Shorts

Austin’s rebel without a crew, Robert Rodriguez works in exactly two filmmaking modes: fast, cheap genre violence (the El Mariachi trilogy, Sin City, Planet Terror), and fast, cheap, CGI-overloaded family adventure (the Spy Kids trilogy, The Adventures of Sharkboy and Lavagirl 3-D). One of the latter, Shorts is a cute…

G-Force

The premise, punched-up puns, and character development are more lightweight than the helium balloons in Up, but Disney’s new CGI-heavy excuse to flood the market with kiddie merch (it’s the year’s first 3-D commercial, and we’re the real guinea pigs) has a box office trick up its shallow sleeve: Jerry…

South Florida native Brian Hecker’s directorial debut, Bart Got a Room

South Florida native Brian Hecker’s uncomfortably strained directorial debut — a semiautobiographical comedy about a high school senior who can’t find a prom date — foolishly believes that Windsor fonts, swing-era songs, and Jews are enough to invoke Woody Allen’s wit. It’s a quirky indie, you see, as nerdy class…

Get a Room, Bart

South Florida native Brian Hecker’s uncomfortably strained directorial debut — a semiautobiographical comedy about a high school senior who can’t find a prom date — foolishly believes that Windsor fonts, swing-era songs, and Jews are enough to invoke Woody Allen’s wit. It’s a quirky indie, you see, as nerdy class…