Possessed of a raw, booming voice, Jones (born Thomas Jones Woodward) exudes an erotic toughness. Despite the sly smile and swiveling hips, and even though he's just two months shy of 67, Mr. Jones remains a he-man among he-men.
But what stands out in my mind as his central achievement is this: He single-crotchedly baptized an entire generation of young men and women into the illicit pleasures of sexual innuendo. After all, we of a certain age — whose childhoods preceded today's open knowledge of sex — can still recall the songs Jones sang on his television show, and all the frilly underwear that came raining down on him.
Like Eartha Kitt, Jones offered throaty titillation — listening to his records felt like getting away with something. A track like "What's New Pussycat?" (so innocuous now as to be quaint) was to us kids of the Sixties and Seventies suggestive of activities we didn't quite understand. Whoa-oh-oh was just a hook, a cool sound that stuck in our heads. But the way he asked the titular question, and the sonic smirk of those sing-songy verses, made us close the bedroom door and lower the volume a bit.
Glen Campbell had cool hair and a cool guitar and cool songs, Sonny and Cher were weirdly funny, and Andy Williams was someone to goof on. Tom Jones, though — he was a high priest of the proto-horny.
This is putting aside his astounding musical versatility. Although he's written only two of his own songs, Jones has charted in a half-dozen genres during five different decades. ToJo is to his native Wales what his friend Van Morrison is to Northern Ireland: a chronic collaborator. (Naturally he and Van collaborated on the 1991 album Carrying the Torch.) Jones later teamed with Art of Noise to cover Prince's "Kiss," and took part in the Chieftans' confab, The Long Black Veil.
In 1996 he put out his most popular record, Reload, an assembly of duets featuring songs by Talking Heads, Iggy Pop, the Kinks, and Randy Newman. He sang with Pavarotti and made an album with Wyclef Jean. He worked on a documentary called The Blues and recorded a roots rock album with Jools Holland. Jones is the man who recorded "Sex Bomb" at age 60. He's both an archetype and an anomaly: craggy and dimpled, leathery smooth, blue collar but sophisticated, handsome but hardly pretty, soulful but square, macho but sweet. Married but, um, available.
But some historical reference, before we start, uh, gushing.
Jones made up a third of a triad that served music fans living outside the twin whirlwinds of Beatlemania and Elvisness: Jerry Lee Lewis was the trailer trash roughneck, Little Richard was where the boys were, and Jones represented a classy but rugged musical machismo. He was Engelbert Humperdinck with talent.
At his early-career gigs, Jones wore black leather, neck to toe. He continued to dress in the uniform of future clubland — boots, tight black pants, black button-down shirt — at a time when bell bottoms and paisley were the rage. He sported bling before the term had been invented. In 1965, after hitting the charts with the theme song to the James Bond movie Thunderball, he won a Grammy for best new artist. A year later, as his popularity waned, he switched to a tuxedo, his bow tie always unfastened, his pocket scarf employed to soak up facial sweat.
This is a guy whose story is such that his Website doesn't have a biography. It has a Tomography, which tells you that Thomas Jones Woodward — make that Sir Thomas, pal — was born in 1940 in Pontypridd, South Wales, where he grew up listening to cool American music on the BBC, quit school at age sixteen to work as a laborer, and fathered a son a year later.
Jones worked in a paper mill and drank like a fish. One night in 1963, the singer for the local beat band Tommy Scott and the Senators went AWOL and Jones, fortified by plenty of beer, sat in as guest vocalist at a YMCA gig. The Senators asked him to take over as Tommy Scott, which was soon enough changed to Jones, a winky allusion to Fielding's low-born stud of the same name. Jones and the Senators landed a deal with Decca in 1964. Alas, the mainstream wasn't quite ready for the Jones sexual revolution. His first single for Decca ("Chills and Fever") flopped, and the BBC refused to play the randy followup.
But a pirate station called Radio Caroline was only too happy to broadcast "It's Not Unusual," which became a hit, as did his cover of Burt Bacharach's "What's New Pussycat?" Jones soon began a stint in Las Vegas, where the tradition of throwing lingerie at him, born back in Great Britain, took hold. Then he went solo and the underwear showers continued on his TV show, which ran from 1969 to 1971 on both ABC and British television.
Jones has appeared in films and on The Simpsons, been awarded the Order of the British Empire, and invited by President Clinton to perform at the Lincoln Memorial during the millennium celebrations. In 2005 he was knighted. There's some irony in this last accolade, given that he's lived in America since the Seventies, reportedly to avoid paying British income taxes. (He has said that he doesn't consider himself an American, and feels guilty that he's unable to speak Welsh.)
Miraculously, Jones, allegedly given to many a dalliance over the years, remains to this day married to his first and only bride, Melinda. On March 2 they celebrated their golden anniversary.
His biographer has said that Mrs. Jones treats him as if he were a janitor or businessman. Jones himself once said the two met during a time when "you put up with your husband for better or for worse," and that the marriage has been strained on occasion by "show business," but that they are still in love and happy. Not so much husband and wife as man and wife.
The days of unadulterated adultery may be over for Jones, who is now, by the way, a grandpa. But if Jones wants the panties off, you can rest assured he'll get them off (again, pun intended). When it comes to wetting, or whetting, certain appetites — making the shiver shake and the quiver quake — Tom Jones remains your man.
