Best Gay Bar 2018 | Azúcar | Best Restaurants, Bars, Clubs, Music and Stores in Miami | Miami New Times

A bridge removed from the traffic and wallet-busting LGBTQ tourist traps on South Beach and comfortably sandwiched between Little Havana and Coral Gables, Azúcar Nightclub has long been a haven for Miami's local Latinx LGBTQ community. Rather than relying on the tourism that sustains Miami's world-famous gay clubs and bars, Azúcar has made its name as the spot locals frequent for dance nights and some of the most elaborate drag shows in town. At the bar's must-see weekly event, contoured, padded drag queens emerge from behind flowing red curtains, backlit by the LED screen monitor on stage for the Viernes De Glamour drag show series, an extravagant stage production that sometimes includes backup dancers and has all the hallmarks of the set design of the pop stars the performers set out to emulate. Hours are 10:30 p.m. to 5 a.m. Thursday through Sunday and midnight to 5 a.m. Monday.

Sometimes bumping Invasion of Privacy in your car just isn't enough. You know all of Cardi B's verses on "Get Up 10" and you want the whole world to know it. Whether you're looking to perform for strangers or want to keep it between friends, this South Beach bar has perfected the art of karaoke. They know even the person who's most game to sing gets cold feet sometimes, so they offer $7 Liquid Courage shots for individuals or five- to fifteen-shot specials ($30-$75) for the entire party. If you'd rather ease into the festivities, cocktails cost $12 to $14 each. While many karaoke bars charge for songs and drinks separately, at Sing Sing any drink over $5 comes with one song ticket for the main stage on Fridays and Saturdays or two song tickets the rest of the week. And at a standard rate of only $8 per person per hour, their private karaoke rooms are an affordable option for birthday parties, girls' nights out, or bachelorette parties, with party packages including drinks beginning at $42 per person. Best of all, Sing Sing updates its song lists frequently, adding about 50 songs per month and listing them by song title and artist for maximum search efficiency. Hours are 6 p.m. to 3 a.m. Sunday through Thursday and 6 p.m. to 5 a.m. Friday and Saturday. The bar is open from 8 p.m. to close.

Photo by Alissa Christine

Latin pop/rock hybrid Elastic Bond has been making music in Miami for a decade and has received its fair share of international recognition, but the group fine-tuned its sonic identity this past year with its latest album, Honey Bun. The band has never been bound by limitations of genre or language, which could have made it more difficult to find a sound uniquely theirs as opposed to an amalgam of separate and ill-fitting influences. Instead, Elastic Bond created an album that opens with the instrumental Caribbean dance flair of "Dorada," bops through the pop funk of "In a Perfect World" and "Quédate," and slinks effortlessly into the synth tickles of "Alone Together." The album leads listeners along the many musical roads Elastic Bond has traveled, but always with the hip-swaying strut that makes the origins of its sound immediately recognizable.

Photo by Jessica Gibbs

Millionyoung has been making waves as a DJ and producer around town for most of the last decade, but his track to the top of the local crop has accelerated as he's gained a sizable following outside the Magic City the past couple of years. Most DJs and producers in his position might have ditched South Florida's burgeoning art scene for the security of a fan following in a city like Los Angeles. Instead, Millionyoung has stuck firmly to his commitment to cultivate the scene that birthed his blend of sparkling, sun-kissed dance gems, equally fit to soundtrack a low-key night out at an out-of-the-way bar or a beachside picnic with friends. His latest album, Rare Form, recalls the blissed-out, reverb-laden vocals of Tame Impala filtered through springing house beats and New Order-style synths.

Photo by Jacqueline Soir

A songwriter's inspiration can come from endless sources, but for Dama Vicke, it's the darker emotions that conjure the muses. Vicke was born in Mexico but has been based in the United States since the '90s. The songwriting on her last EP, Point of Inflection, reflects her multicultural upbringing with songs in both English and Spanish, but the rage is visceral in either language. "Prefiero soledad que tu crueldad alimentar/Circulabas rapidamente como veneno/hacia mi yugular," she writes on the pissed-off breakup missive "Sola," and the object of her ire doesn't fare much better on the goth crawl of "You're Not a Ghost": "Look at me," she taunts. "I'm finally laughing/At your useless self-righteous cowardice."

World Red Eye

Emilio and Gloria Estefan are Miami cultural institutions. They've given the city unofficial theme songs like "Rhythm Is Gonna Get You" and restaurants like Estefan Kitchen. Last year, Gloria became the first Cuban-American to earn Kennedy Center Honors, cementing the family's place in American cultural history. Yet somehow, in the midst of receiving these accolades and working on expanding productions of their Broadway musical On Your Feet!, the Estefans continue to give back to the city where it all began. The Miami Design District Performance Series Presented by Knight Foundation, adjacent to Estefan Kitchen in the heart of the Design District, hosts free weekly Friday-night performances by local and nationally recognized artists in partnership with the Knight Foundation. This year's performances have included legendary drummer and Prince collaborator Sheila E., '60s folk and Latino icon José Feliciano, and the Miami Symphony Orchestra. Part of what makes the concert series so notable, aside from its A-list performers, is the accessibility that its complimentary admission affords the community in a neighborhood otherwise reserved for tourists and the city's financial elites.

Photo by Rui Dias Aidos

At a superficial glance, classical music and a club atmosphere are the antitheses of one another, but at the endlessly inventive, Frank Gehry-designed New World Center, the two ends of the musical spectrum become strange bedfellows. New World Symphony's "Pulse" brings the loose, anything-goes atmosphere of a neon-lit South Beach club inside a classical music concert hall, an environment that historically has had a reputation for buttoned-up, white glove affairs. But "Pulse," which is just one recurring event of many that beckon younger audiences to spend their evenings with New World Symphony, eschews traditional concert trappings like fixed seating in favor of disco balls, innovative light and visual displays, and guests' ability to walk freely about the theater during performances. Audience members don't have to wait for intermission to fetch drinks, and they can even sit at the foot of the stage to watch performers make music up close.

Photo by Masson Liang

Getting up for work on a weekday is difficult enough, but getting up on Sunday, when obligations and responsibilities are still 24 whole hours away? That takes some serious dedication. Kulcha Shok's Reggae Sundays at the Wynwood Yard are the best way to bridge the gap between weekend relaxation and getting a head start on the week ahead. Every week brings a rotating cast of the city's most popular reggae bands and special musical guests. Jahfe, Kulcha Kids, and Itawe Correa of Locos por Juana are regulars at the Sunday performance series. The music starts at 2 p.m. and goes to midnight, but with the Yard's bar serving up refreshing cocktails, food trucks like World Famous House of Mac, and vendors like Della Test Kitchen open from noon, it's best to start with an early lunch at the Yard and make a day of it.

Bed Scene's "Day in a Dream" music video is a fantasy tropical trip viewed through the lenses of the Beatles' girl with kaleidoscope eyes. Hallmarks of late '60s psychedelia are splattered throughout, primarily via the video's color palette, which fluctuates between vibrant bursts of primary colors and bright hues of art deco pinks and blues. Directed by Arminio Rivero of Crocodile Deathspin and Nick Aponte, the man behind the music of Bed Scene, the video takes viewers along for a day spent burying treasures in beach sand as mirror images multiply on screen, culminating in vintage VHS home videos of Aponte that emerge into the foreground and elucidate with each viewing, like motion picture Rorschach images.

Photo by Kovalski Jacques

The millennial R&B resurgence is in full effect with contributions from artists like Solange Knowles, Janelle Monáe, Kali Uchis, Khalid, Kehlani, SZA, and so many more; and there's no good reason to exclude South Florida from the conversation when an artist like Savannah Cristina is making albums as excellent as 2017's Mango Season. To call Cristina a "singer" would be too limiting a descriptor for her artistic range. She is also a gifted songwriter and slam poet who intersperses spoken word between songs during performances and on Instagram posts. From "Afro," a stripped-down ode to natural beauty ("He love my tummy like a cinnamon roll/He say he got a thing for stretch marks") to "Social Media," her take on the ways jealousy manifests in the digital age ("They gon' double tap it, baby/You know what it feels like in real life"), Savannah Cristina is a worthy addition to your next R&B bubble bath playlist.

Best Of Miami®

Best Of Miami®