One lesson learned from those experiences, he says, is that what connects us is there for us to hear in our music.
That is the subject of La Ruta de las Almas (The Road of the Souls) — an expansive, ambitious disc and film project five years in the making. Recorded and shot in various global locations and featuring more than 50 musicians from disparate parts of the world, including Cuba and Spain but also Iran, Morocco, and Israel, it describes a web of cultural connections underlying the Ibero-American world.
La Ruta will have its United States premiere at the Centro Cultural Español (Spanish Cultural Center) Friday at 8 p.m. Urkiza will play music from it as part of the Global CubaFest 2016, presented by FUNDarte and Miami Light Project at Miami-Dade County Auditorium Saturday at 7 p.m.
Urkiza spoke with New Times about the project, his musical discoveries, and how this is a continuation of his work with Gema y Pavel.
New Times: Was there a particular event or encounter that sparked The Road of the Souls?
Pavel Urkiza: No. This had been cooking slowly
So this began as a need to express a spiritual idea: It has to do with love and the fact that we are much closer [to one another] than we think. It doesn’t matter if you are Muslim, Jewish, or Christian, communist or capitalist — what is important is what connects us all at a very deep level and transcends culture... That something speaks to me in music. Music is the natural religion of human beings.
And this, in turn, led to the musicological aspect of the project?
Yes. After living in Spain for 22 years and having learned about certain musical traditions such as flamenco, Sephardic, and Andalusian music and romance songs, one starts to hear connections
And you come to realize that the Cuban rumba is not just African, but it has many Spanish and gypsy elements; the clave [the five-beat rhythmic pattern underlying salsa and much of Afro-Cuban music] and the cinquillo [five-note figure typical in danzón] come from the Middle East. That's the subject of The Road of the Souls.
How does this project relate to your previous work with Gema y Pavel, which is what people know best?
I believe that if you go back and check recordings such as Síntomas de Fe (1999) and Art Bembé (2003), you can already hear influences from various Latin American styles, so little by little, we arrive to this recording, which is a tribute to Ibero-American music. I call it Ibero-American world music.
The music documentary will be shown at the Centro Cultural Español Friday, and you will perform at CubaFest Saturday. What can the audiences expect at each event?
The film documents the recording of the album. During the process, I interviewed all the musicians — we have Israelis, Spaniards, Peruvians, Colombians, Iranians, Cubans, Argentines — and I basically ask them three questions: “What does The Road of the Souls suggest to you?” “What does music mean to you?” and “What did they sing to you when you were a kid?”
On Saturday, I will be performing with my band, featuring some special guests such as Eliseo Parra, África Gallego, and Javier Ruibal. We’ll do some music from The Road of the Souls and also some songs from my earlier repertoire.
Why the title The Road of the Souls?
The Road of the Souls alludes to the Silk Road and the Spice Routes — except this is not about something tangible; it’s a spiritual subject. And it’s not something you can look at from a political or geographical perspective; it’s deeper than that. We are all connected. [When talking about Ibero-American music], I used to say, “From Rio Bravo to Patagonia”; now I say “From Persia to Patagonia.”
— Fernando González, artburstmiami.com
Global Cuba Fest
Music documentary The Road of the Souls at 7 p.m. Friday, March 11, at Centro Cultural Español, 1490 Biscayne Blvd., Miami; donation; 305-448-9677. Pavel