Suspenseful Django Imagines the King of Gypsy Jazz at War
Like Reinhardt playing that party in Thonon-les-Bains, on the border between France and Switzerland, Django director Etienne Comar refuses the limitations imposed on him
Like Reinhardt playing that party in Thonon-les-Bains, on the border between France and Switzerland, Django director Etienne Comar refuses the limitations imposed on him
The latest film, the long-delayed The Death Cure, opens with a train heist that suggests, at once, the Mad Max films, the Fast & Furious franchise, and The Wild Bunch by way of Young Guns by way of a Gap ad
It’s a somewhat boisterous adventure, a war movie where you cheer not just for the boys to make it home but for them to complete the mission
For much of The Final Year, convinced of Hillary Clinton’s victory, the members of Obama’s crew insist that their successes and failures are part of a continuity – that their work will inform the work of the next administration
Vero Tshanda Beya, the Congolese singer turned actress making her screen debut in Alain Gomis’ tough-minded life-in-Kinshasa character study Felicite, can pierce your heart with her croon, rouse your soul with her shout, move you with her mien of cussed indomitability, cut you with her look of wary, weary appraisal…
The Pitch Perfect films have offered an increasingly unpalatable blend of pop-song empowerment, rah-rah women’s friendship and broad gross-out comedy
Wright’s film is fleet but not especially thoughtful, wholly convincing in its production design, and in one crucial sense something rare: Here’s a war movie about rhetoric rather than battle scenes
Any thinking person watching Downsizing is 10 steps ahead of Damon’s blinkered schlub, and watching him piece together the bare facts about how this future America works — and how our America works today — makes for a frustrating sit
The new one is bigger and dumber than the previous, a feat considering the relentless clatter of the 1995 iteration …
First, these are my favorite movies of the year, not a claim to rank the definitive best, so don’t write to tell me that your favorite should have made it
Morris’ film dramatizes Olson’s last days between interviews with Olson’s son Eric and journalists and lawyers who have taken the case as a cause
As Ginny and her life unravel, Allen’s sympathy for her seems to dry up, and she becomes something like the villain of the piece
An article, a book and now a film, Talese’s fascination with Foos’ voyeurism still hasn’t resulted in anything like rigorous journalism
Francis Lee’s stark, striking God’s Own Country is one of several significant films this year to depict hard-edged men softening, opening up, finding the courage to admit that everything they need to get through this life isn’t already inside them. The protagonist, raw-eyed farm boy Johnny (Josh O’Connor), has inherited…
The drama is mostly interior, and Washington’s quiet performance tends to reveal the jittery surface rather than the tortured soul
Alpert checks in again and again with the same three families over 45 years of visits to the island, with sometimes heartbreaking results
Nalluri’s emphasis is on amateur theatrical performances, magic-lantern projections and comically competitive authors.
Here’s a kiddo’s quest to define a self, in this case the descent of young Miguel (voiced by Anthony Gonzalez) into a land of the dead inspired by Dia de los Muertos celebrations
This is the first time a Marvel TV show has stunned me: Why in the era of binge-able continued-narrative TV series would the producers kill dead their momentum
Over six episodes crafted with the rich complexity of the novel, “celebrated murderess” Grace Marks (Sarah Gadon), tells her own story, Scheherazade-style, to a doctor (Edward Holcroft) with the power to arrange for her pardon
Much of the thrill of big-ticket theater comes from the simple truth of presence: You in the audience are watching the best in the world do what they do right there in front of you, in real time. In an intimate moment, you can sense or even share their metabolism,…
You’re right not to trust a film critic who calls a move stunning. But let me say this about Human Flow, the epic new documentary surveying the scope of the global refugee crisis, from Chinese artist/activist Ai Weiwei: It stunned me, in the truest sense of the word. Again and…