David Bennett

Sustain/Decay Drone Festival Brings 48 Consecutive Hours of Art and Music to Downtown Miami

By David Bennett

Concerts

For International Noise Conference’s 16th Year, the Only Constant Is Change

By David Bennett

Concerts

Pictureplane Embraces Degeneracy at 229

By David Bennett

Visual Arts

Inaugural Faena Festival Asks, “What Is America?”

By David Bennett

Eddie Izzard Gets Political: “We Make It Work for Everyone, or… Goodbye Humanity”

By David Bennett

Nick Klein’s Love for Miami Comes Full Circle at Kill Your Idol

By David Bennett

Concerts

American Football Brings Influential Head-Nodding Heartaches to Revolution Live

By David Bennett

Concerts

Mike Kinsella on the Surprising Comeback of American Football

By David Bennett

Concerts

Minus the Bear Returns to Orbit the “Planet of Ice” on New Tour

By David Bennett

Critic's Notebook

Anything Goes at the International Noise Conference at Churchill’s Pub

By David Bennett

When It Comes to Miami Design, It’s All Relative

By David Bennett

Critic's Notebook

PureSalem Guitars Opens South Miami-Dade Showroom With a Bang

By David Bennett

Urban Geographer Stephanie Wakefield on Climate Change: “This Could Be Our Opportunity”

By David Bennett

Concerts

DeGreaser Defends the Planet With Rock ‘n’ Roll on New EP

By David Bennett

Why Is This Art? NSU Art Museum’s Bonnie Clearwater Explains

By David Bennett

Locust Projects Names Lorie Mertes, Formerly of MAM, Executive Director

By David Bennett

Performing Arts

Tigertail’s Fire Festival Brings Contemporary Creatives to Miami

By David Bennett

Six Must-See Abandoned Sites in South Florida

By David Bennett

Crown Fountain Artist Jaume Plensa Brings Giant Sculpture to Museum Park

By David Bennett

Arsht Center CEO John Richard on Trump’s NEA Cuts: “Smaller Communities Will Be Hurt First”

By David Bennett

The Ten Best Art Galleries in Little Haiti

By David Bennett

Shepard Fairey on Gentrification in Wynwood: “Blaming Art Is the Wrong Tactic”

By David Bennett