With their infectious rhythms and dance-a-licious beats, Afrobeta's songs are classic yet modern, borderline underground yet so Billboard chart-friendly. Cristina "Cuci Amador" Garcia's pop sensibility resonates through a blend of bilingual proficiencies that even Shakira might covet, while Tony "Smurphio" Laurencio burns holes through his Moog keyboards with funky fire. It wouldn't be surprising to find Afrobeta writing songs for the likes of Madonna or even M.I.A. But for now, Miami is lucky to have the duo performing on a regular basis; the two are a match made in disco-house heaven.

PS14 is like the rec room that belongs to the coolest friend you had in high school (or the one with the most permissive parents). You can show up whenever, stay as long as you want (even past what would be your welcome at most other places), break things, and generally behave however you want, as long as it doesn't endanger others and you keep it within the room's confines. Plus there's a pool table, always a predictably weird cast of characters, and some great tunes you've probably never heard before. But seriously — PS14 is like an undepressing dive, where the surroundings are slightly tatty but the people are interesting and, often, cute. Maybe that disqualifies it from "dive" status and instead just makes it one of the most unpretentious, fun little holes keeping it real since before downtown was happening. Every night promises a different left-of-dial flavor, from rock en español to new electro and booty bass to forgotten rock nuggets to the infamous monthly zombie parties hosted by Notorious Nastie and Otto Von Schirach. And its, errrr, intimate size makes it feel like a private party when underground legends Little Brother and Jeru the Damaja decide to take the stage. Assholes and douchebags, stay away.

"Lemon Green Tea Martini," "Effen Black Cherry Cosmo," "Elderflower Fizz," and "Leblon Caipirinhas" are only some of the tempting concoctions luring cocktail lovers to this bar just off Lincoln Road. Already a must-stop on the gay and politico circuits, Halo Lounge is quickly becoming a favorite with straight locals looking for something a little out of the ordinary. While the drinks are colorful and complex, the bright, minimalist décor results in a comfortable, relaxed atmosphere. The low volume on the sound system allows you to actually listen to your date — whether you brought him along or just met him. (DJs turn up the volume a bit on the weekends, though.) The best thing at Halo might be what the place doesn't serve: a whole lot of tobacco smoke. Smokers have to saunter outside if they want a puff, while patrons inside enjoy fresh, clean air. Prices are about average for the Beach, but stumble by in the late afternoon for drink specials that will leave you thinking you landed in Cocktail Heaven.

Calling all beer pong masters: If you're on a quest to become the ultimate ponger, head to Billy's on Wednesday nights for the eclectic bar's weekly tournament. In addition to great prizes, there are beer specials all night long. The raucous event is one of the reasons Billy's holds a place in the hearts of many area locals. Others are its inexpensive pitchers, diverse jukebox selections, and fun clientele. Located in the heart of downtown North Miami, near the Museum of Contemporary Art, Billy's is a cheap and dirty place that has developed its own natural stink, which is what keeps regulars like 28-year-old Sabrina coming back. "You can find me and my friends on the collage of crazy pictures on the wall," says Sabrina, who has been going to the pub since she was an underage freshman in college. "And I can't say enough about the grime coating the walls, either." You can get your drink on early at Billy's, which opens at 11 a.m. every day except Sundays, when the joint opens at 1 p.m. Last call is always at 5 a.m.

South Miami is rapidly becoming like a miniature South Beach, with fancy cars, inconsiderate pedestrians, and a complete parking clusterfuck. Who's to blame? We think hot newish restaurant/bar Town started the fire. Daytime, it's ideal for an early afternoon drink-up on the weekend. By early evening it's a classy, trendy, minimalist restaurant that specializes in "global comfort food" like brick oven pizzas and yummy parmesan-truffle fries. By night it's bumpin', with crowds of trendy 20- and 30-somethings, clutching martini glasses as they spill out into the street. The food is delicious — just try the grilled Caribbean jerk churrasco steak salad, it's $15 and to die for — but we keep going back for the cocktails. Town's got a classy clientele and a wide variety of actually delicious martinis, and a big beer menu that includes Chimay and other exotic ales. Try the Towntini — a swirl of Absolut Mandarin Vodka, Cointreau, pineapple juice, cranberry juice, and a mandarin orange garnish for $10. You'll feel like you've been transported to an elegant hotel on Collins Avenue, even though the glowing sign of Sunset Place hangs in the near distance.

This bar is Miami's version of the Eighties sitcom Cheers, where everybody knows your name. "This place is like a family. I know everybody in here," say Steve, a regular, as he waves to a "drinking buddy" across the bar. The vibe is friendly, the bartenders are sexy, and the pitchers are cheap ($6 domestic). Located across the street from Miami Dade College's Kendall campus, LA Sports Bar and Grill opened six months ago, where the legendary College Park Inn once stood (next to Hungry Bear subs). The bartender brags about her martini skills: "I make them with love," she says while measuring vermouth. The horseshoe-shape bar is surrounded by large plasma TV sets tuned to ESPN. Tuesday is the night for videogame players. In the restaurant area, patrons play Guitar Hero on a 100-inch TV screen. Wednesday is poker night. Thursday is biker night, when the patio becomes a scene out of some Hells Angels documentary. On Friday night, DJ Steve spins the wheels of steel. On Saturday night, a live salsa band called Grupo Select performs. And Monday — karaoke night — is the most jam-packed of them all. This bar's food is amazing: Philly cheese steaks, pizzas, and chicken wings are surprisingly delicious. And yes, she makes a damn good martini.

Somewhere between lounge, bar, and club sits The Vagabond, a lovably comfy new hangout in the old I/O space on NE 14th St. This is a place with a mission statement unlike no other in town: Everybody is welcome here as long as they dance and have a good time. Just see the club's official slogan: "You are no one. You are every one." Rock kids can come in scruffy Converse sneakers; house heads can show up to jam without worrying about not having an asymmetrical haircut. That's because there's a vibe for everyone in this indoor/outdoor playground, from the mod-futuristic main room to the bohemian-styled front bar to the urban-tiki weirdness of the back patio. The soundtrack can be anything from a mix of cutting-edge dance sounds to throwback soul to garage rock to all of the above, depending on the hour of the evening and the mood of the crowd. Prices, too, are superrelaxed: Well drinks go for $6, a better deal than at the bar's downtown neighbors. Chilled-out and familiar but still fresh and funky, The Vagabond feels like ... well, home.

What do you get when you cross a wiry, tattoo-covered Vincent-Gallo-look-alike batshit frontman, slashed-speaker Stooges-style power chord freakouts, and gigs at places such as adults-only female wrestling events? Pure fucking rock and roll, that's what. Mad Martigan can't even be bothered to put up a song sample on its MySpace page, but if you hit the local circuit enough, you will encounter the group. And if you're weak, the band's raw power will send you running back to the baby's corner where you belong. More room for those of us who are ready to hail the homecoming of balls-to-the-wall, whiskey-fueled madness.

For a while, only the most intrepid venue owners and clubbers ventured to the edge of Overtown around NE 14th Street and North Miami Avenue. For several years, the medium-size indoor/outdoor club I/O flourished there, and then tiny watering hole PS14 opened a couple of doors down. Alas I/O closed, leaving PS14 alone. But then the megaluxury palace Karu & Y opened a couple of blocks west, to extreme skepticism, to say the least. Somewhere along the way, the strip of NE 11th Street known as the "Park West District" became a wall-to-wall strip of high-traffic spots, and at least the nightclub part of the Karu & Y complex did okay. The sparkly-white bohemian joint White Room opened on NE Miami Court, the old Ice Palace studios began hosting the occasional event again, The Vagabond took over the old I/O space, and not so suddenly there was an honest-to-goodness club district on the mainland. And unlike their glitzy counterpart left behind on the Beach, the areas around Overtown and Park West offer something for everybody, from scruffy artsy parties to strip club debauchery to live bands to superclub afterhours. It's the kind of patchwork nightlife playground, relatively free of pretension, that made Miami Beach cool the first time around. Maybe on this side of the causeway, we'll get it right this time.

Who would've thought that a weekly night of quieter, strummed sounds would turn into one of punk dive Churchill's best-loved regular events? Well, local duo Raffa and Rainer, the brains behind the operation, must have had some idea. They've created a weekly Wednesday event that's as warm and welcoming as a group hug yet still attracts topnotch talent. Everybody gets a shot at the opening part of the night, a true open mike, with a scheduled performer taking the stage later. Since the event began last summer, it has attracted all the local luminaries, including Rachel Goodrich and Jesse Jackson, and even unexpected, uh, softer sets from acts such as Fitzroy, the Down Home Southernaires, and MJ of Awesome New Republic. Out-of-town guests, too, have gotten in on the act, including a somewhat baffling recent appearance by Michale Graves, former vocalist for the (post-Danzig) Misfits. In fact, CYRALS has established itself as a sort of friendly local proving ground. If a song can make it here, regardless of genre or electronic hookup, it can make it anywhere.