White People in Rap Music: A Five-Part History

Miami's craziest white boy, Stitches.
Miami's craziest white boy, Stitches.

Miami's rap scene is making headlines once again, this time for a music video showing an 18-year-old unsigned hellion waving AKs and pounds of cocaine in the air. Stitches, named for his sewn-up Glasgow Smile tattoo, has garnered more than 8 million views for "Brick in Yo Face" on WorldStarHipHop since the clip's April 30 premiere.

Sure, the video is way over the top. Dude seriously loves selling blow. But aside from all the coke falling like snowflakes and absurd verbiage, we were interested to see that homeboy is a white kid. It got us thinking how strange Caucasians can be in their approach to hip-hop. Through the years, they've always been a little -- different.

See Also: Vanilla Ice on Almost Dying, Joining the Juggalos, and "Living the American Dream"

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A lot of people talk about white people in hip-hop like it was something new in the '90s, but that's just not true. Rap pioneer and producer Rick Rubin was white, and he was one of the founding members and producers at Def Jam Records, right alongside Russell Simmons. Their combined contributions to the world of hip-hop were instrumental. They introduced the world to artists including LL Cool J, Public Enemy, and who could forget those three Jewish kids from Brooklyn known as the Beastie Boys. Sure, they always had a punk-rock edge, but they were just as hip-hop as anyone else, and they're almost always overlooked as legitimate white representation in the earliest days of the scene. White people been here, doing things their own wacky-ass way since the get-go.

See also: Five Reasons Today's Rappers Are Fakes

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