One day, Denis Villeneuve will make a truly great movie. This is, apparently, a controversial opinion. Many out there feel strongly that the Canadian filmmaker has been leaping from triumph to triumph in recent years — with Sicario, Prisoners and Enemy under his belt — while some consider him a…
With films like Take Shelter, Mud and even this spring’s somewhat uneven Midnight Special, Jeff Nichols has steadily built a filmography of terse beauty. With Loving, he tackles the kind of boldface subject matter that Oscar season feeds on: It’s a historical drama about the 1967 Supreme Court decision that…
Mel Gibson’s Hacksaw Ridge is a film at war with itself. Which makes perfect sense, because it’s about a man at war with himself, and I’m pretty sure it was also made by a man at war with himself. The true-life story of Desmond Doss — a Seventh Day Adventist…
I’m not afraid to admit that I get a kick out of Dan Brown’s Robert Langdon thrillers. Yes, they’re indifferently plotted and predictably written. But I’m a sucker for ludicrous, centuries-spanning conspiracies and indulgent faux-gnosticism. The books serve, if nothing else, as gripping tours through art-world apocrypha, and Brown’s know-it-all…
The Handmaiden, Korean director Park Chan-wook’s Gothic lesbian tale of romance, revenge and (light) bondage, is the kind of electrifying indulgence only he can make. The film is a loose adaptation of Welsh novelist Sarah Waters’ 2002 thriller Fingersmith, about a female pickpocket who poses as a maid for a…
Before we get into the matter of Jack Reacher: Never Go Back, we must first address the issue of the man actually playing Jack Reacher. Resolved: Tom Cruise has absolutely nothing in common physically with author Lee Child’s crime-solving ex-military drifter.
In André Téchiné’s vibrant new film Being 17, two teens wrestle with desire and hostility in a mountainous corner of France. The subject matter is not new for Téchiné, who has for more than 40 years explored sexual self-awakening, alienation and family strife in films notable for their consistency and…
“These are the images that have marked me and leave me wondering still.” That’s how Kirsten Johnson prefaces Cameraperson, made up of footage she has collected over 25 years of working as a camera operator, cinematographer and director on dozens of different documentaries — films like Laura Poitras’ The Oath…
Even those of us with a soft spot for dumb, high-concept Hollywood comedies might be outraged by the limp, unfunny nothingburger that is Keeping Up with the Joneses. A wan attempt to mix the comedy of domestic anxiety with the comedy of inept espionage — think Neighbors meets Central Intelligence…
This is the one where a guy eats his own puke. The one where Divine stabs a boyfriend to death, gorges on his innards, then makes out with her own bloodied image in the mirror. The one where she’s sodomized with a rosary while we see images of the crucifixion…
Judy Davis doesn’t like the expression “scene-stealing,” even though it precisely describes her performance in The Dressmaker. “I always sort of cringe when I hear that,” she says, “because what it implies is that’s what the actor is after.” So let’s just put it this way: As Kate Winslet’s acerbic,…
Deepwater Horizon is the most entertaining Hollywood disaster movie in years. I’m sorry — is that a terrible thing to say? Peter Berg’s film is based on the true story of the BP-leased, Transocean-owned deepwater drilling rig that in 2010 exploded in the Gulf of Mexico, killing 11 souls and…
Mira Nair’s Queen of Katwe is a true-life tale transformed into an inspirational fable. That’s not novel for the movies, but in this director’s hands, the results are mostly enchanting. The film follows Phiona Mutesi (Madina Nalwanga), an impoverished Ugandan girl who became a chess champion at the age of…
Set aside your visions of histrionic, paranoid fireworks. Oliver Stone’s whistleblower biopic Snowden finds the director in an unusually somber and controlled mood, perhaps because of the introverted, awkward nature of Edward Snowden himself. The former CIA employee and National Security Agency contractor, who in 2013 exposed the U.S. government’s…
Starting with 1985’s No End, composer Zbigniew Preisner served as one of Krzysztof Kieslowski’s closest collaborators — he worked on all of the director’s films until Kieslowski’s death in 1996, with several of their collaborations actually revolving around the world of music. (The duo even created a fake Dutch composer, Van den Budenmayer,…
“I don’t have any answers,” Krzysztof Kieslowski once said, “but [I] do know how to pose questions.” Not an uncommon stance for an artist, certainly, but perhaps surprising for one who made a massive, 10-part miniseries based on the Ten Commandments. Later, trying to explain why he and screenwriter Krzysztof…
The attempt to reconcile the personal with the political has been the great theme of Nanni Moretti’s cinema, as it was for many of the legendary Italian directors before him. In Mia Madre, it finds one of its more vivid examinations. The film’s concept is blunt — a director struggles…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
On both an emotional and narrative level, a Hirokazu Kore-eda film pulls you in slowly, almost unexpectedly. The acclaimed Japanese director, whose works include After Life (1998), Still Walking (2008) and Like Father, Like Son (2013), makes movies about things like loss, abandonment and death, but his distinct touch —…
Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…
With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s Disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…
