One would never confuse the work of writer-director Todd Phillips with that of the late Robert Hamer, whose filmography includes the essential Kind Hearts and Coronets. Hamer’s movies had a gentlemanly quality, no matter the cruelty that skulked beneath their prim exteriors; one always believed that the characters in his…

The Proposition (First Look) There’s an old saying about Ginger Rogers, who did everything Fred Astaire did — but backward and in heels. This Australian western seems to be saying something similar about gritty American westerns: You think that’s hard? Try living in the Outback. The Proposition mucks about in…

I Am a Sex Addict (IFC) Caveh Zahedi has made a movie of our times — a strange mix of self-absorption, shamelessness in the pursuit of fame, and sex. Most shocking of all is that it works. Part fiction and documentary, confessional and comedy, the film traces the history of…

United 93 (Universal) A suggestion to those who’ve put off watching the year’s most wrenching and essential film: Before rolling the feature, first watch the documentary in which the families of those who died on the plane give the filmmakers their blessing, without reservation. If the mother, father, and sister…

Arrested Development: Season Three (Fox) The final collection of Arrested Development discs feels sadly incomplete: only 13 episodes this time, the result of Fox’s inability to attract viewers to one of TV’s greatest comedies and the network’s unwillingness to give it a full farewell. But none of that diminishes the…

Low, which is to say no, expectations can be a wonderful thing; expect nothing, and maybe you’ll get that little outta-nowhere sumpin-sumpin that turns an otherwise unfulfilling occurrence into a vaguely rewarding experience. It’s not like Invincible boasts the most promising of credentials: a first-time filmmaker (Ericson Core, the cinematographer…

Veronica Mars: The Complete Second Season (Warner Bros.) Any concept along the lines of “high school hottie solves crimes” is bound to make for watchable TV, but who would have expected this? Equal parts 90210 teen soap, murder mystery, and comedy, Veronica Mars pulls you in with its sharp writing,…

Apocalypse Now: The Complete Dossier (Paramount) It’s all here, more or less: the 1979 theatrical cut of Francis Ford Coppola’s harrowing and still-hypnotic Joseph Conrad-in-Vietnam adaptation, the 49-minutes-longer-but-feels-24-minutes-shorter 2001 Redux edition, Marlon Brando’s entire 17-minute “The Hollow Men” monologue, even more “lost” and deleted scenes (including a spooky-shocking one, in…

Brick (Universal) Rian Johnson’s feature debut as writer-director will wind up as one of the year’s best films. A film noir set in a modern-day high school, it’s Sam Spade roaming Ridgemont High; kids get doped up and knocked up and even rubbed out while speaking pulp-novel slang, but the…

World Trade Center is about just that — the attacks on, and the collapse of, the Twin Towers on September 11, 2001. But 45 minutes in, a viewer might easily forget the movie is set during that nightmarish day. There is little talk of terrorism and scant suggestion that a…

V for Vendetta (Warner Bros.) Illustrator David Lloyd calls this adaptation of the comic he made with writer Alan Moore “very good” — so why did Moore beg to have his name removed? The intentions are noble, sure; name another big-studio blockbuster in which a government manufactures fear to keep…

This might as well be titled A Day at the Races. Like Anchorman: The Legend of Ron Burgundy, with which the latest Adam McKay/Will Ferrell collaboration shares its essential plot of a celebrity humiliated and redeemed and an obsession with Ferrell’s pale paunch, the writer-director and star offer just enough…

Feed (TLA) Remember the old jokes about “What’s grosser than gross”? The makers of Feed do, as they prove in the first 10 minutes — one-upping their opening scene featuring a voluntary victim of cannibalism by bringing in a guy who gets nekkid and shoves cheeseburgers down the throat of…

The Ant Bully is based on a very short children’s book by John Nickle, who wrote and illustrated the 1999 work all by his lonesome after years of providing illustrations for The Wall Street Journal and Sports Illustrated, not to mention other works of kiddie lit. The book, as most…

Edison Force (Sony) Gritty cop stuff must write itself — just make sure everyone’s tough, corrupt, and talking like they stole Mickey Spillane’s thesaurus. Then cast Justin Timberlake. Screech! Employing the talented (at music) popster as a crusading journalist isn’t this lame flick’s worst flaw — merely the one you’ll…

This is a note-for-note cover of its predecessor, 1994’s Clerks, the charmingly crude black-and-white heap upon which writer-director Kevin Smith built his frustratingly uneven career as a maker of cult favorites about average people leading below-average lives. If the footage weren’t in color and if the actors reprising their roles…

Grand Prix (Warner Bros.) John Frankenheimer, as underrated as he was brilliant, made a racing picture in 1966 that’s yet to be topped 40 years later. James Garner suffered through the director’s churlish demands (which Frankenheimer reveals and owns up to, in archival footage on one of the documentaries here)…

The fact that 2003’s Pirates of the Caribbean: The Curse of the Black Pearl was such a hit had much to do with viewers’ prelaunch expectations, which were approximately none. Who could have been blamed for thinking a Gore Verbinski-directed, Jerry Bruckheimer-produced movie based on a theme-park ride would proffer…

The Devil’s Sword (Mondo Macabro) Few trash movies live up to their reputation, but here’s a balls-out wonder that surpasses it. Grab a 12-pack of Bintang and cue up this jaw-unhinging slab of Indonesian sword-and-sorcery circa 1983 — a start-to-finish feast of martial arts, mullets, flying heads, vestal virgins, dry-ice…

After all that, just this? After all the anticipation, all the hype, all the product available on toy-store shelves and kiddie sections at bookstores, after all the promise that this would be the most super of Superman movies, all we get is just this this remake? Because let’s first call…

Night Watch (Fox Searchlight) Every once in a while, Hollywood needs somebody else to steal a genre and totally reimagine it; it keeps old ideas young, like celluloid Botox. Well, Hollywood’s gonna need one big needle to absorb Night Watch, an insane, insanely cool Russian action/horror/sci-fi brew that’s like nothing…

There is no movie more overrated in recent history than Napoleon Dynamite; it’s to cinema what the Doors are to rock and roll, a thing blindly and inexplicably championed as though it were a religion above being blasphemed by nonbelievers. And every time someone tries to explain its appeal —…