Gary Marachek is a whole actor. He acts with his voice, his shoulders, his extraordinarily malleable face, and his quick fingers and feet. He acts so completely and with such acute physical instincts that his whole body seems to change shape from role to role. In 2007's La Cage aux Folles, he appeared rotund and with shortened arms, resembling a flamboyant tyrannosaur. As Fagin in Oliver!, Marachek became spindly — the miserly thief-master's nervous, calculating intelligence reflected in the tiny manipulations of his suddenly elongated fingers and in the softness of his fast, mincing steps. His grin, usually warm, stretched across blackened teeth to become ghastly and sepulchral, and his careworn face was twisted into a representation of long-frayed nerves — a sign of anxiety that has for so long overtaxed his adrenal glands that there is no longer a difference between giddiness and fear. Marachek did all of this while dancing and singing, and night after night he delivered perhaps the greatest version of "Considering the Situation," alternating between three or four distinct character voices to reflect the mercurial mental states of his poor, confused character.