The Change-Up: Bromatic Jokes and Homoerotic Endgames

A uniquely Freudian entry in the body-switching comedy canon, The Change-Up stars JasonBateman as anal-retentive lawyer/family man Dave, and Ryan Reynolds as Dave’s classically anal-expulsive stoner/playboy childhood friend Mitch. One drunken night, Dave admits that he’s secretly jealous of Mitch’s life of reckless indulgence. Thanks to some hazy mechanics involving…

Captain America: The First Avenger Ignores Its Roots for Easy Money

Created by Joe Simon and Jack Kirby for Marvel Comics in 1941, Captain America was among the first American comic books intended as an explicit work of patriotic, political propaganda: The cover of the first edition, available months before Pearl Harbor, famously featured the titular costume hero punching out Adolf…

Employed, Middle Class, White-Collar Men Have It Tough in Horrible Bosses

Horrible Bosses, directed by Seth Gordon, is an ensemble comedy about how our tough economic times have destroyed white-collar, white-male masculinity. Three high school friends–weakling dental hygienist Dale (Charlie Day), chemical company accountant Kurt (Jason Sudeikis), and unspecified corporate drone Nick (Jason Bateman)–are, at 40-ish, each facing intractable career obstacles…

Suffer Through Superhero Fatigue in Green Lantern

It’s 10 minutes before a human character appears on-screen in Green Lantern, a personality-free franchise-launcher that opens this weekend. Via a heavily CGI’d prologue, we learn that The Universe is patrolled by a group of multi-species warriors called The Green Lantern Corps–with each member issued an actual camping lantern, which…

Woody Allen’s Midnight in Paris Resurrects the Lost Generation

A deceptively light time-travel romance, Woody Allen’s Midnight in Paris uses fairy-tale devices as a way to get to the filmmaker’s familiar themes. A nebbishy screenwriter who longs to publish a novel, Gil (Owen Wilson) is working on a book set in a nostalgia shop–much to the open frustration of…

Some Kind of Blue

To be sure, anyone looking for porn here will be disappointed: Blue Valentine’s stars only partially disrobe, and though their couplings are frank, they’re not explicit or gratuitous. In keeping with the rest of Cianfrance’s picture, Blue Valentine’s sex is both unimaginatively blunt and frustratingly obscured. The story of how…

Oscar nominees: old-fashioned films no match for indie darlings

Paramount, distributor of David O. Russell’s The Fighter, celebrated the helmer’s Best Director Oscar nomination by placing a “For Your Consideration” ad on the cover of Variety, touting him as “the comeback of the year.” It was an odd choice of phrasing, considering that The Fighter, Russell’s first feature to…

Annoying characters in Another Year

Another Year, the tenth feature-length British soap written and directed by Mike Leigh, concerns a year in the life of Tom (Jim Broadbent) and Gerri (Ruth Sheen), the happiest post-middle-aged married couple in the whole of the London suburbs. Heading into their fifth decade together, Tom and Gerri are healthy…

New in film: No Strings Attached

Fully devoid of the fantasy contrivance that often sets an Ivan Reitman film (Ghostbusters, Dave) in motion, NoStrings Attached is extremely narrow in focus: It’s “just” about two people in lust struggling to put away their respective baggage in order to have a real relationship with each other. Adam (Ashton…

New in film: Blue Valentine and Rabbit Hole

Derek Cianfrance’s divorce drama Blue Valentine is the story of how a couple (Ryan Gosling and Michelle Williams) travels from too-cute introduction to irreconcilable differences in just over half a decade. Starting with the present-day married-with-kid Dean and Cindy, Cianfrance weaves long flashbacks of Dean and Cindy’s early days through…