Back in the day, A/V kids were considered nerdy. But in the age of the internet, there is almost nothing cooler than a plain old film camera and some slides from a 1982 trip to Acapulco. This is what makes OMM (Obsolete Media Miami) the best alternative art space in Miami right now. Is it gross and edgy? Not exactly. It's clean and subversive in a different way. The experimental project was founded in the Design District last year by artists Kevin Arrow and Barron Sherer. The two, who have been around town for a long while, have gathered a notable collection of 35mm slides, cassette tapes, reel film, and archival motion-picture materials, among other "obsolete" media. And some museums have sent stuff to add to the pair's inventory. OMM is also a resource for other creative people to dip into and get inspired through workshops, lectures, and performances. These guys have analog everything and equipment for days. This isn't about nostalgia alone. This is about art and preserving the past of both the Magic City and a time when the A/V club meant something.

Beauty is everywhere, even in ruins. At least that's what David Bulit believes. And he captures that every time he hits the shutter of his camera. The author of Lost Miami: Stories and Secrets Behind Magic City Ruins and the mastermind behind the blogs Abandoned Florida and Autopsy of Architecture, Bulit has long been fascinated by Miami's abandoned past. But it was through urban exploring that Bulit truly discovered his passion for photography. And after shooting an abandoned prison in Big Cypress, he was hooked. The photographer launched Abandoned Florida in 2010 as a way of sharing his work. His blog, which consists of a series of abandoned sites, eventually paved the way for his book, Lost Miami. Published in 2015, it catalogues the Tamiami Trail's Monroe Station (which was recently destroyed by fire), the Nike missile site on Krome Avenue near the Tamiami Trail (which was bulldozed last year), and the Coconut Grove Playhouse (which might be conserved). Though Bulit's work certainly conveys a sense of adventure, his goal, he says, is "to promote [the] preservation and restoration of all these buildings." Here's to hoping Bulit's mission prevails. But even if it doesn't, at least we'll always have his photos.

While theaters across the globe have converted to digital cinema, Miami's Secret Celluloid Society insists on going old-school. For 72 weeks, the Society's imaginative cinephiles presented midnight screenings of cult favorites in their original 35mm format. It was all part of Coral Gables Art Cinema's After Hours programming. Titles ranged from blood-splattered operatic westerns like The Wild Bunch to bonkers Japanese horror like House to art-cinema linchpins like Eraserhead and Brazil. Locally sourced favorites such as Scarface and Miami Connection lit up the screen, and the Society even brought out Mad Max: Fury Road on 35mm — it was the only Miami-Dade theater to do so. The Secret Celluloid Society ended its Gables Cinema residency April 2 with, appropriately enough, Scorsese's The Last Waltz before moving to the larger O Cinema, which will mostly retain the wonderfully obstinate insistence on 35mm. Luckily, Gables Cinema continues to show after-hours films.

While arthouse cinemas seem to be shuttering across the nation, independent film culture is as vibrant as ever in Miami. Just ask nonprofit film house O Cinema, which has three theaters across the city. The newest installment, at the old Byron Carlyle Theater, transformed one of Miami Beach's most iconic playhouses into a center for independent film and classic movies. Featuring plush vintage seats and a mezzanine balcony fashioned out of carved wood, O Cinema Miami Beach transports moviegoers to glamorous old Miami, where you can enjoy your popcorn and a $7 glass of wine while watching some of the best offerings in contemporary and classic independent film. Hosting a variety of films every day — from the latest Palme d'Or winner at Cannes to cult classics like Natural Born Killers and Mommie Dearest — O Cinema Miami Beach is the perfect place to take yourself out on a date.

Readers' choice: O Cinema

This past March 15, Florida voters chose Donald Trump and Hillary Clinton for the fall presidential race. That same day, Bruce Stanley of Occupy Miami introduced Rise Up Miami, the city's inaugural radical film festival. It was a symbolic choice, he says, because America is at a critical moment. The 2016 election is rapidly being defined by fear, anger, and polarizing candidates. The two-day cinematic celebration of resistance aimed to inform and inspire. It included the participation of Black Lives Matter Alliance of Broward, Miami Dream Defenders, SmashHLS, and Food Not Bombs Miami/Fort Lauderdale.Six topical films were screened, followed by conversations with activists. Taking place in Little River's serene Earth 'n' Us Farm, the festival was free and included a community-driven potluck and drinks.It united Miami's socially conscious and radical communities through visionary art.

The Shops at Sunset Place was your high-school hangout. Remember those dorky manifests about groups of ten or more not allowed to loiter? You and your crew laughed at them. And because those were the days before Snapchat, you didn't really take pictures of the signs. If only you could have added a witty pic to your local story with a few emojis floating around! Alas, these days, you don't hang out as often at the mall as you used to. But there's one thing that has remained constant: the movie theater. AMC Sunset Place 24 is one of the few commercial theaters that shows more than the new releases. It also puts on works of small independent studios. The theater entrance is hidden on the third floor of the towering shopping center, and its ticket booths are located a level below. The seats might be a little old and worn, but the fact that there's a new bar in the lobby allows you to fully enjoy that you are now an adult. Booze while you watch a flick? You would have never thought this possible ten years ago when you were hanging out on the roof of the parking garage.

Readers' choice: Cinépolis Coconut Grove

"The sound of the world, right now." Those are the words of Rhythm Foundation's director, Laura Quinlan, to describe what the TransAtlantic Festival has been bringing to Miami for the past 14 years. From the jazzy sounds of Brazilian songstress Céu and the solid breaks of French-Chilean MC Ana Tijoux to this year's brassy, eclectic beats of New York's Beirut, every artist who has performed at the fest has taken the 305 on a global journey through music. "We try to get musicians with the spirit of travel and exploration," Quinlan recently told New Times. The festival has changed throughout the years. "Our audience before this festival was older and not as reflective of our vibrant, young city. It has challenged us to find new collaborators and sounds that keep us relevant." But Quinlan's philosophy has remained untouched. And in this melting pot of a city, the TransAtlantic Festival does its part to keep all of our vibrant cultures in touch.

Sequels, especially comedies, typically pale in comparison to their predecessors — it ain't easy being funny the first time around, let alone in the second installment. However, if you're comedy duo Ice Cube and Kevin Hart, the odds might be in your favor. The followup to their 2014 movie, Ride Along, brought the crime-fighting team to the sunny streets of Miami. There was an addition to the group: Olivia Munn. When New Times interviewed the actress earlier this year, she said this of the film: "Especially with Cube and Kevin, it was so funny... of course it's going to get funnier the second time around as they get more comfortable." She wasn't wrong. The two comedians play off each other throughout the film, and their delivery feels natural. The setting, of course, is the lavish Miami Beach life.

Merriam-Webster defines the word "bloodline" as "a sequence of direct ancestors especially in a pedigree." But for fans of the Netflix series Bloodline, that word means something slightly different. The show follows the Rayburns, a working-class family in the Keys with plenty of secrets. The series is best described as a cinematic roller coaster. It ticks, ticks, ticks you up gently — getting your adrenaline rushing — and just when you think it's safe to breathe, here comes the plunge. Aside from the episodic thrills, the best part about this series is that it's filmed locally. Three cheers for those Florida film incentives. The shots of rustling trees and sandy beaches are enough to make you want to spend a weekend in the Keys with the Rayburns. The first season was uploaded onto the streaming platform in spring 2015, and Season 2 became available this past May. Although it might be too soon to judge if Netflix will produce a third season of the drama, fans are hopeful.

Jon "Stugotz" Weiner of The Dan Le Batard Show With Stugotz is an Everyman's man. He is red-faced, white-knuckled, emotional, unapologetically cocky, cliché-driven, and transparently childish. As his cohost Dan Le Batard routinely says, sports is akin to the toy department, so why can't we act like kids? Stugotz gets us. He is us. He represents us, even the bad parts of us. He goes to work hung-over. He barely listens to what anyone says. He complains. He brags. He's a seesaw of emotions bound to be scooped up by a tornado and thrown to the other side of an argument without a moment's notice. Stugotz is the who we would be on sports radio if we had the talent to be on sports radio. Not all superheroes wear capes. Some are sports radio hosts wearing unlaundered shirts. Stugotz is the sports radio man South Florida deserves.

Readers' choice: Dan Le Batard