the Tower, have made it through those dark times. This year, Gables set itself apart by continuing its commitment to connecting the community through carefully curated cinema programming and adding a fresh point of view. That new perspective came in the form of filmmaker April Dobbins taking the role of programming director. In addition to standard art-house fare, like the latest Almodóvar and Oscar nominees, Dobbins' keen eye brought in adventurous films like The Pink Cloud, the daring Gagarine, and future cult classic Strawberry Mansion. Politically charged cinema from Chad (Lingui: The Sacred Bond) and Palestine (Huda's Salon) offered thought-provoking tales from nations underrepresented in mainstream curation. Perhaps most memorable and impactful, "Strong Black Leads," a ten-film salute to Black cinema, eclipsed the perfunctory Black History Month programming of the past, pointing to the depth and variety of Black representation in American cinema. This was the year the Coral Gables Art Cinema underlined the "art" in art cinema.