With his soaring voice and arena-rock fluency, Todd Rundgren seemed destined for hit-after-hit superstardom when he released his third album, the entirely self-recorded Something/Anything, in 1972. Looking back, though, it was clear that Rundgren had too many experimental itches to scratch — and the progression of his career has arguably been more satisfying as a result. Sure, he routinely takes erratic turns, and his ventures into electronic music and prog haven't necessarily aged well, but you can't deny that Rundgren has stuck to his guns. And when he's on, he sure can wail.
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