Mike Leigh’s new film Career Girls is compact and minor. I don’t mean that as a slam, exactly. After the dawdling expansiveness of last year’s Secrets & Lies, his latest one is something of a relaxation — it’s appealingly small-scale. Leigh isn’t doing anything here he hasn’t done better before…
In the Company of Men is about Chad (Aaron Eckhart) and Harold (Matt Malloy), two thirtysomething white-collar execs who have recently been passed up for promotions and rejected by their girlfriends. En route to a six-week business trip to the home office, Chad, the bristlier and wilier of the two,…
The cops in Cop Land carry on like a bunch of goombahs. On the take from the Mob, they mimic the Mob. The fuzzy line dividing cops and crooks is the subject of many a strong police movie, but Cop Land goes a step further — it says there is…
Not satisfied with the president you have? Here’s Harrison Ford’s James Marshall in Air Force One: Vietnam war hero, straight as a ramrod, devoted husband and father. We first see him delivering a speech before a roomful of Russian dignitaries. Departing from the prepared, wishy-washy text, Mr. President fire-breathes his…
A lot of ink has been shed in the press lately about the “seriousness” of the new Robert Zemeckis film Contact, starring Jodie Foster as an astronomer who receives humankind’s first extraterrestrial message. Forrest Gump made Zemeckis a guru; now he’s being primed as a philosopher king. Just abouxt every…
The title of John Woo’s Face/Off is meant to be taken literally. John Travolta and Nicolas Cage play adversaries who swap faces. Here’s how: FBI agent Sean Archer (Travolta) has been single-mindedly tracking terrorist nut Castor Troy (Cage) ever since Castor’s botched assassination attempt six years earlier, in which he…
The appearance of The Lost World: Jurassic Park carries a double burden. Not only is it the sequel to the most popular movie ever made, but it is also the first film Steven Spielberg has directed since 1993’s Schindler’s List. Now that he has finally won his Oscar and achieved…
Judy Davis is often at her ravaged best when she’s playing women pulled apart by their own warring impulses. Torn between their isolating desire for freedom and their need for solace, the women in films such as High Tide, Husbands and Wives, The New Age, and A Passage to India…
In The Fifth Element, the all-knowing, all-powerful Supreme Being of the Universe turns out to be Leeloo (Milla Jovovich), an orange-haired babe in a skimpy, Band-Aid-thin mod outfit who speaks in a kind of Slavic scat and cries a lot. It’s as if the filmmakers started out to make a…
New-to-movies subjects are hard to come by, but Traveller has one: the inbred world of Irish grifters living in the backwoods of the American rural South. Clannish con artists descended from the Irish Tinkers, they fan out across the countryside pulling bogus home-repair jobs on unsuspecting, mostly elderly, folk and…
If you’re hankering to see a movie that sends up swinging Sixties London and Carnaby Street and vintage James Bond movies, don’t bother to check out Austin Powers: International Man of Mystery. What the movie mostly sends up is its star and screenwriter, Mike Myers. That’s not all bad: Myers…
Volcano is set in Los Angeles, and for L.A. haters, it could prove a peak experience. You don’t even have to hate L.A. to enjoy it — love/hate will do. That’s why the film closes with Randy Newman’s mock-anthem “I Love L.A.” (which, of course, makes it L.A.’s true anthem)…
Remember this joke? Question: Want to lose ten pounds of ugly fat? Answer: Cut off your head. Well, according to the press kit for 8 Heads in a Duffel Bag, the average human head — dead and drained of blood — weighs 4.4 pounds. I can’t imagine that the heads…
Kevin Smith is an impassioned jokester. The young writer-director double-whammies the audience by filling in his stick figures with thick brushstrokes. His first film, Clerks, was a no-budget goof featuring an entire miniature universe of slacker goons, but its main protagonist was a sweetly jerky lovelorn convenience store employee who…
There are way too many movies about hit men, but that shouldn’t dissuade you from seeing Grosse Pointe Blank. It’s not quite like any other movie, let alone one about a hit man. That may be because it’s a hit-man movie crossed with a high-school-reunion comedy, and the two genres…
When Val Kilmer walked away from the Batman franchise, it was only a matter of time before he offered up his own competing brand. The Saint isn’t just his answer to Batman — it’s a full-length commercial for all the Saint movies to come. There’s a breezy effrontery in the…
In The Devil’s Own Brad Pitt plays Frankie McGuire, an Irish Republican Army gunman with 24 kills to his credit — 13 British soldiers and 11 police officers. After a bloody firefight in Belfast, he escapes to New York, where, helped by a pro-IRA judge (George Hearn), he is placed…
When Paramount Pictures releases The Godfather tomorrow, it will be both honoring itself and perpetrating a crime. The honor is that one of the greatest and most influential films ever made is being re-released on the occasion of its 25th anniversary. The crime is that Paramount, according to a studio…
City of Industry starts out promisingly and then turns into the kind of crime thriller only a pointy-headed postmodernist could love. Since a lot of critics these days have pointy heads, you might just want to brace yourself for a lot of steaming compost in the press about how “existential”…
Waiting for Guffman is such a funny mess that it keeps you laughing even when you realize it’s not much better directed than a cable-access talk show. Christopher Guest’s is-this-where-I-point-the-camera? auteurism, last seen in The Big Picture, is redeemed by the performers — himself most of all — and the…
The ingredients are familiar: Donnie Brasco stars Al Pacino as a Mafia soldier and Johnny Depp as an FBI undercover agent who infiltrates the mob. But there’s a twist. Based on a true story, the film is a grunt’s-eye view of the Mafia, and it’s not remotely “operatic” or Scorsese-ish…
Marvin’s Room, starring Diane Keaton and Meryl Streep as estranged sisters, is one of those movies about people who confront the choices they’ve made and become better people for it. Adapted by the late Scott McPherson from his popular 1992 play and directed by Broadway veteran Jerry Zaks, the film…
