Distance: Equal parts roller coaster and Rube Goldberg contraption, Jeppe Hein's sensational installation sweeps the spectator along for a dizzying taste of a theme park ride. The piece consists of nearly 1000 feet of track that winds through the space in a knotted steel tangle. As visitors enter the area, they activate a sensor, which shoots a white plastic sphere the size of a soccer ball onto the rails. Viewers can then follow the ball on foot as it turns and plunges along the rails sprawled throughout the gallery. Spectators may find themselves running around like excited kids at an amusement park. Carlos Suarez De Jesus Through March 10. The Moore Space, 4040 NE Second Ave., Miami; 305-438-1163, www.themoorespace.org.
Paris, Barcelona, and Miami: This exhibit at David Castillo's recently opened, eponymously named gallery features a handful of works by the Cuban vanguard generation, anchored by an unusual piece from modern master Wifredo Lam that has never before been publicly displayed. Eschewing the sardines-in-a-can approach of shoehorning dozens of paintings into a catchall exhibit, Castillo has elegantly displayed nine works in the main gallery. Completing the second part of the show in an adjacent room is contemporary Cuban artist Quisqueya Henríquez's multidisciplinary installation Intertextualidad. All the works on display originate from what Castillo terms "one of the world's most important collections of the genre." Trs Niñas (Three Girls), painted by Fidelio Ponce de León in 1937, is among the show's more arresting pieces. The work teeters between the genuinely ugly and seductively compelling and lingers on the senses with mystical undertones. Carlos Suarez De Jesus Through March 31. David Castillo Modern and Contemporary Art, 2234 NW Second Ave., Miami; 305-573-8110, www.castilloart.com.
Vik Muniz: Reflex: On a recent Friday afternoon, squadrons of turkey buzzards circled the Claude Pepper Federal Building while a skywriting plane created childlike pictures of clouds in the pristine blue sky. The ephemeral work, Cloud Cloud, was part of Muniz's latest exhibit, which features more than 100 large-scale photographs the Brazilian artist created from a stupefying grab bag of materials. Since 1988, the artist has reconstructed well-known images from history, the media, and popular culture using dirt, sugar, chocolate syrup, diamonds, junk, string, and ketchup. It's not every day that one stumbles across B-movie monsters made from caviar. Most effective are his poignant works rendered in sugar that depict the children of sugar-cane plantation workers. The pieces are exquisite and convey the artist's haunting sense of sorrow and unease at the specter of hopelessness with which these children exist. Carlos Suarez De Jesus Through May 28. Miami Art Museum, 101 W. Flagler St., Miami; 305-375-3000, www.miamiartmuseum.org.