Artist Jenna Balfe Dances in Mangroves, Teaches Healing with Performance and Nature

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A dancer, artist, aspiring yoga instructor, activist, and future grad student, Balfe also does work in the community to improve the overall environments in which we reside. She's on the board of Urban Environment League and works full time with developmentally delayed adults at Nature Links for Lifelong Learning. She assisted in creating the program with professor Greg Bush and currently teaches students about living healthy lifestyles, cooking, and tools to eventually gain independence.

Balfe herself is a Miami native who is soon heading off to Pratt Institute in Brooklyn to study dance movement therapy. She attended undergrad at UMass Amherst creating her own concentration focused on dance and environmental studies: Movement as a Form of Healing. Not only was it about body work, but, she explains, "I related it to the natural world. That's a huge element missing from most peoples' lives."

As an only child in a difficult living situation, she found nature therapeutic. Her mom is a paranoid schizophrenic and her dad was bipolar and severely depressed. She explains that without siblings, she was always making up games for herself. "There's no one there to kick you or dunk your head in the toilet, so you've gotta do it yourself."

She remembers being taken out of school and locked in her house for a year and a half. And though her dad helped her escape sometimes, she was truly trapped. "I was just always trying to get out. It was just me, my soul. I didn't like a/c. I'd shove shit in my a/c vents. I brought plants in my room, broke the windows so they would grow through them. I'm like a little animal," Balfe admits. "I just liked to take off and explore because it kept me sane." And while others might succumb to drugs or other dark forces in similar situations, Balfe rather used these experiences to fortify herself and others.

"I have gone through it, and (her lessons) are some things that have helped me get through some fucked up shit. I want to share that with others. People who have had hard lives have something to give people who haven't, because they see something. Everything that happens, there's a reason for it, and you have something to share because of it. And that's the little thing I have to share, that my crazy-ass went through some tough things and had to search to figure my way out."

Two serious car accidents in recent years threatened to impede upon the progress of both her yoga practice and her art. She found these hurtles taught her a lot about healing herself and gave her a whole new level of sensitivity to others' limitations.

Even with all of that, there's nothing doom or gloom about Balfe's work. She does admit though that, "I'm into that, intense, personal, and conceptual work," but she truly values elements of play. "I think that the most intelligent people are the most playful people. They're open to being engaged and fun and dancing. If you can't do that, you're missing out on a huge part of life. I focus on that, on getting people out of their thing and getting them to play."

In her Body Movement classes, she wants people to just be with each other, to know that it's OK to touch one another. "Once you realize it's fun and easy, you realize, you can do it, anyone can be a dancer. Everybody can be physical. We all want to touch each other, it feels good to be touched." One of the artist's more wild and interactive games of art, if you will, took place at Miami bar Gramps. The Rainbow Butt Race included ass-less pants worn by participants, strangers painting their bottoms as rainbows (or something like them), and then racing to place asses on the wall. Art, friends, can be fun.

While attending undergrad in Northampton, MA, her plan was always to continue the work of healing through movement in nature back in her hometown. She started out with the help of nomadic art collective SPRING BREAK/the end who provided her with space to host Body Movement classes. And because it was indoors, she notes, "It was more focused on movement, movement with other bodies, improv, and getting people to be creative and physical and interact with each other, and be present."
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Liz Tracy has written for publications such as the New York Times, the Atlantic, Refinery29, W, Glamour, and, of course, Miami New Times. She was New Times Broward-Palm Beach's music editor for three years. Now she plays one mean monster with her 2-year-old son and obsessively watches British mysteries.
Contact: Liz Tracy