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It’s Time to Catch Up on the Rapture: The Leftovers Has Become One of TV’s Best Shows
By Michael Nordine
As Taboo's Finale Looms, a Celebration of Tom Hardy's Mumbly, Mystical Powers
Sleepless Makes Michelle Monaghan and Jamie Foxx Work All Night Against a Tired Script
Patriots Day Finds Mark Wahlberg Caught Between Fiction and Real Disaster
Martin Scorsese's Priests Persevere in the Searching Silence
Playing by Old Rules, Warren Beatty's Howard Hughes Drama Stumbles
Black Mirror's Third Season Probably Won't Stop the Robot Uprising, and That's OK
The Girl on the Train Offers Steady Suspense, but Where Does It Get You?
Certain Movies: L.A. Weekly's Critics Pick Their Favorites at the Toronto Film Festival
By Michael Nordine and April Wolfe
Toronto Film Festival: Conjoined-Twin Drama Indivisible Is More Than the Sum of Its Parts
Toronto Film Festival: Terrence Malick Reveals the Majesty of Creation
Toronto Film Festival: Superstar Fan Bingbing Fights for Her Honor in I Am Not Madame Bovary
Ben-Hur Is Nothing New, but It Puts on a Decent Show
Ellen Page Kidnaps an Infant in Tallulah, but She Means Well
Brady Corbet Comes of Age as a Director in The Childhood of a Leader
Growing Up Gondry: The Director Digs Into Adolescence in Microbe and Gasoline
Love Hurts in Lanthimos' Daring The Lobster, but It Beats the Alternative
As Game of Thrones Nears Its Endgame, the Pawns Are Taking Over the Board
Send Flowers Instead: Garry Marshall's Mother's Day Is the Gift That Gives Nothing
Before You Know It, You're In: Hulu's The Path Gives New Meaning to Cult TV
Despite Its View, Drone Drama Eye in the Sky Sees Nothing New
The Masks, Monsters, and Mythos of Lucha Underground, TV's Best Wrestling Drama