Just because an artist matures doesn't mean his fans will. So although Chris Palko, AKA Cage, experienced a personal epiphany that's taken his music in a new direction, he doesn't blame fans for not wanting to come along for the ride.
The rapper's latest, Depart From Me, is hardly a rap album. Rife with indie-tronic synth and raging guitars (courtesy of ex-Hatebreed guitarist Sean Martin), it follows the direction hinted at in his Daryl Palumbo 2005 collaboration, "Shoot Frank," off Cage's second album, Hell's Winter. Only this time there are hardly any beats. There's also a slightly more positive tone, which is equally bewildering given the darkness Cage sings about.
His father was an abusive heroin addict whose crazy, rebellious streak he emulated. A wild kid who was beaten by his stepfather and uncle, Cage got into drugs and was committed by his mom to Stoney Lodge psychiatric hospital in New York when he was a teen. There he was among the first test cases for Prozac, and he attempted suicide using shoelaces and the tape from a Big Daddy Kane cassette. Such trials are recounted throughout his catalogue, and his persona — a decadent, nihilistic, drug-addled MC — was cultivated in his single "Agent Orange" and 2002 debut, Movies for the Blind.
Cage: With Less Than Jake and the Swellers. Saturday, December 12. Revolution, 200 W. Broward Blvd, Fort LauderdaleShow begins at 6 p.m.; tickets cost $19954-727-0950; jointherevolution.net
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He dropped the drugs and degrading sexual undertone on Hell's Winter, but his latest disc even attempts to short-circuit some of the self-hate and angst. It's expressed on tracks such as the punky "Fat Kids Need an Anthem," which keenly dissects his onetime food issues, and "Captain Bumout," which repudiates his old image, suggesting "there's more than being in a club, getting drunk, one of us throwing up and waking up like we're in love."
The catalyst for the change in sound and expression was his friend and protégé Camu Tao, who died of cancer last year. "After he passed away, my entire world fell apart," Cage says. "I had never been so wounded in my whole life. I had been through so much."
The change began several years ago, when the two friends and tour mates watched videos of their performances and became dissatisfied with the stale elements of typical hip-hop. So they turned to Black Flag and Iggy Pop videos, trying to adopt rock mannerisms. The change in music comes out of the same impulse, for Depart From Me represents an attempt to bring the sound in line with the stage show. To that end, Hatebreed's Martin joins Cage and his DJ on tour, playing guitar and keyboard parts. Even old songs are getting a facelift.
Meanwhile, Cage's spirit has already gotten one. Watching his friend die of cancer made his bleak attitude difficult to sustain. "I couldn't come in and say, 'Hey, listen to my songs. I know you're dying, but listen to my songs about wanting to die,'" he says. "I didn't know what to do, so I started making songs that were a little happier."