Drag King

Eddie Izzard knows precisely why he wanted to become a performer, be it an actor or stand-up comedian or, for that matter, a street performer entertaining passers-by for spare change. When he was 6 years old, Izzard was living in South Wales with his parents and older brother. Before that,…

Bona Fide

If M. Night Shyamalan makes movies to be seen twice, then Joel and Ethan Coen make films to be pawed over a dozen times. O Brother, Where Art Thou?, an opulent and often slapstick updating of Homer’s The Odyssey by way of Preston Sturges, Robert Johnson, and Clark Gable, sneaks…

Fade to Black

For 17 years, Dorothy Swanson has waged the loneliest battle: keeping good shows on television, a medium that exists as if only to taunt her. You can hear in her voice the toll such a struggle has taken on her. Her voice breaks and softens when she speaks about the…

American High

The war on drugs has become this generation’s Vietnam, the unwinnable conflict that will, in the end, destroy the innocent and reward the guilty. That, in a coke vial, is the premise of Steven Soderbergh’s Traffic, a film that gives flesh and face to bloodless government statistics and statements seldom…

Fear of Comics

At the time, it was meant to be read as a great compliment: Jaime and Gilbert Hernandez create comic books for people who don’t read comic books! A publisher or pitchman couldn’t have come up with a more glorious phrase, one magical sentence that would reel in the literate and…

The Tired Gun

“You’re right! I quit!” Until this moment–this shrill outburst that comes out of nowhere and startles both interviewer and subject–Marisa Tomei had been speaking in hushed tones, like someone making funeral arrangements. Every so often, she would punctuate her sentences with giggles–some nervous, some delirious–but suddenly, she is laughing uncontrollably…

Blow Up the Box

Thank God for old Jews with shaky hands and the inability to tell this word (G-O-R-E) from this one (B-U-C-H-A-N-A-N). Without them–and Survivor Richard Hatch, that self-proclaimed “fat naked fag” who, as is turns out, is just a really concerned parent and not at all, uh, abusive–it would have been…

Twisp of the Tale

Contained within a care package sent by C.D. Payne is a self-penned press release introducing the author as “the Rodney Dangerfield of comic novelists,” complete with a picture of the bug-eyed comedian and his shopworn catchphrase “I can’t get no respect.” As it turns out, this is the letter Payne…

Mel Sells Out

What Women Want could be the first movie to win a Clio Award for Advertisement of the Year. No fewer than two dozen products receive prominent placement in the film, from Federal Express to Foster’s Lager to Cutty Sark to L’eggs panty hose to US Airways. After a while you…

Broken and Battered

Fair warning: Enough time has passed that it’s OK to discuss the ending of writer-director M. Night Shyamalan’s Unbreakable. Those who have not yet seen the film and intend to might want to keep on moving. Or perhaps not: To reveal the ending, all 180 or so seconds of it,…

Bless the Blockhead

Christmastime is here, but for the first time, Charlie Brown’s father will not be around to watch his depressed, round-headed child celebrate the holiday. He will not be in front of the television next week to watch his little boy seek psychiatric help from a nickel-grubbing girl who diagnoses her…

Call Him “Security”

Unbreakable is such a quiet film that whenever a character speaks above a whisper, it sounds like the shattering of glass in a monastery. It’s also a terribly sad movie; almost no one cracks a smile or a joke, and everyone wears the look of someone who’s just spent the…

Baby, Get Back

Doug Sulpy and Ray Schweighardt’s book Get Back: The Unauthorized Chronicle of the Beatles’ Let It Be Disaster contains the sort of minutiae that gives a hard-on to the hard-core. The 332-page book, published last year, is less a narrative than an autopsy constructed from bootlegged outtakes made during the…

Ransom Notes

No one likes to be seen as the roadblock to a revolution. The unfortunate soul–or the dumb bastard–who chooses to impede progress is likely to be mowed down by those charging toward tomorrow. He will become a thing to be wiped off the shoes of those who march, march, march…

Farrah to Poor

The opening credits of Charlie’s Angels hint at a movie that never appears in the film’s expurgated 94 minutes; the tease is too soon rendered a disappointment. A Mission: Impossible-style prelude suggests a live-action cartoon as directed by Robert Altman; a camera stalks the aisles of a jumbo jet, capturing…

What, Them Worry?

Let’s get this out of the way right now, because so many of you will find this hard to believe: Yes, Mad magazine still exists. It is still being published 48 years after it was created by Harvey Kurtzman and William Gaines, neither of whom lived long enough to see…

The Man of Ink

Before others could reject him, Michael Chabon had convinced himself no one wanted to read an epic novel about comic-book creators, mythical Jewish monsters called golems, New York in the 1930s, daring escapes from Lithuania, Nazis, and the Empire State Building’s elevator system. He wanted to write the book–desperately, one…

The Man of Many Face

It has often been written of Chris Guest–or, if you prefer, Fifth Baron Christopher Haden-Guest, son of diplomat Peter Haden-Guest, who could once vote in Parliament–that he has the demeanor of cold stone and the temperament of the dead. He possesses, one often hears, an impenetrable façade, that of the…

The Doctor Is In, Out, In, Out…

Richard Gere, as Dallas gynecologist Sullivan Travis, has never been more likable onscreen, perhaps because he’s never been more human, more vulnerable, more there. After so many years of so many duds, after so many years of playing ladies’ man to little girls (and the recent Autumn in New York…

“Look! I Made This!”

A cold breeze blows through an open window, and a football game silently unfolds on the television screen. The old man sitting on the couch regards the game with mild interest, though not long ago, football was his passion, a way of pocketing a little scratch during those long stretches…

Sagging Bull

Meet the Parents has just enough class to make for Prestige Pop: Robert De Niro as star, Randy Newman as composer, Blythe Danner as wallpaper, Ben Stiller as schmuck. It has just enough “comedy” to qualify as a crowd pleaser: sight gags (Stiller chasing a cat across a roof before…

Still Alive!

It shouldn’t be this easy to get Peter Frampton on the phone, but it is: A publicist for DreamWorks Pictures calls, asks if you’re interested in talking to the man, and five days later, he’s on the other end of the line at the appointed time. Twenty-four years ago, such…