By Michael E. Miller
By Ryan Yousefi
By Kyle Munzenrieder
By Sabrina Rodriguez
By Michael E. Miller
By Carlos Suarez De Jesus
By Luther Campbell
By Kyle Munzenrieder
At 2:00 a.m. on a recent Saturday he sits at a poker table with four men who socially are somewhere between the dealer's friends and business acquaintances. Maestro gambles a gram of coke, a value of $40. He never has to give up cash when he plays cards with this crowd, because he pays his debts with his product. As he concentrates on the game, he lets his constantly ringing cell phone go to voicemail.
The calls were from a now-annoyed customer. Fueling that frustration was Maestro's recorded greeting: "Oh, so you're one of those. Yeah, you know who you are. It's three in the morning and you've called me fourteen fucking times looking for more. Well, I have news for you, buddy I'm not picking up. Deal with it. Beeeep."
Earlier in the evening Maestro was easier to reach. His first call came from a youngish guy he calls "the Mediator." (He gives nicknames to all of his clients.) The Mediator is the only member of his buttoned-down preppy crew bold enough to actually initiate and make a drug deal. He buys an eighth of an ounce (an eightball, as it's commonly referred to) for around $120. "This guy, what he does is, he'll be at a party and his friends will want some booch but they won't know where to get it or they're too scared," Maestro explains. "He'll cap like two eightballs for the friends and then turn right around and tax the shit out of them. Instead of $240, or maybe a little less depending on how generous I'm feeling, he'll charge them $280. I'm telling you the guy never pays for his blow. He always gets a halfie or two for free. Then he'll try to negotiate with me and try to get me to lower the price."
Haggling is one of the vicissitudes of dealing cocaine, as are concerns over minimizing the possibilities of detection. Maestro prefers to deliver to his customers; he doesn't like the idea of people knowing where he lives, of having a constant flow of wired little monkeys showing up banging on the door of his Kendall home. "In the car," he says, "I can creep by a couple of times and scope out the situation. If I smell something fishy, I book. I don't have that luxury at the crib."
He deploys this type of slow-motion drive-by when another regular client, "Demento," issues a summons to meet behind a Winn-Dixie at Sunset Drive and SW 150th Avenue.
"Demento is nuts," Maestro says bluntly. "He'll cap an eightball for himself, go home, hit half of it, and become so incredibly paranoid that he'll flush the rest down the toilet. As if that weren't a bad enough crime to land you in the freaking nut house, the fool then goes and hides in his closet for the rest of night because he thinks the DEA is about to raid his house, guns blazing. The guy is so far gone that last week he was hitting the blow all night, past sunrise, and he could hear his neighbors talking through the walls. He thought they were talking shit about him, so he grabs a bat, and in his underwear steps outside and tries to look hard, you know trying to intimidate the neighbors, all the while heating himself up. Oh yeah, this guy is whacked, but since half his shit goes into the toilet, he's a regular customer."
Maestro eschews the Tony Montana image of the hardscrabble, violent cocaine kingpin. At age 27, he hews closely to the suburban identity he developed as a teenager in Kendall. He likes to tell people he writes poetry and lives a crime-free existence except for occasional shoplifting expeditions to Barnes & Noble.
He points to his dealings with a fellow named "Rehab" as a totem of his humanity. Rehab has been institutionalized to help cure his cocaine addiction, a treatment that apparently hasn't worked, because the young man is out and looking to make a purchase. Maestro politely refuses the transaction. "I've never seen crack, but I have a couple of people who are always asking for pills. I think those people are a lot like crack addicts," he observes. "The thing with coke is that most people, at least the people I sell to, are aware of the effects and the toll."
Maestro says he has about a dozen regular customers, all of whom work legitimate jobs. In their eagerness to acquire illicit drugs, they think little of the role they play in Miami's vice trade. "Everyone hits the blow. People go out drinking or they're at a party and they'll do it to keep going so they can drink and not get sick. It could be a homeboy or a professional looking for a good time," Maestro says in describing his clients. One of them is "Private Snowball," named for the character in Full Metal Jacket. He's an accountant who buys an eightball every Friday just enough to last him through the weekend. "The Shysters" are a married couple, attorneys in their thirties who routinely buy individually. Maestro shrugs: "These two buy separately, tell me not to tell the other one how much they bought, then go home and hit it together. Eventually one runs out before the other one, and the one who still has some won't share. Typical lawyer behavior."