With The Beaver, Mel Gibson Says Talk to the Hand

An earnest, intermittently droll dramedy about a manic-depressive toy manufacturer and his bewildered family, The Beaver is a parable that’s not easily parsed. While director Jodie Foster fails to maintain a consistent tone–could there be such a thing as inspirational satire?–the movie’s lopsided wobble is undeniably enhanced by her star…

Bridesmaids Proves Schizophrenic, Mixing Raunch and Rom-Com

Bridesmaids, which opens this weekend, is a high-profile test case. Directed by Paul Feig (Freaks and Geeks creator), it’s the first female-fronted comedy produced by Hollywood kingpin Judd Apatow, who has weathered criticism in the past for his brand’s dude-centric point of view. It’s also built around the talents of…

To Hell and Back: Asesinos por una Noche

Last night’s Asesinos por una Noche was an intensely dark, multimedia performance presented by local artists Alexey Taran, Carla Forte, and the Bistoury Physical Theater. It’s a good guess that each person in the audience last night felt about the show they way they feel about conflict in their lives:…

Kenneth Branagh’s Thor Is a Bore

After more than a decade of high-profile Hollywood reboots, the shelves at Marvel and DC are starting to look empty. First came the obvious candidates: comic book vigilantes like Batman and Daredevil transformed seamlessly into action/crime anti-heroes. Then came teen idol Spider-Man, social-pariah supergroup the X-Men, righteous rageaholic Hulk, and…

Asesinos por una Noche Gets Experimental About Cuban Politics

Local choreographer Alexey Taran, filmmaker Carla Forte, and the Bistoury Physical Theater Company want us to confront our demons. Their new and extravagantly multimedia project Asesinos por una Noche (Assassins for One Night), performed on Friday, revolves around a simple principle: “as above, so below.” More specifically, brutal government regimes…

Circo Docx About Mexican Circus Opens at O Cinema on Cinco de Mayo

“The circus is tough and beautiful,” says a talking head in Aaron Schock’s documentary on the small, struggling, family-owned Circo Mexico. It’s an apt description of the film itself, which opens tomorrow at O Cinema. It’s a riveting patchwork of interconnected dramas that include difficult in-laws, arguments about money and…

South Miami-Dade Cultural Arts Center Opens With Diavolo

Diavolo translates to “day” and “I fly,” so the spanking new South Miami-Dade Cultural Arts Center hopes this Los Angeles-based performance troupe will help the center take off. With their outrageously surrealistic and large-scale interdisciplinary performances — think larger than life-size everyday items such as doors, chairs, and stairways –…

Certified Copy: Before Sunset for Grown-Ups

Abbas Kiarostami’s Certified Copy opens at Miami Beach Cinematheque and Cosford this weekend.  The Iranian modernist’s first feature to be shot in the West is a flawless riff on our indigenous art cinema. It’s a romantic, sun-dappled Voyage to Italy with a Before Sunset structure and Marienbad backbeat, not to…

25 Signs You Spend Way Too Much Time on Facebook

Consider this our public service announcement of the day. You’re welcome.You know you’re spending too much time on Facebook if:1. You recognize total strangers on the street because you saw them on your friend’s page.2. Your Facebook friends know you’re pregnant before your family does.3. You choreograph your picture-taking according…

Madea’s Big Happy Family: No Thank Yer

Five months after showing how bad he could do all by himself in adapting Ntozake Shange, Tyler Perry returns to transferring his own stage work to the screen, donning once again the Lane Bryant floral prints that have made his millions. Like its predecessors, Madea’s Big Happy Family features a…

Carancho, Argentine Social Exposé-cum-Thriller, Opens at Coral Gables Art Cinema

In Argentina, the only thing more dangerous than the rampant auto accidents and understaffed hospitals is the ambulance-chasing attorneys who prey upon the injured and grieving. Carancho, Pablo Trapero’s social exposé-cum-thriller, concentrates on one such “carancho” (translation: vulture), Sosa (Ricardo Darín), and his budding relationship with junkie doctor Luján (Martina…