BEST LOCAL GIRL GONE BAD 2005 | Geralyn Graham | Best Restaurants, Bars, Clubs, Music and Stores in Miami | Miami New Times
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BEST LOCAL GIRL GONE BAD Geralyn Graham Graham has been charged with murdering a four-year-old girl placed in her care by the state. She has yet to stand trial. Still, even if what the 59-year-old Graham says is true -- that state workers came and picked up little Rilya Wilson and never returned her -- it's shocking enough. Who loses a four-year-old? Who doesn't make enough phone calls to track her down and make sure she's all right? That, of course, is the best-case scenario. The worst-case scenario, the one prosecutors allege, is that Graham suffocated or beat the child to death (no body has been found yet). And don't forget Graham's long record of identity theft and fraud convictions. Her son was also convicted for taking part in fraud schemes with her. All in all, she's not worthy of caring for a houseplant, let alone a little girl.

BEST PHOTOGRAPHY EXHIBIT The Margulies Warehouse

591 NW 27th Street

Miami

305-576-1051 Visitors to South Florida continuously marvel at the private art collectors here who have thrown their personal stashes open to the public, and real-estate developer Martin Margulies has more than risen to the occasion. He owns an array of cutting-edge modern photography that rivals any museum, and he wants to share it. His collection, hung inside a sprawling Wynwood warehouse, covers the field's titans, and whether your tastes skew toward Walker Evans or Cindy Sherman, there's truly something here for everyone. Although Margulies certainly appreciates the field's classics, he has also embraced some of today's hottest shutterbugs, from Dutch portraitist Rineke Dijkstra and her studies of charmingly gawky adolescents to New York's current bad boy Anthony Goicolea, who puts a whole new delicious twist on the notion of the self-obsessed artist. For those who have only seen these photos reproduced as small images in magazines and books, gazing upon the actual full-size shot isn't just a treat -- it's a public service. Did we mention admission is free?

BEST PLACE TO PEOPLE-WATCH Chili's 19905 Biscayne Boulevard

Aventura

305-682-9898 When you've had enough of the fake tits and tans on South Beach, head north on a Saturday night to indulge yourself in a cross section of real people to watch. This joint is jumping -- there's always a crowd outside waiting for tables -- but head to the bar area for the first-come, first-served seating and an ideal view of the entrance. From high school kids heading to the prom (yes, their dates really did take them to Chili's), to twentysomething partiers getting loaded up on reasonably priced two-for-one cocktails before heading to the clubs, to European tourists and senior citizens, there is a never-ending supply of characters from central casting to watch, admire, or make up crazy stories about.

Readers´ Choice: Lincoln Road

BEST DANCE COMPANY Giovanni Luquini Performance Troupe www.luquinidance.org "Straight out of Miami, and into the world, we bring you groove, myth, and athletic fury," Giovanni Luquini declares on his Website. If it sounds like an intense statement for a dance company, well, it is. And rightly so. There is nothing soft or delicate about this troupe (the members will happily leave the tutus-and-tights fare to the Miami City Ballet), because Luquini, who formed the GLPT in 1996, a year after he moved from his native Brazil to Miami, insists on pumping dance, theater, athletics, and raw emotion into every stretch, turn, and jump. His performances are a multimedia sensory overload -- urban poetry, pop culture, and real emotion rolled into one dynamic performance. His latest work, Slices, is no exception. The moving neo-noir poem incorporates superheroes, belly buttons, and DJ Le Spam. Dance is supposed to make you tingle, not fall asleep, and Luquini delivers just the right amount of caffeine.

BEST LOCAL LANDMARK Archway at Sunshine State International Park 1300 NW 167th Street

North Miami-Dade

305-624-8585 In 1964, when Miami was still a pretty dinky town and el exilio thought they'd be returning home shortly, the newly erected concrete archway at the Sunshine State International Park seemed too big for its britches. Since then the metropolis has grown up around it, and today it's just part of the landscape. Thousands of Palmetto Expressway commuters pass by it every day without a thought. A modest echo of Eero Saarinen's famed St. Louis Gateway Arch, the Miami version also suggested a gateway, but this one opened to the south, toward Latin America. Of course four decades ago it must have seemed ludicrous to imagine Miami as a gateway to anywhere but the mosquito-infested Everglades. Designed by Charles Giller and O.K. Houston, the parabola actually straddles NW Thirteenth Avenue at the entrance to a large industrial park (not a recreational park) that includes other examples of Miami Modern architecture.

BEST ACTING ENSEMBLE The Constant Wife Coconut Grove Playhouse The Playhouse's hit revival had so many fine performances, it is only fair to fully credit them all. Alicia Roper was regally serene in the title role, beautifully matched by Greg Wood as her duplicitous husband, Nancy Dussault as her wisecracking mother, and Dan Olmstead as her once and future swain. Take those delicious ingredients, stir in Ian D. Clark, Susan Wilder, Ursula Freundlich, Pilar Uribe, and Dan Schiff, and out pops one tasty soufflé of an ensemble show.

BEST BOONDOGGLE Citizens' Independent Transportation Trust The People's Transportation Plan, approved by Miami-Dade voters in 2002, was supposed to deliver on a lot of promises in exchange for a half-penny surtax. Key to the measure's passage was the Citizens Independent Transportation Trust. The original idea was that the trust would have real autonomy and teeth to oversee disbursement of the $15 billion the tax would generate. But almost immediately county commissioners moved in to play dentist. As the CITT's powers were steadily extracted, the trust began to bleed members. So desperate is it to fill vacancies that it has been advertising for prospective new members since the middle of last year. Plainly obvious to all is that the PTP, despite its billions, will be unable to make good on its biggest promises (mostly the ones involving Metrorail extensions) and that the CITT is making a chump of every person who believed the hype and voted to increase the county's sales tax.

BEST DIRECTOR Michael Hall The Loman Family Picnic The veteran Hall has long been known for consistent professionalism, but this time out his direction of Donald Margulies's oddball memory play really excelled. Hall's compelling visuals were easy to spot, and to admire, while his subtle, beautifully paced scene-work and careful coaching of two child actors were far more subtle but just as effective. The result was a carefully orchestrated, fully realized theatric vision that was the highlight of the season.

BEST HERO Judge William Hoeveler In last year's edition of "Best of Miami," we acknowledged Hoeveler as Best Judge. In hindsight that seems a bit restrictive. Still hearing cases as an octogenarian senior federal judge, Hoeveler deserves hero status for one simple reason: He's earned it over a career that should be an inspiration to everyone inside and outside the legal profession. Why? Because of his integrity, his fortitude in the pursuit of justice, and his courage. Whether presiding over high-profile and highly contentious cases (Manuel Noriega, Elian Gonzalez, Everglades cleanup) or coping with personal adversity (the loss of his wife, his recovery from a stroke), Hoeveler has conducted himself with honor and dignity. In 2002 the University of Miami created the William M. Hoeveler Award for ethics and leadership; naturally the judge was the inaugural recipient. The annual award goes to those in the legal profession, but that too seems a bit restrictive. It could rightfully be extended to all those who, like William Hoeveler, work in the public interest and for the common good.

BEST CAREER MOVE Alberto Ibargüen He may have been sincere in telling his colleagues at the Miami Herald Publishing Company -- from reporters to advertising reps to pressroom workers and anonymous midlevel managers -- that he will miss them greatly. But in fact he couldn't be happier. No longer struggling with a whittled-down, anemic version of a once-proud newspaper under the life-sucking, soul-crushing financial thumb of parent company Knight Ridder and its pinhead CEO Tony Ridder, 61-year-old Ibargüen snagged what must be one of the best jobs in the land -- president of the John S. and James L. Knight Foundation. There he'll be facing a very different, and much more appealing, challenge: how best to dole out some $90 million each year in grants to improve journalism and strengthen the social fabric in communities across the nation.

Best Of Miami®

Best Of Miami®