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Concert Review: A Day to Remember, August Burns Red, Silverstein, Enter Shikari, and Veara at Revolution, March 31

The show was not sponsored by ADT Home Security
The show was not sponsored by ADT Home Security
Photo by Andrew Wamsely

A Day to Remember
With Veara, Enter Shikari, Silverstein, August Burns Red
Revolution, Fort Lauderdale
Wednesday, March 31, 2010

Touring acts tend to avoid South Florida because we are not on the way to anywhere -- except rehab. The best way to fit this region into an itinerary is to launch the tour here. Wednesday was the first date of Toursick 2010 featuring A Day to Remember, August Burns Red, Silverstein, Enter Shikari, and Veara at Revolution. Put your back toward Cuba and the continental United States opens up before you like a blood vessel on a 16-year-old's forehead hitting the metal security gate at the front of the pit.

It would be an evening of post-hardcore, pop-core, and other hyphenations. Although extremely excited to see Enter Shikari, English rockers with supercharged riffs, bellows to the beyond, and a crunch of keyboard (and the coolest in all of current music) the fates were against me. Day job realities and an unfortunately long will-call line enveloped Enter Shikari's entire set. Nothing funny about that.


Melodic-aggro act Silverstein, from Ontario, Canada, followed. Because

the vast majority of the crowd had from 3 p.m. (or whatever time high

school lets out) to make it to the show, I was stuck near the merch

table at the back. During "Arsonist," when they encouraged the crowd

with a blatant "I wanna see you mosh!" I can only imagine the kids on

the floor obliged.

August Burns Red from Lancaster, Penn., was the intensity climax of the

night. From the beginning of "Back Burner" on, it was 40 minutes of pure

mayhem. At any time, lead singer Jake Luhrs and between one and three

of ABR's guitarists -- channeling rock gods from earlier eras -- stood

on boxes at the front of the stage, leaning, spitting, sweating on the

crowd. Luhrs berated everyone and everything with vocal cords of

leather, into an unrelenting strobe light, and the kids responded.

On the floor, a swirling and constant stream of guys and gals rode the

hands of their friends into the three foot sanity/security gap between

the stage and the masses. Neither the band nor the crowd let up as both

blasted through "Truth of a Liar," "Meddler," and others. A friend said

it was akin to getting a free botox, but I don't know what that means.

As the set came to a close, Luhrs, who already seemed part of the crowd,

showed even more love, stating he'd be "at the merch table, so I can

get to know you on a more personal level." If that was possible.

Could A Day to Remember compete with previous 40 insane minutes they'll

follow for the duration of this substantial tour? Where August Burns Red

was the peak of intensity, A Day to Remember was the night's peak of

showmanship and multimedia extravaganza, opening their set with a short

film on a huge jumbotron-like electronic screen at the back a two-level

stage populated by loud steam-shooting canons.

A Day to Remember hails from Ocala, but lead singer Jeremy McKinnon

later let the crowd know that South Florida is close to his heart,

stating that we supported the band even before their hometown did.

Kicking off the set with "The Downfall of Us All" while the jumbotron

shone a large red "ADTR", the crowd's teen spirit would not subside.

Continuing with the irresistible pop/hardcore mix of "A Shot in the

Dark" and "The Danger in Starting a Fire," kids in the crowd got thrown

or vaulted themselves over the outstretched hands of security and across

no-mans-land, onto the front of the stage.

As the set continued, seemingly everybody in the crowd sang along to the

popular "Monument" from 2007's For Those Who Have Heart, and "Have

Faith in Me" from 2009's Homesick album. The first song of the

encore gave us the only slow-down of the night with "If It Means a Lot

to You." And then finally they finished with a song many in South

Florida can appreciate, a powerful rendition of "A Plot to Bomb the

Panhandle," complete with a symbolic explosion of confetti and streamers

over the pit. The crowd left happy. I guiltily purchased an Enter

Shikari t-shirt on the way out.

-- Andrew Wamsley


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