Miami boasts a plethora of great DJs who spin hip-hop, house, disco, and many other genres — hell, there are even some great open-format spinners too. Every once in a while, you'll encounter a great DJ in the making, the kind of sound selector that has the potential to make an impact. Nobody seems to be better equipped to be the city's next big thing than Gami — that's if only the major clubs would book her. Often relegated to spinning at underground warehouse parties and queer events, Gami has a sound that often feels like a Tumblr page come to life. Her sound isn't for everyone, but it's hard to deny it's forward-thinking. If you caught her set during the Boiler Room's Art Basel party at 1306 last December, you witnessed a DJ who is reclaiming dance music's queer roots while adding sounds that represent her Latinx background. You can't help but feel she's sonically ahead of the pack. It's time to catch up, Miami.

Readers' choice: Cedric Gervais

R&B has enjoyed a resurgence in recent years as new artists remix the basic elements of the genre — soulful lyrics, sexy rhythms, and a helping of heartbreak — with modern messaging and attitude. Nil Bambu, with slow-dance tracks that highlight the clear, whispery tones of her voice, is no exception. And on her 2019 single "Right There," she adds some feminist revenge to the mix. Lyrically, the song is a seduction, with a chorus repeating, "I wanna kiss it right there/I wanna touch you right there, right there, right there." But its video imagines Bambu as a spy who's double-crossed by her partner — with deadly consequences. Watch it; then listen to the song again and hear the double meaning in lines like "Call me crazy, crazy/You know I'm crazy, crazy" and "I would never disrespect you, no/Baby, I just gotta check on you." This is the evolution of R&B we've been waiting for.

MC Jumanji is obsessed with grime — not the stuff under your fingernails, but the British music genre where fast breakbeats are narrated by gritty rhymes. To help popularize grime on this side of the Atlantic, Jumanji cofounded the local music label American Grime. Its monthly Friday-night parties at Kill Your Idol, dubbed "Proper," are a sure opportunity to witness Jumanji rock the mike with his distinctive, brooding pitter-patter as he guides guests through a late-night introduction to the genre. Once you're hooked, continue your education with his 2019 single "Atlantic."

Hearing a throwback jam on the radio can send your mind spiraling back to a time of high-school parties and first kisses. If you enjoy nostalgia — and God knows we need it when the present is so bleak — unplug your aux cord and tune your car radio to Vibe 92.7. The old-school hip-hop station plays hits strictly from the '80s, '90s, and '00s, so it's ideal for hip-hop fans who want to remember a time before mumble rap came along. Tune into the station during a short car ride and you might hear Jay-Z and pre-MAGA-hat Kanye's "The Bounce," Usher's "Burn," or your fair share of Wu-Tang Clan and A Tribe Called Quest. Remembering just how old you are is an unfortunate side effect of listening to the station where "classic hip-hop lives," but it's well worth the #tbt journey.

Readers' choice: Y100

It's named for your favorite caffeinated pick-me-up, and it might just be your favorite Latin band in Miami. As Latin artists top the charts and the world falls in love with the contemporary music coming out of Latin America, Cuban band Cortadito wants to remind listeners that the boleros and son of the 20th Century can still get you dancing in 2019. In late 2018, the band released a set of songs in those musical styles on Canciones de Julio, aptly named for Cortadito's songwriter, Julio Cesar Rodriguez Delet. The band keeps its itinerary stacked with appearances at festivals such as GroundUp and Afro Roots Fest, as well as performances throughout South Florida. In late June, the band will open for legendary Cuban pianist Chucho Valdez as part of the Rhythm Foundation's concert series Hollywood ArtsPark Experience.

With reggaeton and Latin trap reaching new heights in mainstream popularity, it's only a matter of time before Miami produces a hitmaker to call its own within those genres. Colombiano James Lance has a good shot at being that artist. Since 2017, he's been working hard on pushing the local Latin-trap scene to the forefront. His style is darker than the stuff by chart-toppers such as Bad Bunny and J Balvin, but his flow remains hypnotic, with hooks in the right place to make sure the songs can't escape your head. On the lover-scorned track "Traicionera," he emotes, "Oye, mami, hasta el día que te fuiste/No te diste cuenta del daño que me hiciste/Queriendo regresar del error que cometiste/Pero el amor a ti baby ya lo perdiste." Lance has also cut tracks in English, such as "Bout It" and "2AM," but he's undeniably stronger — and more memorable — when he sings in Spanish.

Some places are perfect for turning up the heat on the dance floor in Miami, and one of those spots is La Victoria. Get ready to sweat it all out as you groove to salsa, bachata, merengue, and more at this Design District hideout. Go solo and low-key or big and bougie with a table reservation or private event. La Victoria offers everything you could possibly want in terms of drinks, including bottles of champagne for a cool $1,400. But you won't need to break the bank for snacks such as empanadas de carne ($8) and yuca fries ($7) or full-on meals like tostones con carne ($14) and chicken caesar salad ($13). After you've done some damage, get back out on the dance floor and sweat off those tostones. Hours are 11 p.m. to 5 a.m. Thursday through Saturday.

Readers' choice: El Patio Wynwood

Roger del Pino's electro project, Monterrey, expanded to new heights over the past year. Its four-song EP, Elapse, continued in that laid-back chillwave tradition that will please fans of Washed Out and M83. Monterrey's music always had that '80s synth vibe reminiscent of a lost episode of Stranger Things, but its latest video for "Make Me Feel," with its camcorder textures, made fans especially nostalgic for a noir New Wave Miami that probably never existed. To translate its hypnotic recordings into a live setting, Monterrey has expanded into a four-piece band with a live drummer, bassist, guitarist, and ever-present synths to take audiences on a dark, groove-filled musical journey.

Miami DJ Danny Daze runs his supermysterious, vinyl-only label with partners Anshaw Black and Biz Martinez. Churning out an impeccably curated stream of darker, stranger beats, Omnidisc is distributed by prestigious vinyl distribution companies Kompakt and Clone and is sold at Rush Hour in Amsterdam, Hardwax in Berlin, Technique in Tokyo, and other major record stores around the world. If your record player is out of reach, Omnidisc also regularly streams sets on its SoundCloud page. Recent additions have included mixes by Vivian Koch as well as by Danny Daze and Anshaw Black themselves.

The typical millennial wax fiend stays closer to I-95 and Biscayne Boulevard when hunting coveted vinyl, but Yesterday and Today Records, out west on Bird Road at 92nd Avenue, has been serving the record-loving masses since well before the vinyl revival began about a decade ago. This year, Miami's oldest indie record shop celebrates 38 years of validating vinyl, even at times when it seemed CDs and streaming might render the format obsolete. "There was a change, but we always believed in vinyl," Y&T owner Evan Chern told New Times earlier this year. The store's overflowing crates and floor-to-ceiling inventory are proof of that loyalty and faith.