Why can’t women stay friends? That’s a trick question, of course, but also one that British actresses Emily Mortimer and Dolly Wells — lifelong pals in real life — attempt to answer earnestly and honestly in their new HBO cringe comedy Doll & Em. In the six-episode series, Mortimer and…
The Chicano labor leader César Chávez can now join Mahatma Gandhi and Nelson Mandela in the pantheon of heroes whose world-altering achievements are dutifully recounted in timid, lifeless films any substitute can pop into the school DVD player when the regular history teacher is out sick. With César Chávez, Mexican…
The great sins of the 20th century are already too many to list, but let us note one more: the abduction of infants from mothers deemed unworthy or undesirable by governments and religious institutions. Thousands of children were kidnapped from leftist parents during Argentina’s and Spain’s respective dictatorships, while children…
Few men wear a dress as meaningfully as comedian Chris Lilley. Since 2005, he has sported the pinstriped schoolgirl uniforms of his native Australia to play Ja’mie King, a perfect little monster created by an ungodly mix of wealth, vapidity, and cheerful cruelty. Ja’mie returns to HBO on November 24…
“Imagine if marriage didn’t exist, and you’re a guy and you ask someone to get married,” proposes comedian Aziz Ansari in his new Netflix stand-up special, Buried Alive, which premieres November 1. “Hey, so we’ve been hanging out all the time, spending a lot of time together. I want to…
In their experimental new film, Metallica endeavor to translate the anger and pain in their music into a visual medium. Directed by Nimród Antalis, Metallica Through the Neveris the band’s second big-screen effort, the first being being the 2004 behind-the-scenes documentary Metallica: Some Kind of Monster. That debut, created by…
Mild spoilers up to The Bridge’s ninth episode below. Artisanal murders are all the rage these days. On Showtime’s Dexter, NBC’s Hannibal, and Fox’s The Following, small-batch, labor-intensive, sold-with-a-story slaughters have become TV’s equivalent of the Cronut. Handsome, intelligent, and mannered as court eunuchs, serial killers have become the new…
Forbidden fruit has never seemed so poisonous than in Thanks for Sharing, a remarkably sensitive and surprisingly romantic ensemble drama about sex addiction. A winsome mix of funny, harrowing, and smart, it’s most commendable for making characters who are addicted to bad behavior — and who refuse to blame themselves…
Like The Wire or Romanian director Cristian Mungiu’s oeuvre, Short Term 12 is the kind of film that sounds agonizingly depressing on paper but mesmerizes onscreen. It’s a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition, and resonance. Easily one of the best…
All manner of spoilers below. Nearly anyone with a grievance against America’s dysfunctional prison system can find a scene to illustrate their protest in the first season of Orange Is the New Black, Netflix’s women-behind-bars dramedy. Admittedly, the wonkiest or most disheartening issues, like prison privatization or endemic sexual assault,…
After Jimmy Savile, Amanda Bynes, Lindsay Lohan, and that Christian puppeteer who wanted to kidnap, kill, and eat little boys, it’s hard not to imagine the children’s entertainment industry as a fount of unimaginable filth and degeneracy. But for those who’d prefer to remember their childhoods happily, Mathew Klickstein offers…
If there’s one nuance mainstream comedies have yet to learn, it’s that “empathetic” need not mean “likable” — audiences can feel for characters they don’t necessarily want to be. The hit black comedy Horrible Bosses, which had three angry underlings plotting murderous vengeance against their you-know-whats, should have been a…
Nat Faxon and Jim Rash didn’t set out to make a comedy about divorce. Eight years ago, when the improv-comedians-turned-actors-turned-Oscar-winning-screenwriters started writing a coming-of-age script based on a particularly upsetting moment from Rash’s childhood, they just wanted a happy ending. Yet almost all of the characters in The Way, Way…
The Way, Way Back is a crowd-pleasing summer treat, predictable in its sweetness but satisfying all the same. It’s like the multinationally branded ice-cream sandwich you get on any pier in the Western Hemisphere — market-tested to appeal to as many people as possible (but you don’t mind gobbling up)…
Before he was one of cinema’s finest dramatists (All About My Mother, Talk to Her, Volver, Broken Embraces), writer-director Pedro Almodóvar was a provocateur and a satirist. The 63-year-old filmmaker harks back to that past with his first comedy in nearly 25 years, I’m So Excited!, a lighthearted, ensemble-driven bit…
It’s to the great detriment of The Kings of Summer that it follows the identically premised Mud by just weeks. Both films tell bittersweet coming-of-age stories about teenage friends who learn how to become men in a soon-to-be-corrupted Eden, and both are questionably embellished by a predictable teen romance, an…
Last week, EW columnist Mark Harris tweeted a statistic disturbing to anyone who cares about gender equality on the big screen: “It’s now been 61 days since the last wide release of a major studio movie starring a woman.” Unfortunately, that number will only increase—to 84 days—until Sandra Bullock and…
In his new film, the social drama At Any Price, director and co-writer Ramin Bahrani examines how the transformation of food into intellectual property through seed patents has corrupted, impoverished, or dissolved the American family farm. As with the Iranian-American director’s previous films (Man Push Cart, Chop Shop, Goodbye Solo),…
