@awolfeful

  • @awolfeful
    15 November, 2019

    RT @shannonrwatts: BREAKING: Wayne LaPierre, CEO of the @NRA, saw his compensation rise 55% in 2018 to $2.2 million. His bonus tripled to $…

  • @awolfeful
    15 November, 2019

    @surfchicken16 I killed it on flair. I ordered a bunch of vintage buttons from eBay and had suspenders and a velvet… https://t.co/fgy0Z3y3Nj

  • @awolfeful
    15 November, 2019

    When I was working at TGI Friday's, we had to carry a bank to make change. When we didn't have small bills or coin… https://t.co/sdRFXCJshT

  • @awolfeful
    15 November, 2019

    @brockwilbur It's the circle of life.

  • @awolfeful
    15 November, 2019

    Current LA Weekly staff lining up to send in their résumés. https://t.co/IGyKHs0sHK

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April Wolfe

April Wolfe

April Wolfe is a regular film contributor at Voice Media Group. VMG publications include Denver Westword, Miami New Times, Phoenix New Times, Dallas Observer, Houston Press and New Times Broward-Palm Beach.

Latest Stories

  • The Coen brothers' new Western anthology film The Ballad of Buster Scruggs was born from their penchant for disorder. In six vignette tales of mischief and wonder, hopelessness abounds while daft characters reign. But this time, unlike in...

  • 1 year ago | Film and TV

    In typical Coen fashion, most people in the movie meet ironic or wry deaths, but this time the Coens seem to be actively eschewing any deeper emotional connection between the audience and the characters

  • 1 year ago | Film Reviews

    This thoughtful, textured story — though brutal at times — stands as one of the clearest depictions of turmoil, racism and nepotism in local politics that’s ever been drawn onscreen

  • Yes, Steve McQueen's Widows is a heist film, set in Chicago, with a group of four women plotting and planning their way to a sweep of millions of dollars that would ultimately free each of them from bills, debt and neighborhood violence....

  • 1 year ago | Film Reviews

    There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made

  • I'm happy to report that I have no idea what's going on in Luca Guadagnino's Suspiria remake, and that's wonderful. The two Suspirias function more as companion pieces than as mirrored twins, sharing only a few key details: There is...

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