Best Neighborhood Bar/Central 2001 | La Reina Cafeteria | Best Restaurants, Bars, Clubs, Music and Stores in Miami | Miami New Times
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They say Calle Ocho is coming back. If they spent a Saturday night at La Reina, they'd see Calle Ocho has stayed pretty much where it's been for the past 40 years, right here in funky Little Havana, the first stop on many immigrants' road to the American dream. They drift in as the night progresses: the Honduran brothers looking to down a few beers (signs all over warn in Spanish: NO BEER SERVED WITHOUT FOOD, an accommodation to a past police crackdown on bars masquerading as cafeterias -- sort of like this one), dance with a waitress, and maybe find a chica to make them forget the ones they left behind in San Pedro Sula. The ancient Cuban man in a jacket and fedora who'll spend the night guaracheando like he's back in Pinar del Río, Latin classics blaring from the jukebox. The mysterious white-haired man, who sips beer and coffee while musing to himself in a Slavic language, as though attempting to maintain proficiency in the midst of so many Latin tongues. A young couple with babies, two or three women with young children. Nothing so far to get the Honduran brothers' hopes up. But the night is young. Long past midnight everyone's dancing under the fluorescent lights. Even though the customers will straggle out when 2:00 a.m. rolls around, many will be back first thing in the morning, lounging around a sidewalk table and watching the American dream unfold before them in all its mixed-up, faded glory.
Photo courtesy of Fox's Lounge
This sleek little steel-and-chrome number with flashing lights offers the most eclectic selection of tunes in town. There are contemporary Top 40 hits by the likes of Marc Anthony, Lauryn Hill, and, yes, Christina Aguilera; some gems from Motown's golden era; a smattering of country (Patsy Cline, George Strait); and a surprise or two (Elvis Presley's "Rock-A-Hula Baby"). The real reason to sidle up to this machine, though, may be its assortment of big band, swing, and Tin Pan Alley classics: Artie Shaw, Tommy Dorsey, Frank Sinatra, Rosemary Clooney, and Tony Bennett are all well represented. The best part? This juke hasn't swallowed a quarter in years. The music is on the house.
The Bar photo
After bartenders in Coral Gables call the last round, many of them make their way to The Bar for nightcaps. There is no better endorsement for a watering hole than one from the mixologist class. But if you need another, check out the beer selection. The Bar boasts 10 brands of brew on tap and 21 in bottles, plus a wide variety of liquor. A serviceable menu of standards features four kinds of hamburgers, a decent chicken sandwich, and mozzarella sticks that don't bathe your fingers in grease. Tunes that range from Sinatra to Kid Rock stack the jukebox. On Saturdays live music rocks the room. Above it all is an air of comfort that makes The Bar's steady clientele treat the joint like a second home.
E.M.
Attitude-drenched bars full of the sleek and beautiful have become redundant. The most glamorous gay hangout for slumming: The Laundry Bar. Not entirely devoid of South Beach pretension, it's the kind of place where unassuming nerds can breathe easily alongside narcissistic muscle boys while waiting for their clothes to come clean. High-tech décor rules, but flip-flops and surfer shorts outnumber the Kenneth Cole getups. Sassy types can bring a pillowcase full of their most provocative undies to clean in the predawn hours. Those who prefer to air their dirty laundry at home can just sit at the bar and shoot the breeze with a healthy contingent of lesbians -- an increasing rarity in the gay bar scene. Veteran South Beach bartender Dot Larkin (formerly of Club Deuce and the now-defunct West End) will keep you awash in alcohol. A happy-hour special offers two-for-one drinks until 8:00 p.m. daily, and until 9:30 p.m. on Wednesdays.
Neighborhood bars are supposed to be friendly, and nothing's friendlier than the price of a bottle of beer at Zeke's: two dollars. Not just any beer, either. Zeke's selection includes more than 100 brews, everything from Samuel Adams Summer Wheat to Samuel Smith's Oatmeal Stout, from Dos Equis to Cerveza India. You name the country, and it's probably represented on the menu. Zeke's is especially deserving of recognition this year because it marks the reinstatement of the two-dollar-per-bottle policy. Five years ago, when Zeke's first opened, idiosyncratic owner Victor J. Deutsch garnered a reputation for his "beer garden" by charging that paltry sum. Then reality set in (the joint is on Lincoln Road, for crying out loud), and Deutsch set a still extremely reasonable price of three dollars for his bottled beers and four dollars for his pints. But last year Deutsch went off his medication again, God bless him, and down went the prices. Good cheap brew is not the only thing that makes this place convivial. Outside seating means friends passing by are likely to stop and knock one back with you. The bartenders may not be much to look at, but they sure are nice. And if you hang out there long enough, they're likely to call you if they haven't seen you in a while -- just to make sure everything's okay.
Just past Mile Marker 104, this Key Largo hangout overlooking Florida Bay is a superior spot to hoist a brew with "hog" aficionados. On most weekends pot-bellied, tattooed daddies park themselves at the bar eager to talk about 'Nam, women, and the open road. Instead of wearing leather, Levi's, and boots, they shoot the breeze in shorts, tank tops, and sandals. A rather lengthy ride for a belt, the Caribbean Club extends twenty miles beyond biker strongholds Alabama Jack's and Last Chance Saloon. But motorcycling is all about the journey, right?
Candy Caramelo, the hostess so nice she named herself twice (caramelo is Spanish for candy), zings one-liners and double-entendres from the stage of Club Tropigala Wednesday through Sunday nights. "This is not fat," she says, showing off her hefty figure, barely concealed by a teddy and feathery robe. "This is filet mignon." Then she winks and pulls some unsuspecting patron up to the stage, burying his face in her prodigious bosom to the delight of the crowd. Candy has been having fun with cabaret and nightclub audiences since the Fifties, and she doesn't mind telling you about her career in between jiggles, wiggles, and giggles. So sit back, order a mojito, and enjoy show biz the way it used to be. Just remember: Sit too close to the stage and there's a good chance you'll end up in Candy's, er, act.

The Fifties: Miami Beach was the sun-and-fun capital of the world. The postwar cocktail nation was in full swing, and Morris Lapidus was creating what he called an "architecture of joy." The Lapidus-designed Eden Roc opened in 1956 and is considered a classic example of MIMo, or Miami Modernism. It's also still the best place anywhere to enjoy an adult beverage or two. The bar and the hotel lobby in which it sits, recently restored to its midcentury splendor, are an ode to the kind of sophistication that existed only in the movies. A sculpted canopy, supported by fluted columns that rise to the ceiling, hovers above a sunken oasis filled with plump couches and chairs upholstered in regal gold and deep purple. Grecian-style statues and fleur-de-lis floor designs accent the room. Sun and moonlight filter through the sheer curtains of a curved window-wall overlooking the pool. Just when you think nothing could be more perfect, martinis and mixed drinks arrive in stately glassware while a house piano player offers a song of love from another time. God bless and comfort Morris Lapidus.

When the delicate beauties of fall and winter descend on South Beach like migrating swans, a lot of people want their attention. It can all get a little overwhelming. To relax they need a low-key atmosphere. The Monday-night party called the Beehive inside Penrod's cavernous beachside structure is just the place. After all, most working stiffs don't go out on Mondays, so the pretty pixies can cavort in relative abandon. The sand-in-your-sandals vibe also helps take the mood down a notch. It's a good night to kick back, have a beer, and forget the world is watching. So if you go, remember: Don't stare.
Bolivian transplant Mario Irusta had a look in mind when he bought a rundown bar in the rundown neighborhood known as Wynwood. He wanted to improve the place but not so much that you'd notice. Clean but not antiseptic. His plan worked. Except for the worn terrazzo dance floor, everything in the place is relatively new, yet looks as if it has been there forever. The interior décor consists of dark woods, including the water-stained paneling and the bar itself, illuminated from underneath at night. Red barstools are upholstered in vintage Sixties vinyl. The cash register appears old and battered as do some of the crusty customers. The jukebox features an odd mix of genres: Honduran dance music, country and western, Mexican rural, and standard rock and roll. Irusta says the joint's name has something to do with a romance and a dream. His dream perhaps: that customers will come in for a drink and fall in love with his comfortable little locale.

Best Of Miami®

Best Of Miami®