Raymond Tuttle

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By Michael Roberts, Victor Cruz, Raymond Tuttle and Hobart Rowland
Jan 22, 1998

Metallica Reload (Elektra) Put plainly, Metallica's last album, 1996's Load, made me angry: To see a band that I had always valued for its integrity change its music for what appeared to be commercial reasons was deeply frustrating. But after catching the quartet in concert earlier this year, I was...
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By Keith Lee Morris, Raymond Tuttle, Victor Cruz and Martin Johnson
Jan 8, 1998

Lisa Loeb Firecracker (Geffen) What's been so refreshing about Lisa Loeb up to now is that she has never tried to sell anyone false goods. Unlike Alanis or Courtney or any of rock's other young women, Loeb never pretended to be angry. Rocketing to fame on the strength of her...
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By Robert Wilonsky, Raymond Tuttle, Ted Simons and Hobart Rowland
Dec 4, 1997

The Beach Boys The Pet Sounds Sessions (Capitol Records) Not long ago VH1 aired a documentary on the making of some Fleetwood Mac record -- it hardly matters which. Lindsey Buckingham sat behind the console, fiddling with knobs and dials until he managed to completely deconstruct one song, isolating the...
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By Robert Wilonsky, Keith Moerer, Frank-John Hadley, Raymond Tuttle and Rickey Wright
Nov 27, 1997

The Replacements All for Nothing, Nothing for All (Reprise Records) Sometimes I listen to old Replacements records and wonder why I still listen to old Replacements records. Their Twin/Tone albums were loaded with Kiss riffs and Beatles rips, novelty songs and poignant ballads, country goofs and punk poses -- it's...
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By Michael Roberts, Roni Sarig, Gilbert Garcia and Raymond Tuttle
Nov 6, 1997

Arthur "Big Boy" Crudup Look on Yonder's Wall Magic Sam The Magic Sam Legacy Roosevelt Sykes Feel Like Blowing My Horn Big Joe Williams Piney Woods Blues (Delmark) Slickness is bad for practically every type of music, but for the blues it's fatal. The appeal of blues is rooted in...

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