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Wednesday Night: Q-Tip at Revolution

Wednesday Night: Q-Tip at Revolution


Photo by Eddie Rosenstock

Q-Tip with The Cool Kids
Wednesday, November 26, 2008
Revolution, Fort Lauderdale

Better Than: Watching Q-Tip live on Letterman.

The Review: Rap shows normally feature an MC accompanied by a tour DJ and a laptop, but when an artist such as Q-Tip brings a tight band with him onstage alongside the legendary DJ Scratch, it takes the concert to another dimension. Last night The Abstract smashed Revolution going into his deep Tribe Called Quest catalog while featuring tracks off his fresh new record, The Renaissance, fittingly released this past Election Day.

Hearing classics like "Electric Relaxation" with an improvised bass-line and the melodic keys of the album's first single "Gettin' Up" re-interpreted live, really took the vibe of a dimly-lit downtown New York City BB King's to Fort Lauderdale's hype, packed house at Revolution.


Before the Tipster got on, the young fitted hat crowd was treated to an

energetic show from Chi-town representers The Cool Kids and the New

Orleans-bred Knux. Both, considered to be the new breed of rapsters

(rappin' hipsters, yes we coined that one!), combine bass and

blog-content into their music while getting the shawty's in the crowd

to shake a lil' somethin'. Inviting a couple of Broward females up on

stage, The Cool Kids, Mikey Rocks and Chuck English, turned the venue

into a "Bassment Party" before going into the MTV2 favorite "Delivery

Man" and riding out with the boostin' "Black Mags" accompanied by some

nice backdrop footage.

Combining the new acts of The Knux and Cool Kids with a draw like

Q-Tip was a good marketing move by the concert promoter at 2K Sports,

as was their ploy to setup video game consoles at the side of the stage

where ballers could test their skills on the latest hoops release, NBA

2K8. The graphics are ill and D.Wade is still unstoppable.

After waiting close to an hour with just a roots reggae CD spinning,

Q-Tip rose to the stage playing the vocals of a Barak Obama speech with

the Democratic logo shining behind him over turntable imagery. The

president elect gave way to the heavy guitar riff intro of "Shaka"

where Tip lyrically eulogized his brother and fallen brethren,

including fists in the air for the one and only, producer J-Dilla.

Once he got warm, the show didn't stop for close to two hours as The

Abstract moved skillfully in between tracks off The Renaissance and

Tribe material backed by the aforementioned four-piece band, DJ Scratch

and Tip on singing duties.
 

Dilla got his own tribute as Q jumped from Slum Village's Detroit City

anthem "Get Dis Money" [which saw our local editor from the D with a

fist in the air], to the buzzin' "Fever" and latest single "Move"

complete with Michael Jackson highlights.

A Tribe Called Quest has so many hits that when Tip performs it could

really be an all-nighter, as he teased the crowd with cuts like this

writers jam "Verses from the Abstract" and "Sucka Nigga" channeling

Freddie Hubbard, while leaving smashes like "Scenario" and "Award Tour"

for an evening ending, speaker standing medley.

DJ Scratch bum rushed the show as he party rocked in between band

solos, duplicating his "pick it up" routine but disappointingly left

the Jason Voorhees mask at

home. Tip then turned the venue into a park jam as he re-created the wood

pecking snares on the classic "Mt. Airy Groove" breakbeat with his MPC1000

as Scratch cut the bass, before his keyboard player did his best T-Pain

moving octaves on the chorus to "Find My Way".

Underrated as a singer, Q left the backup vocalists on the bus covering

Raphael Saadiq on the thought provoking "Fight/ Love" and made sure all

the fans knew that I do this music for ya'll on "You".

Ending off with a Rick James-esque version of "Vivrant Thing", Tip

rocked the crowd to a loud ovation in front of three of his band

players on electric piano/ guitar who looked and played like they were

moonlighting for Prince's Revolution.

Evident of the show last night and the new record, Q-Tip is just reaching his Renaissance.

Critic's Notebook

Personal Bias: Revolution needs to get a DJ or local act to keep the

crowd hype in between acts. You can't keep just a reggae CD on for an

hour before the headliner hits the stage.

Random Detail: During Q-Tip's performance, footage from old Tribe

videos and silhouetted images of the band/crowd were being shown behind

him on a silk screen. Nice move.

By The Way: Tip has made three tight videos so far for his album,

including the latest for "Renaissance Rap." Search 'em out.

-- Bernard Hacker


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